Japan-ness in Architecture

Author: Arata Isozaki
Publisher: National Geographic Books
ISBN: 0262516055
Category : Architecture
Languages : en
Pages : 0

Book Description
One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context. Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context—not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization—what Isozaki calls "Japanesquization"—lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.

Japan-ness in Architecture

Author: Arata Isozaki
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 380

Book Description
One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context. Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context - not to be defined forever by their everlasting materiality but as texts to be interpreted and reread continually. In Japan-ness in Architecture he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyses the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, the twelfth-century Todai-ji Temple and its sixteenth-century reconstruction, and the seventeenth-century Katsura Imperial Villa. the West's concept of architectural permanence and in the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the constructive power of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness that was born in moments of historic self-definition; the purified stylisation - what Isozaki calls Japanesquisation - lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and pre-eminent architectural thinkers.

The Constructed Other: Japanese Architecture in the Western Mind

Author: Kevin Nute
Publisher: Routledge
ISBN: 0429751354
Category : Architecture
Languages : en
Pages : 176

Book Description
The Constructed Other argues that the assumed otherness of Japanese architecture has made it both a testbed for Western architectural theories and a source of inspiration for Western designers. The book traces three recurring themes in Western accounts of Japanese architecture from the reopening of Japan in the mid-nineteenth century to the present day: a wish to see Western architectural theories reflected in Japanese buildings; efforts to integrate elements of Japanese architecture into Western buildings; and a desire to connect contemporary Japanese architecture with Japanese tradition. It is suggested that, together, these narratives have had the effect of creating what amounts to a mythical version of Japanese architecture, often at odds with historical fact, but which has exercised a powerful influence on the development of building design internationally.

What is Japanese Architecture?

Author: Kazuo Nishi
Publisher: National Geographic Books
ISBN: 1568364121
Category : Architecture
Languages : en
Pages : 0

Book Description
Traditional Japanese architecture—whether Buddhist temples or Shinto shrines, residences, castles, or teahouses—has become increasingly familiar around the world. Through the media of motion pictures, art books, T.V. documentaries and dramas such as Shogun, as well as through personal experience, more and more people have gained an acquaintance and appreciation of the architecture of premodern Japan. Some may even be able to name or recognize the oldest and the largest wooden structures in existence, which are to be found in Japan at Horyuji and Todaiji respectively. Yet often this knowledge is still rudimentary. Confusion abounds as to what distinguishes Japanese architecture from Chinese or Korean, or even Southeast Asian, not to mention what sets off a Buddhist temple from a Shinto shrine or, say, a residence of the tenth century from one of the eighteenth. Until now, there has been no recourse for those seeking, through a single book, to increase their appreciation of the whole range of traditional Japanese architecture. With the publication of What Is Japanese Architecture?, however, this situation has finally been rectified. Construction, design, carpentry, and the background of Japanese architecture, from prehistory to mid-nineteenth century, are here made available within the covers of a single, compact book. With over 300 drawings that illuminate the essentials of discussion more concretely than words could ever do, and a text that is succinct and always to the point, the book is divided into four parts—one each dealing chronologically with religious structures, residences, castles, and places of entertainment. The reader learns not only how each of these fields of architecture has evolved over the centuries and what distinguishes the buildings of one age from those of another, but something of the historical conditions and the people responsible for these changes as well as the role played by carpentry and methods of construction. The establishment and growth of the historic Japanese capitals—Nara, Kyoto, Edo—is brought sharply into focus, along with the rise and spread of other urban centers. Also highlighted are the mansions of the court nobility; the castles and residences of the samurai aristocracy; the homes of village elders; dwellings of the common people; educational institutions, and places of entertainment such as theaters, red-light districts, teahouses, and country villas. Any book that is as full of information as this, and readily accessible and clearly illustrated at the same time, will be of great interest and use to a wide range of people—architects, designers, historians, carpenters, movie buffs, tourists, garden designers, and others, whether amateur or professional. Whatever the readers' background, there is little doubt about one thing: they will emerge with an acuter eye and a greater sensitivity to the delights of traditional Japanese architecture.

New Architecture in Japan

Author: Yuki Sumner
Publisher:
ISBN:
Category : Architects
Languages : en
Pages : 280

Book Description
This informative and beautifully illustrated book showcases projects of all types, sizes and budgets from the last decade in Japan, and includes museums, private houses, schools, shops, hospitals, airports and chapels. Both cutting-edge, emerging young practices – such as Sou Fujimoto and Junya Ishigami – and established, internationally known architects – among them Toyo Ito, Tadao Ando, Kengo Kuma and SANAA – are featured, as are international practices working in Japan (such as Rogers Stirk Harbour, Foster + Partners and Herzog & de Meuron). Stunning images by leading architectural photographer Edmund Sumner are accompanied by accessible critical texts and drawings. This illuminating survey is essential not just for architects and designers but also for anyone fascinated by Japan's unique – and increasing – influence on architecture worldwide.

Japanese Homes and Their Surroundings

Author: Edward S. Morse
Publisher:
ISBN:
Category :
Languages : en
Pages : 422

Book Description

Traditional Japanese Architecture

Author: Mira Locher
Publisher: Tuttle Publishing
ISBN: 1462906060
Category : Architecture
Languages : en
Pages : 718

Book Description
By examining the Japanese history of buildings and building designs from prehistory to modern day, lovers of Japan will develop a deeper understanding and appreciation of this island country. Simplicity, sensitivity to the natural environment, and the use of natural materials are the hallmarks of Japanese architecture. The Art of Japanese Architecture provides a broad overview of traditional Japanese architecture in its historical and cultural context. It begins with a discussion of prehistoric dwellings and concludes with a description of modern Japanese buildings. Important historical influences and trends--notably the introduction of Buddhist culture from Korea and China, the development of feudalism, and the influence of modern Western styles of building--are all discussed in detail as facets of Japanese design. Through all of these changes, a restrained architectural tradition developed in marked contrast to an exuberant tradition characterized by monumentality and the use of bold colors. The book provides tremendous insights into the dynamic nature of Japanese architecture and how it reflects an underlying diversity within Japanese culture. The book is profusely illustrated with over 370 color photographs, woodblock prints, maps, diagrams, and specially commissioned watercolors.

Experiencing Architecture, second edition

Author: Steen Eiler Rasmussen
Publisher: MIT Press
ISBN: 9780262680028
Category : Architecture
Languages : en
Pages : 260

Book Description
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”

Metabolism in Architecture

Author: Kishō Kurokawa
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216

Book Description
Even in a country where outstanding achievements have become almost a commonplace, the Japanese architect, Kisho Kurokawa, appears as both a remarkable and a remarkably successful man. With buildings in the United States and Eastern and Western Europe as well as in Japan, he has established an international reputation as a leading figure amongst the younger generation of architects. At the age of forty he already had thirty-five major buildings and seventeen books to his credit; four new towns are being built to his designs; he heads a company of over a hundred employees, he runs a think-tank and an urban design bureau and for variety he has his own television programme with a regular audience of some 30 million. Behind these statistics lies a prodigious vitality expressed in original and stimulating buildings. -- from book jacket.

Peter Salter

Author: Peter Salter
Publisher: Circa
ISBN: 9781911422075
Category : Architecture
Languages : en
Pages : 120

Book Description
Peter Salter is an architect and teacher (at the Architectural Association, the University of East London, the University of Bath, and the Welsh School of Architecture) whose work has influenced several generations of students. Walmer Yard, in Notting Hill, is his first residential project in the UK and one of only a small number of buildings he has completed worldwide. Although modest in scale, the project is extraordinary in many ways. On an irregularly shaped site, Salter's design brings four houses into a complex relationship with each other, half-formal, half-familiar, interdependent yet solitary. Similarly, the relations among the core team who developed the design are more nuanced than in most architectural projects, since they all met at the Architectural Association in Peter Salter's unit, where Crispin Kelly (the client) and Fenella Collingridge (Peter's current collaborator) were student contemporaries. This book documents the project with Peter Salter's original pen-and-ink drawings and H�l�ne Binet's extraordinary photographs.