Author: John Keats
Publisher:
ISBN:
Category :
Languages : en
Pages : 413
Book Description
Selected Poems, John Keats
Author: Glennis Byron
Publisher: York Notes Advanced
ISBN: 9780582784321
Category :
Languages : en
Pages : 120
Book Description
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to sophisticated analysis, a range of critical perspectives and wider contexts.
Publisher: York Notes Advanced
ISBN: 9780582784321
Category :
Languages : en
Pages : 120
Book Description
'York Notes Advanced' offer an accessible approach to English Literature. This series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, 'York Notes Advanced' introduce students to sophisticated analysis, a range of critical perspectives and wider contexts.
英美文学名篇导读
Author: 唐君国
Publisher: BEIJING BOOK CO. INC.
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 641
Book Description
《英美文学名篇导读》(A Guide to the Best Works in British & American Literature)是英语专业本科学生高年级阶段英美文学课程教材,亦可作为广大英美文学爱好者的自修用书。 本书以英美文学发展历史为经,以文学作品体裁为纬,精选英美文学中不同体裁、风格迥异的名作加以评注,对作品思想内容,艺术风格进行分析,帮助学生解决阅读理解上的困难并设计了思考问题供学生学习。全书共有诗歌、散文、小说、戏剧和文论五章。每章由体裁概述、作者简介、作品选篇、题解、注释、思考问题和学习资源七部分构成。
Publisher: BEIJING BOOK CO. INC.
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 641
Book Description
《英美文学名篇导读》(A Guide to the Best Works in British & American Literature)是英语专业本科学生高年级阶段英美文学课程教材,亦可作为广大英美文学爱好者的自修用书。 本书以英美文学发展历史为经,以文学作品体裁为纬,精选英美文学中不同体裁、风格迥异的名作加以评注,对作品思想内容,艺术风格进行分析,帮助学生解决阅读理解上的困难并设计了思考问题供学生学习。全书共有诗歌、散文、小说、戏剧和文论五章。每章由体裁概述、作者简介、作品选篇、题解、注释、思考问题和学习资源七部分构成。
Dickinson
Author: Emily Dickinson
Publisher: Harvard University Press
ISBN: 0674048679
Category : Literary Criticism
Languages : en
Pages : 552
Book Description
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
Publisher: Harvard University Press
ISBN: 0674048679
Category : Literary Criticism
Languages : en
Pages : 552
Book Description
Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.
Romantic Poetry
Author: Karl Kroeber
Publisher: Rutgers University Press
ISBN: 9780813520100
Category : Poetry
Languages : en
Pages : 520
Book Description
This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable.
Publisher: Rutgers University Press
ISBN: 9780813520100
Category : Poetry
Languages : en
Pages : 520
Book Description
This anthology fills the need for a comprehensive, up-to-date collection of the most important contemporary writings on the English romantic poets. During the 1980s, many theoretical innovations in literary study swept academic criticism. Many of these approaches--from deconstructive, new historicist, and feminist perspectives--used romantic texts as primary examples and altered radically the ways in which we read. Other major changes have occurred in textual studies, dramatically transforming the works of these poets. The world of English romantic poetry has certainly changed, and Romantic Poetry keeps pace with those changes. Karl Kroeber and Gene W. Ruoff have organized the book by poet--Blake, Wordsworth, Coleridge, Byron, Shelly, and Keats--and have included essays representative of key critical approaches to each poet's work. In addition to their excellent general introduction, the editors have provided brief, helpful forewords to each essay, showing how it reflects current approaches to its subject. The book also has an extensive bibliography sure to serve as an important research aid. Students on all levels will find this book invaluable.
Letitia Landon
Author: Glennis Byron
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
Book Description
On 7 June 1838 Letitia Elizabeth Landon married George Maclean; on 5 July they sailed for Cape Coast; on 16 August they landed and one month later, Landon, at the age of thirty six, was found dead, slumped against her bedroom door with an empty bottle of prussic acid in her hand. This is the first full account of the literary career, life and death of the woman who achieved fame as the poetess L.E.L. Glennis Stephenson begins with an account of the rise of the poetess in the early nineteenth century, and then, drawing upon contemporary memoirs and reviews and upon many of Landon's own unpublished letters, moves on to her early life, and shows how Landon fit herself into this category of 'poetess' by constructing the persona of L.E.L. The book concludes with a discussion of Landon's sudden and mysterious death, and how various readings and misreadings offered by friends and acquaintances struggled to reconcile the dual persona of Woman and poetess. The life and works of this fascinating figure illuminate the conflicts, both personal and artistic, for women writers in the nineteenth century.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
Book Description
On 7 June 1838 Letitia Elizabeth Landon married George Maclean; on 5 July they sailed for Cape Coast; on 16 August they landed and one month later, Landon, at the age of thirty six, was found dead, slumped against her bedroom door with an empty bottle of prussic acid in her hand. This is the first full account of the literary career, life and death of the woman who achieved fame as the poetess L.E.L. Glennis Stephenson begins with an account of the rise of the poetess in the early nineteenth century, and then, drawing upon contemporary memoirs and reviews and upon many of Landon's own unpublished letters, moves on to her early life, and shows how Landon fit herself into this category of 'poetess' by constructing the persona of L.E.L. The book concludes with a discussion of Landon's sudden and mysterious death, and how various readings and misreadings offered by friends and acquaintances struggled to reconcile the dual persona of Woman and poetess. The life and works of this fascinating figure illuminate the conflicts, both personal and artistic, for women writers in the nineteenth century.