Author: Tom McLaughlin
Publisher: Oxford University Press - Children
ISBN: 0192744402
Category : Juvenile Fiction
Languages : en
Pages : 243
Book Description
Schoolboy turns secret agent in this hilarious spy spoof! Before you read this, I want you to carefully check that no-one is reading over your shoulder - go ahead, do it now. First off, that was terrible - really obvious. If I'm going to tell you top secret government information, you're going to have to be a bit more stealthy. Try again. Was anyone looking? No? Right, then I'll begin. This year the secret service made a major mix up, they mistook a 13-year-old boy called Kevin for a secret agent (I know, so much for an 'intelligence' agency). This was the sort of kid that would try and zip wire across a building and end up falling head first into a fountain with his bum on show, so can you imagine what happened when he was allowed access to the amazing sort of spy gadgets that James Bond would use? Despite this, it was up to Kevin to save us all from an evil supervillain. It was the most dangerous, daring mission in the history of the secret service, and also its biggest blunder. This top secret book uncovers the entire story of Kevin's fateful and hilarious mission.
Joseph Conrad and Postcritique
Author: Jay Parker
Publisher: Springer Nature
ISBN: 3030724999
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
This book takes a postcritical perspective on Joseph Conrad’s central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim. Whereas critique is a form of reading that prioritizes suspicion, unmasking, and demystifying, postcritique ascribes positive value to the knowledge, affect, ethics, and politics that emerge from literature. The essays in this collection recognize the dark elements in Conrad’s fiction—deceit, vanity, avarice, lust, cynicism, and cruelty—yet they perceive hopefulness as well. Conrad’s skepticism unveils the dark heart of politics, and his critical heritage can feed our fear that humanity is incapable of improving. This Conrad is a well-known figure, but there is another, neglected Conrad that this book aims to bring to light, one who delves into the politics of hope as well as the politics of fear. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com
Publisher: Springer Nature
ISBN: 3030724999
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
This book takes a postcritical perspective on Joseph Conrad’s central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim. Whereas critique is a form of reading that prioritizes suspicion, unmasking, and demystifying, postcritique ascribes positive value to the knowledge, affect, ethics, and politics that emerge from literature. The essays in this collection recognize the dark elements in Conrad’s fiction—deceit, vanity, avarice, lust, cynicism, and cruelty—yet they perceive hopefulness as well. Conrad’s skepticism unveils the dark heart of politics, and his critical heritage can feed our fear that humanity is incapable of improving. This Conrad is a well-known figure, but there is another, neglected Conrad that this book aims to bring to light, one who delves into the politics of hope as well as the politics of fear. Chapters 1 and 2 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com
The Silent Game
Author: David Stafford
Publisher: University of Georgia Press
ISBN: 0820339431
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The Silent Game traces the history of spy writers and their fiction from creator William Le Queux, of the Edwardian age, to John le Carré, of the Cold War era. David Stafford reveals the connections between fact and fiction as seen in the lives of writers with experience in intelligence, including John Buchan, Compton Mackenzie, Somerset Maugham, Ian Fleming, and Graham Greene. Le Queux used his spy fiction as xenophobic propaganda before and after World War I, and le Carré's novels have provided reflections on the Cold War and the decline of Britain's influence. Anxieties about the decline of the American “empire” have helped stimulate a more vigorous American literature of espionage, providing an index of contemporary American concerns about power relations. As Stafford suggests, the genre of espionage fiction rarely intends to document the real world of intelligence. Rather, it provides a popular vehicle for exploring themes of imperial decline, international crisis, and impending war.
Publisher: University of Georgia Press
ISBN: 0820339431
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
The Silent Game traces the history of spy writers and their fiction from creator William Le Queux, of the Edwardian age, to John le Carré, of the Cold War era. David Stafford reveals the connections between fact and fiction as seen in the lives of writers with experience in intelligence, including John Buchan, Compton Mackenzie, Somerset Maugham, Ian Fleming, and Graham Greene. Le Queux used his spy fiction as xenophobic propaganda before and after World War I, and le Carré's novels have provided reflections on the Cold War and the decline of Britain's influence. Anxieties about the decline of the American “empire” have helped stimulate a more vigorous American literature of espionage, providing an index of contemporary American concerns about power relations. As Stafford suggests, the genre of espionage fiction rarely intends to document the real world of intelligence. Rather, it provides a popular vehicle for exploring themes of imperial decline, international crisis, and impending war.
A Companion to Alfred Hitchcock
Author: Thomas Leitch
Publisher: John Wiley & Sons
ISBN: 1444397311
Category : Performing Arts
Languages : en
Pages : 624
Book Description
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
Publisher: John Wiley & Sons
ISBN: 1444397311
Category : Performing Arts
Languages : en
Pages : 624
Book Description
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
A Sense of Shock
Author: Adam Parkes
Publisher: Oxford University Press
ISBN: 0195383818
Category : Art
Languages : en
Pages : 303
Book Description
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression?Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors.Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
Publisher: Oxford University Press
ISBN: 0195383818
Category : Art
Languages : en
Pages : 303
Book Description
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression?Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors.Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
The Switch Image
Author: Lorenz Engell
Publisher: Bloomsbury Publishing USA
ISBN: 1501349295
Category : Performing Arts
Languages : en
Pages : 377
Book Description
Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.
Publisher: Bloomsbury Publishing USA
ISBN: 1501349295
Category : Performing Arts
Languages : en
Pages : 377
Book Description
Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.
Being Ana
Author: Shani Raviv
Publisher: Simon and Schuster
ISBN: 1631521403
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Shani Raviv is a misfit teen whose peer-pressured diet spirals down into full-blown anorexia nervosa—something no one in her early-nineties, local South African community knows anything about. Fourteen-year-old Shani spends the next six years being “Ana” (as many anorexics call it), on the run from her feelings. She goes from aerobics addict to Israeli soldier to rave bunny to wannabe reborn, using sex, drugs, exercise and, above all, starvation, to numb out everything along the way. But one night, at age twenty, Shani faces the rude awakening that if she doesn’t slow down, break her denial, and seek help, she will starve to death. Three years later, her hardest journey of all begins: the journey to let go of being Ana and learn to love herself. Being Ana is an exploration into the soul and psyche of a young woman wrestling with anorexia’s demons—one that not only exposes the real horrors of a day in the life of an anorexic girl but also reveals the courage it takes to stop fighting and find healing.
Publisher: Simon and Schuster
ISBN: 1631521403
Category : Biography & Autobiography
Languages : en
Pages : 288
Book Description
Shani Raviv is a misfit teen whose peer-pressured diet spirals down into full-blown anorexia nervosa—something no one in her early-nineties, local South African community knows anything about. Fourteen-year-old Shani spends the next six years being “Ana” (as many anorexics call it), on the run from her feelings. She goes from aerobics addict to Israeli soldier to rave bunny to wannabe reborn, using sex, drugs, exercise and, above all, starvation, to numb out everything along the way. But one night, at age twenty, Shani faces the rude awakening that if she doesn’t slow down, break her denial, and seek help, she will starve to death. Three years later, her hardest journey of all begins: the journey to let go of being Ana and learn to love herself. Being Ana is an exploration into the soul and psyche of a young woman wrestling with anorexia’s demons—one that not only exposes the real horrors of a day in the life of an anorexic girl but also reveals the courage it takes to stop fighting and find healing.
The Secret Agent: Ultimate Spy Collection (77 Books in One Volume)
Author: James Fenimore Cooper
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 13256
Book Description
DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. The World's Greatest Military Spies and Secret Service Agents (George Barton) My Adventures as a Spy (Robert Baden-Powell) Novels: Robert W. Chambers In Secret The Dark Star The Slayer of Souls The Flaming Jewel John Buchan: The 39 Steps Greenmantle Mr Standfast The Three Hostages The Island of Sheep The Courts of the Morning The Green Wildebeest Huntingtower Castle Gay The House of the Four Winds The Power-House John Macnab The Dancing Floor The Gap in the Curtain Sick Heart River Sing a Song of Sixpence E. Phillips Oppenheim: The Spy Paramount The Great Impersonation Last Train Out The Double Traitor The Spymaster Ambrose Lavendale, Diplomat The Vanished Messenger The Pawns Court The Box With Broken Seals The Great Prince Shan The Devil's Paw The Zeppelin's Passenger The Kingdom of the Blind The Illustrious Prince The Lost Ambassador Mysterious Mr. Sabin The Betrayal The Colossus of Arcadia Erskine Childers: The Riddle of the Sands Joseph Conrad: The Secret Agent John R. Coryell: The Great Spy System William Le Queux: The Great War in England in 1897 The Invasion of 1910 Whoso Findeth a Wife Of Royal Blood Her Majesty's Minister The Under-Secretary The Czar's Spy Spies of the Kaiser The Price of Power Her Royal Highness At the Sign of the Sword Number 70, Berlin The Way to Win The Zeppelin Destroyer Sant of the Secret Service Fred M. White: The Romance of the Secret Service Fund By Woman's Wit The Mazaroff Rifle In the Express The Almedi Concession The Other Side of the Chess-Board Three of Them James Fenimore Cooper: The Spy: A Tale of the Neutral Ground Arthur Conan Doyle: His Last Bow Talbot Mundy: Jimgrim and Allah's Peace The Iblis at Ludd The Seventeen Thieves of El-Kalil The Lion of Petra The Woman Ayisha Affair in Araby A Secret Society Moses and Mrs. Aintree The Mystery of Khufu's Tomb...
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 13256
Book Description
DigiCat presents to you this unique collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. The World's Greatest Military Spies and Secret Service Agents (George Barton) My Adventures as a Spy (Robert Baden-Powell) Novels: Robert W. Chambers In Secret The Dark Star The Slayer of Souls The Flaming Jewel John Buchan: The 39 Steps Greenmantle Mr Standfast The Three Hostages The Island of Sheep The Courts of the Morning The Green Wildebeest Huntingtower Castle Gay The House of the Four Winds The Power-House John Macnab The Dancing Floor The Gap in the Curtain Sick Heart River Sing a Song of Sixpence E. Phillips Oppenheim: The Spy Paramount The Great Impersonation Last Train Out The Double Traitor The Spymaster Ambrose Lavendale, Diplomat The Vanished Messenger The Pawns Court The Box With Broken Seals The Great Prince Shan The Devil's Paw The Zeppelin's Passenger The Kingdom of the Blind The Illustrious Prince The Lost Ambassador Mysterious Mr. Sabin The Betrayal The Colossus of Arcadia Erskine Childers: The Riddle of the Sands Joseph Conrad: The Secret Agent John R. Coryell: The Great Spy System William Le Queux: The Great War in England in 1897 The Invasion of 1910 Whoso Findeth a Wife Of Royal Blood Her Majesty's Minister The Under-Secretary The Czar's Spy Spies of the Kaiser The Price of Power Her Royal Highness At the Sign of the Sword Number 70, Berlin The Way to Win The Zeppelin Destroyer Sant of the Secret Service Fred M. White: The Romance of the Secret Service Fund By Woman's Wit The Mazaroff Rifle In the Express The Almedi Concession The Other Side of the Chess-Board Three of Them James Fenimore Cooper: The Spy: A Tale of the Neutral Ground Arthur Conan Doyle: His Last Bow Talbot Mundy: Jimgrim and Allah's Peace The Iblis at Ludd The Seventeen Thieves of El-Kalil The Lion of Petra The Woman Ayisha Affair in Araby A Secret Society Moses and Mrs. Aintree The Mystery of Khufu's Tomb...
Espionage in British Fiction and Film since 1900
Author: Oliver Buckton
Publisher: Lexington Books
ISBN: 1498504841
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Espionage in British Fiction and Film Since 1900 traces the history and development of the British spy novel from its emergence in the early twentieth century, through its growth as a popular genre during the Cold War, to its resurgence in the early twenty-first century. Using an innovative structure, the chapters focus on specific categories of fictional spying (such as the accidental spy or the professional) and identify each type with a vital period in the evolution of the spy novel and film. A central section of the book considers how, with the creation of James Bond by Ian Fleming in the 1950s, the professional spy was launched on a new career of global popularity, enhanced by the Bond film franchise. In the realm of fiction, a glance at the fiction bestseller list will reveal the continuing appeal of novelists such as John le Carré, Frederick Forsyth, Charles Cumming, Stella Rimington, Daniel Silva, Alec Berenson, Christopher Reich—to name but a few—and illustrates the continued fascination with the spy novel into the twenty-first century, decades after the end of the Cold War. There is also a burgeoning critical interest in spy fiction, with a number of new studies appearing in recent years. A genre that many believed would falter and disappear after the fall of the Berlin Wall and the collapse of the Soviet empire has shown, if anything, increased signs of vitality. While exploring the origins of the British spy, tracing it through cultural and historical events, Espionage in British Fiction and Film Since 1900 also keeps in focus the essential role of the “changing enemy”—the chief adversary of and threat to Britain and its allies—in the evolution of spy fiction and cinema. The book concludes by analyzing examples of the enduring vitality of the British spy novel and film in the decades since the end of the Cold War.
Publisher: Lexington Books
ISBN: 1498504841
Category : Literary Criticism
Languages : en
Pages : 373
Book Description
Espionage in British Fiction and Film Since 1900 traces the history and development of the British spy novel from its emergence in the early twentieth century, through its growth as a popular genre during the Cold War, to its resurgence in the early twenty-first century. Using an innovative structure, the chapters focus on specific categories of fictional spying (such as the accidental spy or the professional) and identify each type with a vital period in the evolution of the spy novel and film. A central section of the book considers how, with the creation of James Bond by Ian Fleming in the 1950s, the professional spy was launched on a new career of global popularity, enhanced by the Bond film franchise. In the realm of fiction, a glance at the fiction bestseller list will reveal the continuing appeal of novelists such as John le Carré, Frederick Forsyth, Charles Cumming, Stella Rimington, Daniel Silva, Alec Berenson, Christopher Reich—to name but a few—and illustrates the continued fascination with the spy novel into the twenty-first century, decades after the end of the Cold War. There is also a burgeoning critical interest in spy fiction, with a number of new studies appearing in recent years. A genre that many believed would falter and disappear after the fall of the Berlin Wall and the collapse of the Soviet empire has shown, if anything, increased signs of vitality. While exploring the origins of the British spy, tracing it through cultural and historical events, Espionage in British Fiction and Film Since 1900 also keeps in focus the essential role of the “changing enemy”—the chief adversary of and threat to Britain and its allies—in the evolution of spy fiction and cinema. The book concludes by analyzing examples of the enduring vitality of the British spy novel and film in the decades since the end of the Cold War.
Empires of Print
Author: Patrick Scott Belk
Publisher: Routledge
ISBN: 1317185048
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.
Publisher: Routledge
ISBN: 1317185048
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
At the turn of the twentieth century, the publishing industries in Britain and the United States underwent dramatic expansions and reorganization that brought about an increased traffic in books and periodicals around the world. Focusing on adventure fiction published from 1899 to 1919, Patrick Scott Belk looks at authors such as Joseph Conrad, H.G. Wells, Conan Doyle, and John Buchan to explore how writers of popular fiction engaged with foreign markets and readers through periodical publishing. Belk argues that popular fiction, particularly the adventure genre, developed in ways that directly correlate with authors’ experiences, and shows that popular genres of the late nineteenth and early twentieth centuries emerged as one way of marketing their literary works to expanding audiences of readers worldwide. Despite an over-determined print space altered by the rise of new kinds of consumers and transformations of accepted habits of reading, publishing, and writing, the changes in British and American publishing at the turn of the twentieth century inspired an exciting new period of literary invention and experimentation in the adventure genre, and the greater part of that invention and experimentation was happening in the magazines.