Author: W. C. Handy Publisher: Da Capo Press ISBN: 9780306804212 Category : Music Languages : en Pages : 340
Book Description
W. C. Handy's blues—“Memphis Blues," "Beale Street Blues," "St. Louis Blues"—changed America's music forever. In Father of the Blues, Handy presents his own story: a vivid picture of American life now vanished. W. C. Handy (1873–1958) was a sensitive child who loved nature and music; but not until he had won a reputation did his father, a preacher of stern Calvinist faith, forgive him for following the "devilish" calling of black music and theater. Here Handy tells of this and other struggles: the lot of a black musician with entertainment groups in the turn-of-the-century South; his days in minstrel shows, and then in his own band; how he made his first 100 from "Memphis Blues"; how his orchestra came to grief with the First World War; his successful career in New York as publisher and song writer; his association with the literati of the Harlem Renaissance.Handy's remarkable tale—pervaded with his unique personality and humor—reveals not only the career of the man who brought the blues to the world's attention, but the whole scope of American music, from the days of the old popular songs of the South, through ragtime to the great era of jazz.
Author: Noel Hudson Publisher: ISBN: 9781550464870 Category : Groupes rock Languages : en Pages : 0
Book Description
A big, open-it-anywhere book created for music fans and pop-culture followers of all ages, The Band Name Book explains how (or where) the best-named bands in history got their names. Those names are profound, clever, silly, provocative or downright obscure. This entertaining book is full of information and trivia about bands from the dawn of rock 'n' roll right up to today's Internet-based independents. The Beatles are here, as well as Led Zeppelin, Pearl Jam, Nine Inch Nails and the Goo Goo Dolls. But the best fun is found with rock history's lesser-known groups, in Web-savvy contemporary bands, and with true originals. Among their names: Atomic Rooster Arctic Monkeys The Lemonheads The Formaldebrides The Soup Dragons Pavlov's Woody Arcade Fire Big Al and the Kaholics Hectic Watermelon Smorgasborgnine. The Band Name Book includes entries on thousands of bands from more than 30 countries, divided into dozens of entertaining and irreverent categories with special notes on name origins, genres and best album titles. There are profiles of notable bands. And there's even a list of "Names Still Available" for each category. Colour throughout
Author: Martin Atkins Publisher: Chicago Review Press ISBN: 1556529740 Category : Music Languages : en Pages : 743
Book Description
From packing the right equipment to keeping enough gas in the tank to get home, every aspect of making a successful tour with a band is addressed in this comprehensive guide. More than 100 luminaries and leading organizations from the world of touring--among them Chris Connelly, Henry Rollins, the House of Blues, and the Vans Warped Tour, as well as club owners, tour managers, and even sex advisors--provide handy insider know-how along with insight on mistakes commonly made by novice bands. Chapters address the nitty-gritty of touring, with instructions on how to secure venues and publicity, how to stay healthy on the road, and how to keep the budget in the black. Loaded with hundreds of years' worth of collective hands-on experience from those steeped in the music business, this is a must-have resource for creating an unforgettable tour.
Author: Frank Erickson Publisher: Alfred Music ISBN: 9781457493782 Category : Music Languages : en Pages : 180
Book Description
Arranging for the Concert Band and the separately available workbook are intended to introduce students to basic techniques of arranging for the concert band. Arranging can be divided into two separate processes. The first deals with scoring and transcribing. Scoring is concerned with such things as voicing, doubling, balance and color. The term scoring also means the actual writing of notes on the score paper. Transcribing is scoring music written for one kind of musical instrument or group -- say a piano or orchestra -- for a different kind of group. This text deals with those matters. The second part of arranging is the more creative process of writing introductions, modulations, endings, background figures and so on.
Author: Victor L. Wooten Publisher: Penguin ISBN: 1440637695 Category : Music Languages : en Pages : 289
Book Description
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker
Author: Hal Galper Publisher: Alfred Music ISBN: 9781457426933 Category : Music Languages : en Pages : 260
Book Description
The Touring Musician helps performers at all levels of experience to take control of their careers. Packed with practical information, this invaluable handbook guides musicians in applying sound business practices to band travel by evaluating assets, creating an action plan, researching, negotiating, and booking venues, arranging transportation and lodgings, managing personal and tour finances, and getting publicity. The Touring Musician includes: * Point-by-point advice about how to set up a small business * Eleven sample worksheets and checklists, in a ready-to-photocopy format, that will help keep you and your information organized * Samples of the major types of legal documents involved in booking a band * A step-by-step chapter showing you how to book and route a sample tour, including five calendars and five budgets * Plus solid advice about how to research your venue contacts, negotiate gigs and fees, manage your band finances, coordinate your promotional activities, and much, much more.
Author: Alex Ross Publisher: Farrar, Straus and Giroux ISBN: 1429932880 Category : Music Languages : en Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: William Christopher Handy Publisher: ISBN: 9781557095213 Category : Music Languages : en Pages : 0
Book Description
This classic collection of great blues songs, arranged for piano and voice, was originally published in 1926. Considered the most famous blues collection in history, it includes historical notes, tunes and arrangements, notes for each song, a bibliography, and a chart of guitar chords. Illustrated by renowned Mexican illustrator Miguel Covarrubias.
Author: Adam Gussow Publisher: University of Chicago Press ISBN: 0226311007 Category : Social Science Languages : en Pages : 356
Book Description
Winner of the 2004 C. Hugh Holman Award from the Society for the Study of Southern Literature. Seems Like Murder Here offers a revealing new account of the blues tradition. Far from mere laments about lost loves and hard times, the blues emerge in this provocative study as vital responses to spectacle lynchings and the violent realities of African American life in the Jim Crow South. With brilliant interpretations of both classic songs and literary works, from the autobiographies of W. C. Handy, David Honeyboy Edwards, and B. B. King to the poetry of Langston Hughes and the novels of Zora Neale Hurston, Seems Like Murder Here will transform our understanding of the blues and its enduring power.
Author: Lynn Abbott Publisher: Univ. Press of Mississippi ISBN: 1496810058 Category : Music Languages : en Pages : 433
Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
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Author: W. C. Handy
Author: Noel Hudson
Author: Martin Atkins
Author: Frank Erickson
Author: Victor L. Wooten
Author: Hal Galper
Author: Alex Ross
Author: William Christopher Handy
Author: Adam Gussow
Author: Lynn Abbott