Electronics in Music

Author: F. C. Judd
Publisher: Foruli Limited
ISBN: 9781905792320
Category : Electronic music
Languages : en
Pages : 198

Book Description
F.C Judd (1914-1992) was a pioneer in British electronic music, working in the 1950s and 1960s. His importance hinges on a wide range of electronic activities: from his compositions, self-built synthesizer and sound visualisation system to his books, magazine articles and radio broadcasts. He was a prime mover in disseminating electronic sounds and musique concrete to the public - not just encouraging them to listen, but also to experiment with tape recorders and tone generators. 'Electronics In Music' was originally published in 1972 and describes the principles behind early electronic musical instruments and synthesised sound, including circuit diagrams. Published by Foruli Classics - dedicated to bringing the best out-of-print music and popular culture books back into print.

Handmade Electronic Music

Author: Nicolas Collins
Publisher: Taylor & Francis
ISBN: 0415996090
Category : Music
Languages : en
Pages : 340

Book Description
No further information has been provided for this title.

Electronic Music

Author: Nicholas Collins
Publisher: Cambridge University Press
ISBN: 1107010934
Category : Music
Languages : en
Pages : 241

Book Description
This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

Electronic Projects for Musicians

Author: Craig Anderton
Publisher: Music Sales Amer
ISBN: 9780825695025
Category : Music
Languages : en
Pages : 220

Book Description
Shows how to build a preamp, ring modulator, phase shifter, and other electronic musical devices and provides a basic introduction to working with electronic components

Live Electronic Music

Author: Friedemann Sallis
Publisher: Routledge
ISBN: 1317692101
Category : Music
Languages : en
Pages : 530

Book Description
During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist.

Teaching Electronic Music

Author: Blake Stevens
Publisher: Routledge
ISBN: 1000417271
Category : Music
Languages : en
Pages : 229

Book Description
Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.

Electric Sound

Author: Joel Chadabe
Publisher: Pearson
ISBN:
Category : Music
Languages : en
Pages : 394

Book Description
The author covers the development of the electronic musical instrument from Thaddeus Cahill's Telharmonium at the turn of the last century to the MIDI synthesizers of the 1990s. --book cover.

Performing Electronic Music Live

Author: Kirsten Hermes
Publisher: CRC Press
ISBN: 1000470261
Category : Music
Languages : en
Pages : 347

Book Description
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.

An Individual Note

Author: Daphne Oram
Publisher:
ISBN: 9781910221112
Category : Electronic music
Languages : en
Pages : 0

Book Description
Daphne Oram (1925-2003) was one of the central figures in the development of British experimental electronic music. Having declined a place at the Royal College of Music to become a music balancer at the BBC, she went on to become the co-founder and first director of the BBC Radiophonic Workshop. In 1972, she authored her only book, 'An Individual

The Unorthodox Guitar

Author: Mike Frengel
Publisher: Oxford University Press
ISBN: 0199381879
Category : Music
Languages : en
Pages : 265

Book Description
The Unorthodox Guitar: A Guide to Alternative Performance Practice is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses primarily on unconventional approaches to guitar performance, which include alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues related to performing and recording with a computer. Embracing all guitar types-nylon, steel-string acoustic, and electric-techniques and examples are culled from a broad range of musical genres, including blues, contemporary classical, country, folk, jazz, rock, and non-Western idioms. While the writing offers a treasure trove of possibilities for experimental improvisation, it is oriented towards formal composition, and to that end details the controllable dimensions of the techniques and preparations at hand, along with strategies that might be adopted to notate them. Conventional guitar amplifiers, effect pedals, and pedalboards are examined, along with a discussion of analog signal chains, rig design, and best practices for the preservation of tone. In addition, possibilities afforded by the addition of a computer to the guitar rig are explored, including signal processing, sensor augmentation, and score following. The writing is paired with a companion website that contains an abundance of audio, video, and software materials to supplement the ideas presented. This information is intended to serve as a guide, reference, and source of inspiration for those wishing to compose and/or perform on the instrument in innovative ways.