Author: John Cleese
Publisher:
ISBN: 9781529157529
Category : Language Arts & Disciplines
Languages : en
Pages : 0
Book Description
____________________________ We can all be more creative. John Cleese shows us how. Creativity is usually regarded as a mysterious, rare gift that only a few possess. John Cleese begs to differ, and in this short, immensely practical and often very amusing guide he shows it's a skill that anyone can acquire. Drawing on his lifelong experience as a writer, he shares his insights into the nature of the creative process, and offers advice on how to get your own inventive juices flowing. ____________________________ 'Humorous and practical ... Whether you're hoping to write a novel or paint a masterpiece, you're sure to feel inspired' OK Magazine 'His candor is endearing ... An upbeat guide to the creative process' Kirkus 'A jovial romp ... Cleese fans will enjoy, and writers and other artists will breeze through, picking up a few nuggets of wisdom along the way' The Festival Review 'A sincere and thoughtful guide to creativity, and a very useful book' Graham Norton 'Wise words on the serious business of being silly' Sunday Business Post
Creative Speech
Author: Rudolf Steiner
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 244
Book Description
In this collection of lectures, exercises, and articles, Steiner demonstrates how speech can be brought to life. Relevant to actors, teachers, therapists, and anybody interested in the development of speech, this book will be an invaluable friend and guide. The basis of Steiner's perspective is that the audible sound of speech is the end result of an inner process. In contrast to the belief that speaking is entirely a matter of correct placement in the mouth, Steiner advises speakers to concentrate on what takes place before the mechanical production of sound is made in the physical organism.
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 244
Book Description
In this collection of lectures, exercises, and articles, Steiner demonstrates how speech can be brought to life. Relevant to actors, teachers, therapists, and anybody interested in the development of speech, this book will be an invaluable friend and guide. The basis of Steiner's perspective is that the audible sound of speech is the end result of an inner process. In contrast to the belief that speaking is entirely a matter of correct placement in the mouth, Steiner advises speakers to concentrate on what takes place before the mechanical production of sound is made in the physical organism.
Presentation Zen
Author: Garr Reynolds
Publisher: Pearson Education
ISBN: 0321601890
Category : Business & Economics
Languages : en
Pages : 316
Book Description
FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.
Publisher: Pearson Education
ISBN: 0321601890
Category : Business & Economics
Languages : en
Pages : 316
Book Description
FOREWORD BY GUY KAWASAKI Presentation designer and internationally acclaimed communications expert Garr Reynolds, creator of the most popular Web site on presentation design and delivery on the Net — presentationzen.com — shares his experience in a provocative mix of illumination, inspiration, education, and guidance that will change the way you think about making presentations with PowerPoint or Keynote. Presentation Zen challenges the conventional wisdom of making "slide presentations" in today’s world and encourages you to think differently and more creatively about the preparation, design, and delivery of your presentations. Garr shares lessons and perspectives that draw upon practical advice from the fields of communication and business. Combining solid principles of design with the tenets of Zen simplicity, this book will help you along the path to simpler, more effective presentations.
Make Good Art
Author: Neil Gaiman
Publisher: Harper Collins
ISBN: 0062266829
Category : Self-Help
Languages : en
Pages : 184
Book Description
THIS BOOK IS FOR EVERYONE LOOKING AROUND AND THINKING, "NOW WHAT?” Neil Gaiman’s acclaimed commencement address, "Make Good Art," thoughtfully and aesthetically designed by renowned graphic artist Chip Kidd. This keepsake volume is the perfect gift for graduates, aspiring creators, or anyone who needs a reminder to run toward what gives them joy. When Neil Gaiman delivered his "Make Good Art" commencement address at Philadelphia’s University of the Arts, he shared his thoughts about creativity, bravery, and strength. He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he encouraged them to make good art. The speech resonated far beyond that art school audience and immediately went viral on YouTube and has now been viewed more than a million times. Acclaimed designer Chip Kidd brings his unique sensibility to this seminal address in this gorgeous edition that commemorates Gaiman's inspiring message.
Publisher: Harper Collins
ISBN: 0062266829
Category : Self-Help
Languages : en
Pages : 184
Book Description
THIS BOOK IS FOR EVERYONE LOOKING AROUND AND THINKING, "NOW WHAT?” Neil Gaiman’s acclaimed commencement address, "Make Good Art," thoughtfully and aesthetically designed by renowned graphic artist Chip Kidd. This keepsake volume is the perfect gift for graduates, aspiring creators, or anyone who needs a reminder to run toward what gives them joy. When Neil Gaiman delivered his "Make Good Art" commencement address at Philadelphia’s University of the Arts, he shared his thoughts about creativity, bravery, and strength. He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he encouraged them to make good art. The speech resonated far beyond that art school audience and immediately went viral on YouTube and has now been viewed more than a million times. Acclaimed designer Chip Kidd brings his unique sensibility to this seminal address in this gorgeous edition that commemorates Gaiman's inspiring message.
Speech, Memory, and Meaning
Author: Boris Gasparov
Publisher: Walter de Gruyter
ISBN: 3110219115
Category : Language Arts & Disciplines
Languages : en
Pages : 318
Book Description
The book pursues a usage-oriented strategy of language description by infusing it with the central concept of post-structural semiotics and literary theory - that of intertextual memory. Its principal claim is that all new facts of language are grounded in the speakers' memory of previous experiences of using language. It is a "speech to speech" model: every new fact of speech is seen as emerging out of recalled fragments that are reiterated and manipulated at the same time. By the same token, the new meaning is always superscribed on something familiar and recognizable as its (more or less radical) alteration. The model offers a way to describe the meaning of language as an open-ended process, the way the meaning of literary works is described in modern literary criticism. The basic unit of the intertextual model is the Communicative Fragment (CF). A CF is a fraction of speech of any shape, meaning, and stylistic provenance, which speakers recognize and, as a consequence, treat as a whole. Its chief attributes are a prefabricated shape, an integral meaning (i.e., perceived as a whole whose scope always goes beyond the analyzable), and a specific communicative "texture" alluding at a speech genre, a tangible speech situation, and profiles of the speaker and the implied addressee. Although a CF has a recognizable shape, it is not as definitively set as that of stationary linguistic signs (words and morphemes). A CF can be tempered with, truncated or expanded, adapted to and fused with other CFs. The book describes in detail typical devices by which speakers manipulate their resources of linguistic memory, whose ever-new constellations in speech create infinite possibilities for new variations and shades of meaning. The book is of interest to linguists in such diverse fields as Cognitive Linguistics, discourse analysis, functional linguistics, language pedagogy, translation studies, semiotics, and the philosophy of language.
Publisher: Walter de Gruyter
ISBN: 3110219115
Category : Language Arts & Disciplines
Languages : en
Pages : 318
Book Description
The book pursues a usage-oriented strategy of language description by infusing it with the central concept of post-structural semiotics and literary theory - that of intertextual memory. Its principal claim is that all new facts of language are grounded in the speakers' memory of previous experiences of using language. It is a "speech to speech" model: every new fact of speech is seen as emerging out of recalled fragments that are reiterated and manipulated at the same time. By the same token, the new meaning is always superscribed on something familiar and recognizable as its (more or less radical) alteration. The model offers a way to describe the meaning of language as an open-ended process, the way the meaning of literary works is described in modern literary criticism. The basic unit of the intertextual model is the Communicative Fragment (CF). A CF is a fraction of speech of any shape, meaning, and stylistic provenance, which speakers recognize and, as a consequence, treat as a whole. Its chief attributes are a prefabricated shape, an integral meaning (i.e., perceived as a whole whose scope always goes beyond the analyzable), and a specific communicative "texture" alluding at a speech genre, a tangible speech situation, and profiles of the speaker and the implied addressee. Although a CF has a recognizable shape, it is not as definitively set as that of stationary linguistic signs (words and morphemes). A CF can be tempered with, truncated or expanded, adapted to and fused with other CFs. The book describes in detail typical devices by which speakers manipulate their resources of linguistic memory, whose ever-new constellations in speech create infinite possibilities for new variations and shades of meaning. The book is of interest to linguists in such diverse fields as Cognitive Linguistics, discourse analysis, functional linguistics, language pedagogy, translation studies, semiotics, and the philosophy of language.
Interpreting the Present
Author: Gerald J. Galgan
Publisher: University Press of America
ISBN: 9780819188762
Category : Philosophy
Languages : en
Pages : 276
Book Description
Michael and Carolyn's eyes locked. She was the most beautiful women he had ever seen. The Chronic he just blazed in the car might of influenced him a bit but in that moment he was completely enchanted. Carolyn's longing stare told him loud and clear that the attraction was mutual. If it were not for Carolyn's evil, demon possessed, homicidal boyfriend, that Michael inadvertently kills moments later, their chance encounter would have been fortuitous. Unfortunately evil had other ideas, take another host and continue it's killing spree and frame it's new friend... It's a great time A fast paced, page turning, twisted, erotic, supernatural thriller It's a great time A fast paced, hot, erotic, supernatural thriller EXCERPT: It was very dark, almost pitch black. I couldn't hear a thing, except for my heavy breathing. I was a bit nervous. I had never been in a situation like this before. The little room had the smell of old pine wood and body odor, my body odor. There wasn't any kind of air circulation in there and it was getting hotter by the moment. The only light came from the concealment screen that separated me from the priest. "Forgive me Father for I have sinned. It's been about fifteen years since my last confession." Maybe longer. "Very well, what is your confession?" The Father asked sounding half asleep. "Father I'm afraid I've done a very bad thing and I think I'm going to hell." "I see. Well my son, God weighs all sins equal and he died on the cross to take away all of our sins. All he asked for, is for you to ask for forgiveness." "I understand that. I also need some guidance." "Okay, let's start from the beginning then. Tell me your confession." "Okay Father. I'll tell you but parts of the story are a little embarrassing to admit, especially to a Priest." "Don't worry about that, you need to purge your soul, tell me everything." "Okay." It all started when I was driving through Texas. After losing my job six months ago. I've been making ends meet by helping a friend transport illegal narcotics across country, marijuana to be specific. Legal marijuana from California is in high demand on the East Coast. I transported it to a distributor in North Carolina. I was on my way back to So-Cal. I usually take HWY 40 to and from. It's the fastest route and it's clear of highway checkpoints, going out of California anyway. I made that trip four other times and I was getting a bit bored of the route, so I decided to take Interstate 10. I was driving through the long desolate part of Texas, the vast emptiness in between Houston and El Paso. The valleys were so vast that if someone dropped a nuke while you were in one there's a good chance they'd miss. I had half a tank of gas when I stopped at a BP for a fill up. With gas stations one hundred miles apart, I didn't want to chance it. After pumping my gas, I went inside for a Red Bull and a Snickers bar. That's where I saw Jezebel and it all started. "Jezebel? Was that the name she gave you or the name you gave her?" I must of stimulated a nerve. The Priest sounded interested all of a sudden. "That's the name she gave me, but not until later." Anyhow when I entered the BP's convenience store, Jezebel was leaning over the counter. She was pointing to her brand of cigarettes, Marlboro Special Blend Black. I don't know what the breakdown in communication was but the Middle Eastern attendant kept grabbing the wrong pack. Jezebel was quite the spectacle with her sun bleached blond hair, long, tan, toned, sexy legs. Her rear was firm and full in her Daisy Dukes. She was just so curvaceous and hot. At least her backside was. I was entranced, I couldn't see anything else, I was completely engrossed. I usually would have been satisfied with a glance and a few peaks while I was shopping or at check out but not this time. It was probably due to the joint I just finished off in the parking lot.
Publisher: University Press of America
ISBN: 9780819188762
Category : Philosophy
Languages : en
Pages : 276
Book Description
Michael and Carolyn's eyes locked. She was the most beautiful women he had ever seen. The Chronic he just blazed in the car might of influenced him a bit but in that moment he was completely enchanted. Carolyn's longing stare told him loud and clear that the attraction was mutual. If it were not for Carolyn's evil, demon possessed, homicidal boyfriend, that Michael inadvertently kills moments later, their chance encounter would have been fortuitous. Unfortunately evil had other ideas, take another host and continue it's killing spree and frame it's new friend... It's a great time A fast paced, page turning, twisted, erotic, supernatural thriller It's a great time A fast paced, hot, erotic, supernatural thriller EXCERPT: It was very dark, almost pitch black. I couldn't hear a thing, except for my heavy breathing. I was a bit nervous. I had never been in a situation like this before. The little room had the smell of old pine wood and body odor, my body odor. There wasn't any kind of air circulation in there and it was getting hotter by the moment. The only light came from the concealment screen that separated me from the priest. "Forgive me Father for I have sinned. It's been about fifteen years since my last confession." Maybe longer. "Very well, what is your confession?" The Father asked sounding half asleep. "Father I'm afraid I've done a very bad thing and I think I'm going to hell." "I see. Well my son, God weighs all sins equal and he died on the cross to take away all of our sins. All he asked for, is for you to ask for forgiveness." "I understand that. I also need some guidance." "Okay, let's start from the beginning then. Tell me your confession." "Okay Father. I'll tell you but parts of the story are a little embarrassing to admit, especially to a Priest." "Don't worry about that, you need to purge your soul, tell me everything." "Okay." It all started when I was driving through Texas. After losing my job six months ago. I've been making ends meet by helping a friend transport illegal narcotics across country, marijuana to be specific. Legal marijuana from California is in high demand on the East Coast. I transported it to a distributor in North Carolina. I was on my way back to So-Cal. I usually take HWY 40 to and from. It's the fastest route and it's clear of highway checkpoints, going out of California anyway. I made that trip four other times and I was getting a bit bored of the route, so I decided to take Interstate 10. I was driving through the long desolate part of Texas, the vast emptiness in between Houston and El Paso. The valleys were so vast that if someone dropped a nuke while you were in one there's a good chance they'd miss. I had half a tank of gas when I stopped at a BP for a fill up. With gas stations one hundred miles apart, I didn't want to chance it. After pumping my gas, I went inside for a Red Bull and a Snickers bar. That's where I saw Jezebel and it all started. "Jezebel? Was that the name she gave you or the name you gave her?" I must of stimulated a nerve. The Priest sounded interested all of a sudden. "That's the name she gave me, but not until later." Anyhow when I entered the BP's convenience store, Jezebel was leaning over the counter. She was pointing to her brand of cigarettes, Marlboro Special Blend Black. I don't know what the breakdown in communication was but the Middle Eastern attendant kept grabbing the wrong pack. Jezebel was quite the spectacle with her sun bleached blond hair, long, tan, toned, sexy legs. Her rear was firm and full in her Daisy Dukes. She was just so curvaceous and hot. At least her backside was. I was entranced, I couldn't see anything else, I was completely engrossed. I usually would have been satisfied with a glance and a few peaks while I was shopping or at check out but not this time. It was probably due to the joint I just finished off in the parking lot.
Icons of Power
Author: Naomi Janowitz
Publisher: Penn State Press
ISBN: 9780271047911
Category : Religion
Languages : en
Pages : 194
Book Description
Janowitz sifts through the polemics to make sense of the daunting mosaic of religious belief and practice in Late Antiquity. Janowitz reveals how ritual practitioners held common assumptions about why their rituals worked and how to perform them. Icons of Power makes an important contribution to our understanding of society in Late Antiquity.
Publisher: Penn State Press
ISBN: 9780271047911
Category : Religion
Languages : en
Pages : 194
Book Description
Janowitz sifts through the polemics to make sense of the daunting mosaic of religious belief and practice in Late Antiquity. Janowitz reveals how ritual practitioners held common assumptions about why their rituals worked and how to perform them. Icons of Power makes an important contribution to our understanding of society in Late Antiquity.