Author: Norman Del Mar
Publisher: Univ of California Press
ISBN: 9780520045002
Category : Music
Languages : en
Pages : 536
Book Description
Before his death in 1994, Norman Del Mar was acknowledged as one of the world's foremost authorities on the orchestra. Anatomy of the Orchestra is written not only for fellow conductors, players, students, and professional musicians, but also for everyone interested in the performance of orchestral music.
Conducting Beethoven
Author: Norman Del Mar
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able to lead us in a discussion of them with passion and great insight. This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music's structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the different editions. But his book further traces the development of Beethoven's style and that of the symphony over the twenty-four years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the `Choral', one of the greatest masterpieces of the symphonic form. Del Mar is thus able to speak to all devotees of Beethoven's symphonic output, and enhance our appreciation of these works.
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 244
Book Description
It might be thought presumptuous to detail every thought, beat, and gesture in conducting the standard repertoire, for the art of interpretation must always, by its very nature, be a personal one. But from his lifelong experience in conducting the Beethoven symphonies Norman Del Mar is able to lead us in a discussion of them with passion and great insight. This is an essential guide for students of these great works and a starting-point for young conductors. Del Mar offers an analysis of the music's structure, pointing out key events in the score and offering advice on how to achieve the desired effect. He also compares variant readings in the different editions. But his book further traces the development of Beethoven's style and that of the symphony over the twenty-four years of their composition, from the inspired yet simple First, so evocative of Haydn and Mozart, to the supreme peak of the `Choral', one of the greatest masterpieces of the symphonic form. Del Mar is thus able to speak to all devotees of Beethoven's symphonic output, and enhance our appreciation of these works.
The Score, the Orchestra, and the Conductor
Author: Gustav Meier
Publisher: Oxford University Press
ISBN: 0199716900
Category : Music
Languages : en
Pages : 510
Book Description
Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.
Publisher: Oxford University Press
ISBN: 0199716900
Category : Music
Languages : en
Pages : 510
Book Description
Known internationally for his work as a teacher of conducting, Gustav Meier's influence in the field cannot be overstated. In The Score, the Orchestra and the Conductor, Meier demystifies the conductor's craft with explanations and illustrations of what the conductor must know to attain podium success. He provides useful information from the rudimentary to the sophisticated, and offers specific and readily applicable advice for technical and musical matters essential to the conductor's first rehearsal with the orchestra. This book details many topics that otherwise are unavailable to the aspiring and established conductor, including the use of the common denominator, the "The ZIG-ZAG method", a multiple, cross-indexed glossary of orchestral instruments in four languages, an illustrated description of string harmonics, and a comprehensive listing of voice categories, their overlaps, dynamic ranges and repertory. The Score, the Orchestra and the Conductor is an indispensable addition to the library of every conductor and conducting student.
Henry Cowell
Author: Joel Sachs
Publisher: Oxford University Press
ISBN: 0190227923
Category : Biography & Autobiography
Languages : en
Pages : 619
Book Description
Henry Cowell: A Man Made of Music is the first complete biography of one of the most innovative figures in twentieth-century American music. It explores in detail the complexities and impact of his life, work, and teachings.
Publisher: Oxford University Press
ISBN: 0190227923
Category : Biography & Autobiography
Languages : en
Pages : 619
Book Description
Henry Cowell: A Man Made of Music is the first complete biography of one of the most innovative figures in twentieth-century American music. It explores in detail the complexities and impact of his life, work, and teachings.
Orchestration Theory
Author: James E. Perone
Publisher: Bloomsbury Publishing USA
ISBN: 0313387893
Category : Music
Languages : en
Pages : 200
Book Description
Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.
Publisher: Bloomsbury Publishing USA
ISBN: 0313387893
Category : Music
Languages : en
Pages : 200
Book Description
Presenting detailed bibliographic information on all aspects of orchestration, instrumentation, and musical arranging with the broadest possible historical and stylistic palette, this work includes over 1,200 citations. The sources range from treatises, dissertations, and textbooks to journal articles and are cross-referenced and indexed. This is the only comprehensive bibliographic reference guide of its kind on the subject of orchestration. It will be of value to the music theory teacher, undergraduate and graduate students of orchestration, and the researcher. The book contains chapters devoted to book-length treatises; a general bibliography of journal articles and books partially related to orchestration; a chronological list of orchestration treatises; a list of jazz-arranging treatises; a list of band-related treatises; a list of treatises dealing with specific instruments or instrumental families; and an index. This is the first in a series of music theory reference books the author is developing.
Consciousness
Author: Peter T. Walling
Publisher: AuthorHouse
ISBN: 1449034403
Category : Nature
Languages : en
Pages : 125
Book Description
Walling and Hicks make a direct assault on the "Everest" of scientific mysteries. The authors trace the first glimmerings of consciousness in evolution and during emergence from anesthesia. There are no formulae or equations; all the difficult concepts have been presented as allegories and pictures. Unlike many philosophical books about consciousness, they have evidence to back up their ideas. This book is also an attempt to bridge the chasm between science and religion which the authors believe to be largely unnecessary.
Publisher: AuthorHouse
ISBN: 1449034403
Category : Nature
Languages : en
Pages : 125
Book Description
Walling and Hicks make a direct assault on the "Everest" of scientific mysteries. The authors trace the first glimmerings of consciousness in evolution and during emergence from anesthesia. There are no formulae or equations; all the difficult concepts have been presented as allegories and pictures. Unlike many philosophical books about consciousness, they have evidence to back up their ideas. This book is also an attempt to bridge the chasm between science and religion which the authors believe to be largely unnecessary.
The Robert Shaw Reader
Author: Robert Shaw
Publisher: Yale University Press
ISBN: 0300128649
Category : Music
Languages : en
Pages : 477
Book Description
Symposium on Hate Wayne Downey, M.D. Notes on Hate and Hating Linda Mayes, M.D. Discussion of Downey's Notes on Hate and Hating Ernst Prelinger, Ph.D. Thoughts on Hate Edward R. Shapiro, M.D. Discussion of Prelinger's Thoughts on Hate Clinical papers Susan Sherkow, M.D. Further Reflections on the Watched Play State, Play Interruptions, and the Capacity to Play Alone Barbara Novak From Chaos to Developmental Growth Silvia M. Bell, Ph.D. Early Vulnerability in the Development in the Phallic Narcissistic Phase Howard M. Katz, M.D. Motor Action, Emotion, and Motive Papers on Technique M. Barrie Richmond, M.D. Counter Responses as Organizers in Adolescent Analysis and Therapy Lawrence N. Levenson, M.D. Resistance to Self-observation in Psychoanalytic Treatment Papers on Theory A. Scott Dowling, M.D. A Reconsideration of the Concept of Regression John M. Jemerin, M.D. Latency and the Capacity to Reflect on Mental States Harold Blum, M.D. Two Principles of Mental Functioning Contributions from Developmental Psychology Golan Shahar, Ph.D., et al. Representations in Action Susan A. Bers, Ph.D., et al. The Sense of Self in Anorexia Nervosa Patients
Publisher: Yale University Press
ISBN: 0300128649
Category : Music
Languages : en
Pages : 477
Book Description
Symposium on Hate Wayne Downey, M.D. Notes on Hate and Hating Linda Mayes, M.D. Discussion of Downey's Notes on Hate and Hating Ernst Prelinger, Ph.D. Thoughts on Hate Edward R. Shapiro, M.D. Discussion of Prelinger's Thoughts on Hate Clinical papers Susan Sherkow, M.D. Further Reflections on the Watched Play State, Play Interruptions, and the Capacity to Play Alone Barbara Novak From Chaos to Developmental Growth Silvia M. Bell, Ph.D. Early Vulnerability in the Development in the Phallic Narcissistic Phase Howard M. Katz, M.D. Motor Action, Emotion, and Motive Papers on Technique M. Barrie Richmond, M.D. Counter Responses as Organizers in Adolescent Analysis and Therapy Lawrence N. Levenson, M.D. Resistance to Self-observation in Psychoanalytic Treatment Papers on Theory A. Scott Dowling, M.D. A Reconsideration of the Concept of Regression John M. Jemerin, M.D. Latency and the Capacity to Reflect on Mental States Harold Blum, M.D. Two Principles of Mental Functioning Contributions from Developmental Psychology Golan Shahar, Ph.D., et al. Representations in Action Susan A. Bers, Ph.D., et al. The Sense of Self in Anorexia Nervosa Patients
The Tango Orchestra
Author: Julián Peralta
Publisher:
ISBN: 9780997489309
Category :
Languages : en
Pages : 248
Book Description
Written by one of tango music's most active contemporary orchestra leaders and composers, this book presents for the first time a comprehensive anatomy of the theory and techniques of tango arranging. Included are traditional accompaniment patterns; rules for voicing of parts; typical tango articulations and performance techniques for all instruments used in tango; and strategies for melodic and rhythmic permutation. The book prepares the tango composer or arranger with a solid grounding in traditional tango harmony and orchestration, illustrating the common practices of arrangers of the major 20th century tango orchestras. More than 400 musical examples represent a wide range of composers and arrangers, such as Canaro, De Caro, Di Sarli, Federico, Firpo, Fresedo, Gardel, Gobbi, Laurenz, Piazzolla, Plaza, Pontier, Pugliese, Salgan, Troilo, and others. Excerpts of scores for full orchestra, and a complete 12-instrument orchestration of a tango are provided for analysis. Julian Peralta is the central catalyst behind the new orquesta tipica movement in Buenos Aires. He has directed dozens of contemporary tango orchestras, including Orquesta Fernandez Fierro, Astillero, and Orquesta Típica Julián Peralta. He teaches at Escuela de Musica Popular de Avellaneda, Escuela de Tango Orlando Goñi, and the Tanguero Workshop.In The Tango Orchestra: Fundamental Concepts and Techniques, Peralta shares the knowledge he has gained from more than 20 years of studying the literature of the tango orchestra. It is a "must read" for anyone who intends to study tango seriously.
Publisher:
ISBN: 9780997489309
Category :
Languages : en
Pages : 248
Book Description
Written by one of tango music's most active contemporary orchestra leaders and composers, this book presents for the first time a comprehensive anatomy of the theory and techniques of tango arranging. Included are traditional accompaniment patterns; rules for voicing of parts; typical tango articulations and performance techniques for all instruments used in tango; and strategies for melodic and rhythmic permutation. The book prepares the tango composer or arranger with a solid grounding in traditional tango harmony and orchestration, illustrating the common practices of arrangers of the major 20th century tango orchestras. More than 400 musical examples represent a wide range of composers and arrangers, such as Canaro, De Caro, Di Sarli, Federico, Firpo, Fresedo, Gardel, Gobbi, Laurenz, Piazzolla, Plaza, Pontier, Pugliese, Salgan, Troilo, and others. Excerpts of scores for full orchestra, and a complete 12-instrument orchestration of a tango are provided for analysis. Julian Peralta is the central catalyst behind the new orquesta tipica movement in Buenos Aires. He has directed dozens of contemporary tango orchestras, including Orquesta Fernandez Fierro, Astillero, and Orquesta Típica Julián Peralta. He teaches at Escuela de Musica Popular de Avellaneda, Escuela de Tango Orlando Goñi, and the Tanguero Workshop.In The Tango Orchestra: Fundamental Concepts and Techniques, Peralta shares the knowledge he has gained from more than 20 years of studying the literature of the tango orchestra. It is a "must read" for anyone who intends to study tango seriously.
The Musical Instrument Desk Reference
Author: Michael J. Pagliaro
Publisher: Scarecrow Press
ISBN: 081088271X
Category : Music
Languages : en
Pages : 201
Book Description
In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information. The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories. The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.
Publisher: Scarecrow Press
ISBN: 081088271X
Category : Music
Languages : en
Pages : 201
Book Description
In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information. The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories. The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.