Author: Konrad Wolff Publisher: W W Norton & Company Incorporated ISBN: 9780393009293 Category : Music Languages : en Pages : 187
Book Description
In a testimonial to Konrad Wolff, Schnabel himself expressed his admiration for the author and this book: “Konrad Wolff . . . is a remarkable pianist, an excellent theorist, a learned historian, an outstanding teacher, a brilliant thinker and writer. . . . [His book] is a comprehensive elucidation of a complex and subtle problem.
Author: R. Larry Todd Publisher: Routledge ISBN: 1136731210 Category : Music Languages : en Pages : 485
Book Description
First Published in 2004. 19th-Century Piano Music focuses on the core composers of the 19th-century repertoire, beginning with 2 chapters giving a general overview of the repertoire and keyboard technique of the era, and then individual chapters on Beethoven, Schubert, Weber, Mendelssohn, Chopin, Schumann, Brahms, Liszt, and the women composers of the era, particularly focusing on Fanny Hensel and Clara Schumann.
Author: Boris Berman Publisher: Yale University Press ISBN: 0300221525 Category : Music Languages : en Pages : 252
Book Description
Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this volume provides a master class for the performer, instructor, and student alike.
Author: Arved Ashby Publisher: Univ of California Press ISBN: 0520945697 Category : Music Languages : en Pages : 332
Book Description
Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.
Author: Edwin M. Ripin Publisher: W. W. Norton & Company ISBN: 9780393305180 Category : Pianists Languages : en Pages : 212
Book Description
The New Grove Musical Instruments Series, a companion to the much acclaimed New Grove Composer Biography Series, presents in book form many of the lengthy and informative articles published in The New Grove Dictionary of Musical Instruments.
Author: Daphne Leong Publisher: Oxford University Press ISBN: 0190653566 Category : Music Languages : en Pages : 433
Book Description
How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bartók, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.
Author: Madalena Soveral Publisher: Cambridge Scholars Publishing ISBN: 1527523063 Category : Music Languages : en Pages : 353
Book Description
This collection of essays highlights different questions concerning music theory, interpretation, and performance. Organized into four chapters, the first section looks into interpretation from a hermeneutic perspective, whereas the second analyses the application of this knowledge in musical practice. The discussion turns, in the third part, to a new field of music theory broadly labelled as performance studies. Focused on physical and psychological events, this section broaches fundamental issues such as gesture, bodily movement, expression, emotion, a whole set of processes that act within the framework of performance. The final section addresses the artistic practices in the 21st century across present-day cultural contexts. Proposing a space for reflection in which one tries to imagine the relation between the scientific field and the interpretative process, this volume reflects the central issues of research in performance analysis, establishing connections between different disciplines, methodologies and research trends. It will be of essential interest to researchers, musicians and performers, and music students.
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Author: Konrad Wolff
Author: R. Larry Todd
Author: Robert Marshall
Author: Konrad Wolff
Author: Harriette Brower
Author: Boris Berman
Author: Arved Ashby
Author: Edwin M. Ripin
Author: Daphne Leong
Author: Madalena Soveral