The Cinema of Béla Tarr

Author: András B. Kovács
Publisher: Columbia University Press
ISBN: 0231850379
Category : Performing Arts
Languages : en
Pages : 193

Book Description
The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

Béla Tarr, the Time After

Author: Jacques Rancière
Publisher: U of Minnesota Press
ISBN: 1937561364
Category : Philosophy
Languages : en
Pages : 49

Book Description
From Almanac of Fall (1984) to The Turin Horse (2011), renowned Hungarian filmmaker Béla Tarr has followed the collapse of the communist promise. The “time after” is not the uniform and morose time of those who no longer believe in anything. It is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved. It is the time of pure material events against which belief will be measured for as long as life will sustain it.

Organic Cinema

Author: Thorsten Botz-Bornstein
Publisher: Berghahn Books
ISBN: 1785335677
Category : Performing Arts
Languages : en
Pages : 227

Book Description
The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.

The Melancholy of Resistance

Author: László Krasznahorkai
Publisher: New Directions Publishing
ISBN: 9780811215046
Category : Fiction
Languages : en
Pages : 328

Book Description
From the winner of the 2015 Man Booker International Prize

The Cinema of Bla Tarr

Author: Andrs Kovcs
Publisher: Columbia University Press
ISBN: 0231165315
Category : Performing Arts
Languages : en
Pages : 193

Book Description
This study analyzes the work of Hungary's most prominent film director, written by a scholar who has known Béla Tarr personally and professionally for more than 25 years. Tracing the evolution of the director's unique characters, themes, and style, the text locates the significance of Tarr's films in their powerful vision of an entire region and its history. Tarr's films express, in their universalistic language, the shared feelings and experiences of millions of Eastern Europeans.

Slow Places in Béla Tarr's Films

Author: Clara Orban
Publisher:
ISBN: 9781793645647
Category : Performing Arts
Languages : en
Pages : 232

Book Description
This book explores Hungarian filmmaker Béla Tarr's approach to creating geographies of indifference through slow cinema techniques. Author Clara Orban utilizes close readings of the films, relevant poems, a thorough filmography, and an interview with Tarr in her analysis.

Poetics of Slow Cinema

Author: Emre Çağlayan
Publisher: Springer
ISBN: 3319968726
Category : Performing Arts
Languages : en
Pages : 260

Book Description
This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.

Slow Movies

Author: Ira Jaffe
Publisher: Columbia University Press
ISBN: 0231169795
Category : Performing Arts
Languages : en
Pages : 210

Book Description
"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.

Transcendental Style in Film

Author: Paul Schrader
Publisher: Univ of California Press
ISBN: 0520969146
Category : Performing Arts
Languages : en
Pages : 292

Book Description
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.

The Long Take

Author: Lutz Koepnick
Publisher: U of Minnesota Press
ISBN: 1452955077
Category : Performing Arts
Languages : en
Pages : 262

Book Description
In The Long Take, Lutz Koepnick posits extended shot durations as a powerful medium for exploring different modes of perception and attention in our fast-paced world of mediated stimulations. Grounding his inquiry in the long takes of international filmmakers such as Béla Tarr, Tsai Ming-liang, Abbas Kiarostami, Apichatpong Weerasethakul, and Michael Haneke, Koepnick reveals how their films evoke wondrous experiences of surprise, disruption, enchantment, and reorientation. He proceeds to show how the long take has come to thrive in diverse artistic practices across different media platforms: from the work of photographer Hiroshi Sugimoto to the screen-based installations of Sophie Calle and Tacita Dean, from experimental work by Francis Alÿs and Janet Cardiff to durational images in contemporary video games. Deeply informed by film and media theory, yet written in a fluid and often poetic style, The Long Take goes far beyond recent writing about slow cinema. In Koepnick’s account, the long take serves as a critical hallmark of international art cinema in the twenty-first century. It invites viewers to probe the aesthetics of moving images and to recalibrate their sense of time. Long takes unlock windows toward the new and unexpected amid the ever-mounting pressures of 24/7 self-management.