Author: Alain Silver Publisher: Hal Leonard Corporation ISBN: 9780879101978 Category : Performing Arts Languages : en Pages : 364
Book Description
(Limelight). This bountiful anthology combines all the key early writings on film noir with many newer essays, including some published here for the first time. The collection is assembled by the editors of the Third Edition of Film Noir: An Enclyclopedic Reference to the American Style , now regarded as the standard work on the subject.
Author: Alain Silver Publisher: Hal Leonard Corporation ISBN: 9780879103057 Category : Performing Arts Languages : en Pages : 340
Book Description
This text identifies a handful of plot elements that consistently recur within film noir and analyses in depth the memorable pictures that, while being vivid prototypes of certain cinematics themes, bend and break their moulds to find new ways to enthral and frighten us.
Author: Alain Silver Publisher: Hal Leonard Corporation ISBN: 0879102802 Category : Performing Arts Languages : en Pages : 359
Book Description
In the wake of the remarkable success of Film Noir Reader, this new collection further explores a genre of limitless fascination -- and one that continues to inspire and galvanise the latest generation of film-makers. Again heavily illustrated, with close to 150 stills, Film Noir Reader 2 is organised much like the earlier volume.
Author: Robert Porfirio Publisher: Hal Leonard Corporation ISBN: 9780879109615 Category : Performing Arts Languages : en Pages : 260
Book Description
(Limelight). Departing from the approach of its Film Noir Reader predecessors, this third volume in the series assembles a collection of interviews with film noir directors and a cinematographer, few of whom are alive today. Interviewees include Billy Wilder ( Double Indemnity and Sunset Boulevard ), Otto Preminger ( Laura ), Joseph Lewis ( Gun Crazy and The Big Combo ), Curtis Bernhardt ( Possessed and A Stolen Life ), Edward Dmytryk ( Murder, My Sweet and Crossfire ), and Fritz Lang ( Scarlet Street and The Woman in the Window ).
Author: James Naremore Publisher: Univ of California Press ISBN: 0520254023 Category : Performing Arts Languages : en Pages : 403
Book Description
"Supplies the first study of film noir that achieves the sort of intellectual seriousness, depth of research, degree of critical insight, and level of writing that this group of films deserves."—Tom Gunning, Modernism and Modernity
Author: Alain Silver Publisher: Hal Leonard Corporation ISBN: 9780879103323 Category : Performing Arts Languages : en Pages : 428
Book Description
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to "The Sopranos," complete the anthology.
Author: Joan Copjec Publisher: Verso ISBN: 9780860914600 Category : Performing Arts Languages : en Pages : 316
Book Description
For this was the summer when, after the hiatus of the Second World War, French critics were again given the opportunity to view films from Hollywood. The films they saw, including The Maltese Falcon, Double Indemnity. Laura, Murder, My Sweet, and The Woman in the Window, prompted the naming and theorization of a new phenomenon: film noir. Much of what has been written about the genre since has remained within the orbit of this preliminary assessment. While sympathetic towards the early French critics, this collection of original essays attempts to move beyond their first fascinated look. Beginning with an autonomy of that look—of the 'poujadist' climate that nourished it and the imminent collapse of the Hollywood studio system that gave it its mournful inflection—Shades of Noir re-explores and calls into question the object first constructed by it. The impetus for this shift in perspective comes from the films themselves, viewed in the light of contemporary social and political concerns, and from new theoretical insights. Several contributions analyze the re-emergence of noir in recent years, most notably in the hybrid forms produced in the 1980s by the merging of noir with science fiction and horror, for example Blade Runner and Angel Heart, and in films by black directors such as Deep Cover, Straight out of Brooklyn, A Rage in Harlem and One False Move. Other essays focus on the open urban territory in which the noir hero hides out; the office spaces in Chandler, and the palpable sense of waiting that fills empty warehouses, corridors and hotel rooms. Finally, Shades of Noir pays renewed attention to the lethal relation between the sexes; to the femme fatale and the other women in noir. As the role of women expands, the femme fatale remains deadly, but her deadliness takes on new meanings. Contributors: Janet Bergstrom, Joan Copjec, Elizabeth Cowie, Manthia Diawara, Frederic Jameson, Dean MacCannel, Fred Pfeil, David Reid and Jayne L. Walker, Marc Vernet, Slavoj Zizek.
Author: Shannon Scott Clute Publisher: UPNE ISBN: 1611680476 Category : Performing Arts Languages : en Pages : 338
Book Description
Part thinking-man's fan crush, part crazily inspired remix of the most beloved of film genres, this book will force scholars and film lovers alike to view film noir afresh
Author: Nathaniel Deyo Publisher: Springer Nature ISBN: 3030370585 Category : Performing Arts Languages : en Pages : 217
Book Description
Built around close readings of 11 noir films, this book seeks to refresh our understanding of “film noir” by returning to the films themselves. Pushing against totalizing or generalizing approaches, which may have the unintended effect of flattening out significant distinctions and differences between individual approaches, Film Noir and the Possibilities of Hollywood argues for the importance of staying attuned the varied and variegated formal, aesthetic and thematic strategies at work in individual films. By focusing on these strategies, the book invites readers to consider anew the enabling possibilities of Hollywood filmmaking in the studio era.
Author: Mark T. Conard Publisher: University Press of Kentucky ISBN: 0813137152 Category : Performing Arts Languages : en Pages : 396
Book Description
An essay collection examining the philosophical elements of select films in noir cinema, as well as the genre’s legacy in film and culture. A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy. Praise for The Philosophy of Film Noir “The essays work both as solid primers into philosophy, stretching from Aristotle to Schopenhauer, and as lucid excursions into the genre’s dark, mean streets. . . . A fascinating, readable, and provocative book. . . . Highly recommended.” —Choice “Dense and intriguing, the book suggests noir is best perceived as a slightly warped mirror held up to contemporary society.” —Publishers Weekly
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Author: Alain Silver
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Author: Mark T. Conard