Author: Lois M. Lynds-borton Publisher: Trafford Publishing ISBN: 1466907169 Category : Fiction Languages : en Pages : 171
Book Description
This story will take you on a familys journey, beginning near the end of the potato famine in Ireland, and their subsequent passage over the sea to the port in Blackpool, England. We will follow their adventures, as the next generation begins to thrive there. In the coming years, we observe as one young couple takes a giant leap across the ocean to join mid-point of the Industrial Revolution in America. Many of you are aware of the brave sacrifices your own grandparents, or great grandparents made in that same period in history never to see many members of their own families again. You will learn more about each member of these families, as their personalities emerge, throughout their various experiences, as the story unfolds.
Author: Lee Carruthers Publisher: SUNY Press ISBN: 1438460856 Category : Performing Arts Languages : en Pages : 188
Book Description
Proposes that cinematic time is not a fixed idea, but a dynamic exchange between film and viewer. Doing Time addresses two areas of interest in recent film studyfilm temporality and film philosophyto propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a films temporal character, is called its timeliness. Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each films characteristic way of doing time. Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity. Drawing on the writings of French film critic and theorist André Bazin, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Lee Carruthers forwards a claim about the value of cinematic time for thinking. She also raises the tasks of film analysis and interpretation to renewed visibility. By prioritizing the viewers experience of filmic temporality, and offering a rich vocabulary for describing this exchange, Carruthers articulates a new sphere of theoretical inquiry that invites film viewers (and readers) to participate. Lee Carruthers makes an original and powerful argument about the importance of timeliness, providing a much-needed alternative approach to that of Deleuze to thinking seriously about the temporality of cinema. Her chapters, including one on The Tree of Life, are masterful criticism. William Rothman, author of Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock
Author: Andrew Spicer Publisher: Bloomsbury Publishing ISBN: 0857734539 Category : Biography & Autobiography Languages : en Pages : 364
Book Description
Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.
Author: Robert Swann Publisher: New Generation Publishing ISBN: 1785075659 Category : Fiction Languages : en Pages : 514
Book Description
Who is Simon Hunter? Is he a wealthy international entrepreneur or a parasite preying on an unsuspecting society? Simon Hunter is a rare binary man. Some see him as the abductor of talented individuals and others as a liberator of down trodden ordinary people - but beware, with him nothing is quite as it seems. What he does and the way he does it excites the interests of intelligence agencies on both sides of the Atlantic; they want to use his unique talents to further their own devious aspirations. He is thrust unwillingly into a complicated life of intrigue and double dealing which takes him to the squalid back streets of London, the unsavoury ghettos of Africa and immerses him in the sinister world of international conspiracy. Can he come to terms with the the demands thrust upon him when his family become enmeshed in the danger of the shadowy world into which he finds himself? The answer to his dilemma unfolds in a series of unpredictable and fateful consequences which will leave him and those around him forever changed.
Author: R. Barton Palmer Publisher: University Press of Kentucky ISBN: 0813126622 Category : Social Science Languages : en Pages : 330
Book Description
At the age of twenty-six, Steven Soderbergh launched his career in the film industry with astonishing success. His film sex, lies, and videotape (1989), which he wrote in only eight days, won the prestigious Palm d'Or at the Cannes Film Festival, a bittersweet blessing that shaped high expectations for the young director. The film, also nominated for an Academy Award, is regarded by most film experts as a turning point in the history of American independent cinema. The Philosophy of Steven Soderbogh examines Soderbergh's full body of work, from films that brought him commercial success such as Erin Brockovich (2000), to more controversial films such as The Limey (1999), which put his name among the ranks of such celebrated filmmakers as the Coen brothers, David Lynch, and Orson Welles. Editors R. Barton Palmer and Steven M. Sanders introduce readers to the imaginative storylines, philosophically salient themes, and inventive approaches to filmmaking that distinguish Soderbergh's work. Expert scholars analyze Soderbergh's films individually, exploring topics such as the nature of reality in Solaris (2002); the heritage of Enlightenment thought in Schizopolis (1996); guilt, punishment, and redemption in The Limey (1999); altruism in Erin Brockovich (2000); truth, knowledge, and ethics in sex, lies, and videotape (1989); politics as reality and fiction in K Street (2004); and Kantian ethics, performance, and agency in Traffic (2000) and the Ocean's trilogy (2001-2007). Like the Coens and David Lynch, Soderbergh places emphasis on character over narrative, self-conscious stylistic display and visual exuberance, and a deep, often disturbing engagement with the problematic aspects of the human condition. His films take on a variety of cinematic forms, often by joining the traditions of film noir and crime cinema with European styles and themes. By consistently challenging the viewer to question the foundations of knowledge, understanding, and reality, Soderbergh's films have played a significant role in the advancement of American art cinema. R. Barton Palmer Is Calhoun Lemon Professor of Literature at Clemson University and the author or editor of many books. Steven M. Sanders, professor emeritus of philosophy at Bridgewater State University
Author: Sarah Lynn Higley Publisher: Wayne State University Press ISBN: 9780814330647 Category : Performing Arts Languages : en Pages : 268
Book Description
Daniel Myrick and Eduardo Sanchez's The Blair Witch Project seemingly appeared from nowhere to become one of 1999's highest grossing films. While generating revenue as a low budget movie backed by a media blitz, The Blair Witch Project also generated controversy and made a mockery of the Hollywood industry, billing itself as "real" footage of a supernatural event. Critics were divided over some of the most basic questions: whether the film was an artistic success or the product of its hype, for example, and whether it challenged Hollywood conventions or succumbed to them in the end. Nothing That Is: The Blair Witch Controversies examines these and other debates, and initiates some of its own about American taste for horror, hoax, independent films, the Internet, and the direction of cinema in the twenty-first century. The book explores the modest origins and rapid demise of this independent film- while also analyzing the sensational results of its broad media discourses--a Web site developing the back story of The Blair Witch Project was one of the most-accessed sites on the entire Internet at the time of the movie's release. These essays, from many diverse perspectives, also look at The Blair Witch Project's manipulation of cinematic codes, its view on technology and the occult, its film progenitors, and even its effects on the film's setting of Burkittsville, Maryland. Nothing That Is will interest both film scholars and fans of this unexpected blockbuster that emerged from, if not "nothing," a complex brew of culture, technology, and ingenuity.
Author: Craig Detweiler Publisher: Baker Academic ISBN: 080102417X Category : Religion Languages : en Pages : 352
Book Description
A candid, often humorous look at how to find truth in music, movies, television, and other aspects of pop culture. Includes photos, artwork, and sidebars.
Proudly powered by WordPress |
Theme: Rits Blog by Crimson Themes.
Author: Lois M. Lynds-borton
Author: Lee Carruthers
Author: Andrew Spicer
Author: Robert Swann
Author: 
Author: R. Barton Palmer
Author: Sarah Lynn Higley
Author: Adam Stones
Author: James Geikie
Author: Craig Detweiler