Author: Charles OsbornePublisher:
ISBN:
Category : Opera
Languages : en
Pages : 472
Book Description
The Complete Operas of Verdi
Author: Charles OsbornePublisher: Gollancz
ISBN: 9780575401181
Category : Opera
Languages : en
Pages : 487
Book Description
In this volume, every Verdi opera is explored from four points of view: Verdi's life at the time each was written; the story, and the way it links with the music; the libretto and librettist, and Verdi's relations with his publishers; and the music itself, analyzed with examples from the score.
Analyzing Opera
Author: Carolyn AbbatePublisher: Univ of California Press
ISBN: 0520310810
Category :
Languages : en
Pages : 468
Book Description
Analyzing Opera: Verdi and Wagner explores the latest developments in opera analysis by considering, side by side, the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new, comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses, and it serves to highlight the particular terms from which comparisons are often made. In this book some of the leading and most innovative music scholars challenge this view, suggesting that as we become more distant from the nineteenth century, we may see that Verdi and Wagner confronted largely similar problems, and even on occasion found similar solutions. But more than this, Analyzing Opera sets out to demonstrate the richness and variety of modern analytical approaches to the genre. As the editors point out in their introduction, today's musical scholars increasingly question the usefulness of organicist theories in analytical studies, and, as they do so, opera seems to become an ever more central area of investigation. Opera is peculiar: its clash of verbal, musical, and visual systems can produce incongruities and extravagant miscalculations. It invites a multiplicity of approaches, challenges orthodoxy, and embraces ambiguity. The sheer variety of essays presented here is witness to this fact and suggests that analyzing opera is one of the liveliest (and most polemical) areas in modern-day musical scholarship. Contributors: Philip Gossett, John Deathridge, James A. Hepokoski, Joseph Kerman, Thomas S. Grey, Matthew Brown, Anthony Newcomb, Martin Chusid, David Lawton, and Patrick McCreless. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Author: Julian BuddenThe Complete Operas Of Verdi
Author: Charles OsbornePublisher: Da Capo Press
ISBN: 9780306800726
Category : Music
Languages : en
Pages : 486
Book Description
The Complete Operas of Verdi is the first full-length study of all of Verdi's operas. This work of the brilliant British music critic Charles Osborne covers Verdi's complete operatic oeuvre--including the missing choral works, songs, a string quartet, and the Messa da Requiem. The operas of Shakespeare's Falstaff and Othello show how the legendary composer added both depth and dignity to the Italian operatic repertoire. In this volume, every Verdi opera is explored from four points of view: Verdi's life at the time each was written; the story, and the way it links with the music; the libretto and librettist, and Verdi's relations with his publishers; and the music itself, analyzed with examples from the score.
Author: Gabriele BaldiniLa Traviata
Author: Giuseppe VerdiPublisher:
ISBN: 9780714548555
Category : Music
Languages : en
Pages : 0
Book Description
'La Traviata' was Giuseppe Verdi's eighteenth opera and shows him at the height of his middle-period powers. Adapted from 'La Dame aux Camelias' by Alexandre Dumas fils, it portrays the love between the courtesan Violetta Valery and the young Alfredo Germont in fashionable Parisian society, with its inevitable tragic outcome. It had its premiere at La Fenice in Venice in 1853 and has gone on to become one of the most performed and greatly loved of all operas. There are articles in the guide about Verdi's preparations for the first performances, a musical commentary, an overview of the opera's social background and an examination of how the libretto was adapted from Dumas's play. Also included are a survey of important performances and performers, sixteen pages of illustrations, a musical thematic guide, the full libretto and English translation, a discography, bibliography and DVD and website guides.
Author: Giuseppe VerdiVerdi in Victorian London
Author: Massimo ZicariPublisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
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