Author: Sarah Waters
Publisher: McClelland & Stewart
ISBN: 1551993392
Category : Fiction
Languages : en
Pages : 482
Book Description
From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.
Wayside School Gets a Little Stranger by Louis Sachar : a Novel Study
Author: Ruth Solski
Publisher: On The Mark Press
ISBN: 1550354191
Category :
Languages : en
Pages : 65
Book Description
The zany world of Wayside School will delight your students while the activities in our lit link guide their learning. Chapter questions and additional activities in vocabulary, word study, and personal development.
Publisher: On The Mark Press
ISBN: 1550354191
Category :
Languages : en
Pages : 65
Book Description
The zany world of Wayside School will delight your students while the activities in our lit link guide their learning. Chapter questions and additional activities in vocabulary, word study, and personal development.
Wayside School Gets A Little Stranger
Author: Louis Sachar
Publisher: A&C Black
ISBN: 1408812479
Category : Juvenile Fiction
Languages : en
Pages : 129
Book Description
All the kids from Wayside School had to spend 243 days in horrible schools while Wayside was closed to get rid of the infestation of cows! Now the kids are back and the fun begins again on every floor. Miss Mush has prepared a special lunch of baked liver in purple sauce and it is pet day on the 30th floor. There are dogs and cats and frogs and skunks and an orange named Fido, causing a terrible commotion. But the biggest surprise of all is that Mrs Jewls is expecting a baby and a substitute teacher is coming, and everyone knows what that means . . . Wayside School is going to get a little stranger.
Publisher: A&C Black
ISBN: 1408812479
Category : Juvenile Fiction
Languages : en
Pages : 129
Book Description
All the kids from Wayside School had to spend 243 days in horrible schools while Wayside was closed to get rid of the infestation of cows! Now the kids are back and the fun begins again on every floor. Miss Mush has prepared a special lunch of baked liver in purple sauce and it is pet day on the 30th floor. There are dogs and cats and frogs and skunks and an orange named Fido, causing a terrible commotion. But the biggest surprise of all is that Mrs Jewls is expecting a baby and a substitute teacher is coming, and everyone knows what that means . . . Wayside School is going to get a little stranger.
A Little Stranger
Author: Kate Pullinger
Publisher: Kate Pullinger Books
ISBN: 0992851939
Category : Fiction
Languages : en
Pages : 336
Book Description
Sometimes everything is not enough... Fran has a good life: a happy marriage to a successful man, a healthy, sweet-natured toddler, a nice London flat. Then, one day, she walks out, leaving it all behind. As Fran travels to Las Vegas and on to Vancouver she is haunted by memories of her own childhood and driven to reconnect with her estranged mother, Ireni, whose descent into alcoholism has left her destitute. Will understanding why her own mother failed as a parent help Fran lay the ghosts of her past to rest and return home to her husband and child, or is she destined to repeat her mother’s mistakes? Praise for A Little Stranger: “The dark side of motherhood explored in a tale of terror and rage” Independent “Gripping, sharp and brilliantly kind. She knows the gamble that life is and she never once flinches. Her books are always revelations. What a good read” Ali Smith “Pullinger treats with thoughtful sympathy that profound taboo, the breaking of the mother-baby bond” Guardian “A Little Stranger is that extraordinary thing: a mix of literary excellence and finesse combined with a very ordinary and accessible look at life” Sunday Express
Publisher: Kate Pullinger Books
ISBN: 0992851939
Category : Fiction
Languages : en
Pages : 336
Book Description
Sometimes everything is not enough... Fran has a good life: a happy marriage to a successful man, a healthy, sweet-natured toddler, a nice London flat. Then, one day, she walks out, leaving it all behind. As Fran travels to Las Vegas and on to Vancouver she is haunted by memories of her own childhood and driven to reconnect with her estranged mother, Ireni, whose descent into alcoholism has left her destitute. Will understanding why her own mother failed as a parent help Fran lay the ghosts of her past to rest and return home to her husband and child, or is she destined to repeat her mother’s mistakes? Praise for A Little Stranger: “The dark side of motherhood explored in a tale of terror and rage” Independent “Gripping, sharp and brilliantly kind. She knows the gamble that life is and she never once flinches. Her books are always revelations. What a good read” Ali Smith “Pullinger treats with thoughtful sympathy that profound taboo, the breaking of the mother-baby bond” Guardian “A Little Stranger is that extraordinary thing: a mix of literary excellence and finesse combined with a very ordinary and accessible look at life” Sunday Express
Victimhood and Vulnerability in 21st Century Fiction
Author: Jean-Michel Ganteau
Publisher: Taylor & Francis
ISBN: 1351801155
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
New Visibilities: Victimhood and Other Forms of Vulnerability in 21st-century Fiction (eds. Jean-Michel Ganteau and Susana Onega) addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction and of twelve articles written by specialists from various European countries and includes an interview with US novelist Jayne Anne Philips, conducted by her translator into French, Marc Amfreville, addressing her latest novel, Quiet Dell, through the victimhood-vulnerability prism. The corpus of primary sources on which the volume is based draws on various literary backgrounds in English, from Britain to India, through the USA. All contributions are original.
Publisher: Taylor & Francis
ISBN: 1351801155
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
New Visibilities: Victimhood and Other Forms of Vulnerability in 21st-century Fiction (eds. Jean-Michel Ganteau and Susana Onega) addresses the relationship between trauma and ethics, and moves one step further to engage with vulnerability studies in their relation to literature and literary form. It consists of an introduction and of twelve articles written by specialists from various European countries and includes an interview with US novelist Jayne Anne Philips, conducted by her translator into French, Marc Amfreville, addressing her latest novel, Quiet Dell, through the victimhood-vulnerability prism. The corpus of primary sources on which the volume is based draws on various literary backgrounds in English, from Britain to India, through the USA. All contributions are original.
Little Folks' Christmas Stories and Plays
Author: Various
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 162
Book Description
"Little Folks' Christmas Stories and Plays" by various and compiled by Ada M. Skinner is a collection of heartwarming stories that capture the spirit of the holiday season. Meant for children, each tale has charm, wit, and a little bit of magic to help kids keep their spirits high as they count down the days until Christmas morning. This book has become a favorite read during the holidays since it was first released.
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 162
Book Description
"Little Folks' Christmas Stories and Plays" by various and compiled by Ada M. Skinner is a collection of heartwarming stories that capture the spirit of the holiday season. Meant for children, each tale has charm, wit, and a little bit of magic to help kids keep their spirits high as they count down the days until Christmas morning. This book has become a favorite read during the holidays since it was first released.
The Little Stranger
Author: Sarah Waters
Publisher: Penguin
ISBN: 1101052546
Category : Fiction
Languages : en
Pages : 488
Book Description
Soon to be a major motion picture, directed by Lenny Abrahamson and starring Domhnall Gleeson and Ruth Wilson. "The #1 book of 2009...Several sleepless nights are guaranteed."—Stephen King, Entertainment Weekly One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
Publisher: Penguin
ISBN: 1101052546
Category : Fiction
Languages : en
Pages : 488
Book Description
Soon to be a major motion picture, directed by Lenny Abrahamson and starring Domhnall Gleeson and Ruth Wilson. "The #1 book of 2009...Several sleepless nights are guaranteed."—Stephen King, Entertainment Weekly One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
Green Forest Stories
Author: Thornton W. Burgess
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 365
Book Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 365
Book Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
Green Forest Stories
Author: Thornton W. Burgess
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 365
Book Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.) The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 365
Book Description
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.) The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect. This book is part of the Standard Ebooks project, which produces free public domain ebooks.