Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
The Death Artist
Author: Jonathan Santlofer
Publisher: Harper Collins
ISBN: 0061744700
Category : Fiction
Languages : en
Pages : 452
Book Description
The debut novel from the author of The Lost Van Gogh—first in the Kate McKinnon series. “A unique spin on the too-familiar serial killer thriller.” —Ft. Lauderdale Sun-Sentinel A killer is preying on New York’s art community, creating gruesome depictions of famous paintings, using human flesh and blood as his media. Terror stalks this world of genius, greed, inspiration, and jealousy—a world Kate McKinnon knows all too well. A former NYPD cop who traded in her badge for a PhD in art history, Kate can see the method behind the psychopath’s madness—for the grisly slaughter of a former protégé is drawing her into the predator’s path. And as each new murder exceeds the last in savagery, Kate is trapped in the twisted obsessions of the death artist, who plans to use her body, her blood, and her fear to create the ultimate masterpiece. “The Death Artist is stylish, scary, and very, very smart. Jonathan Santlofer’s thriller really thrills.” —Susan Isaacs, New York Times–bestselling author “Chilling.” —USA Today “A roller coaster of violence [and] betrayal.” —Cleveland Plain Dealer “Brisk . . . inventive . . . compelling.” —The Washington Post Book World “The exploration of the psychology of the death artist, along with gossipy insights into the politics of art, make this book a bloody funfest.” —Publishers Weekly
Publisher: Harper Collins
ISBN: 0061744700
Category : Fiction
Languages : en
Pages : 452
Book Description
The debut novel from the author of The Lost Van Gogh—first in the Kate McKinnon series. “A unique spin on the too-familiar serial killer thriller.” —Ft. Lauderdale Sun-Sentinel A killer is preying on New York’s art community, creating gruesome depictions of famous paintings, using human flesh and blood as his media. Terror stalks this world of genius, greed, inspiration, and jealousy—a world Kate McKinnon knows all too well. A former NYPD cop who traded in her badge for a PhD in art history, Kate can see the method behind the psychopath’s madness—for the grisly slaughter of a former protégé is drawing her into the predator’s path. And as each new murder exceeds the last in savagery, Kate is trapped in the twisted obsessions of the death artist, who plans to use her body, her blood, and her fear to create the ultimate masterpiece. “The Death Artist is stylish, scary, and very, very smart. Jonathan Santlofer’s thriller really thrills.” —Susan Isaacs, New York Times–bestselling author “Chilling.” —USA Today “A roller coaster of violence [and] betrayal.” —Cleveland Plain Dealer “Brisk . . . inventive . . . compelling.” —The Washington Post Book World “The exploration of the psychology of the death artist, along with gossipy insights into the politics of art, make this book a bloody funfest.” —Publishers Weekly
The Death of Francis Bacon
Author: Max Porter
Publisher: Strange Light
ISBN: 0771096372
Category : Fiction
Languages : en
Pages : 81
Book Description
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
Publisher: Strange Light
ISBN: 0771096372
Category : Fiction
Languages : en
Pages : 81
Book Description
Madrid. Unfinished. Man dying. A great painter lies on his deathbed, synapses firing, writhing and reveling in pleasure and pain as a lifetime of chaotic and grotesque sense memories wash over and envelop him. In this bold and brilliant short work of experimental fiction by the author of Grief Is the Thing with Feathers and Lanny, Max Porter inhabits Francis Bacon in his final moments, translating into seven extraordinary written pictures the explosive final workings of the artist's mind. Writing as painting rather than about painting, Porter lets the images he conjures speak for themselves as they take their revenge on the subject who wielded them in life. The result is more than a biography: The Death of Francis Bacon is a physical, emotional, historical, sexual, and political bombardment--the measure of a man creative and compromised, erotic and masochistic, inexplicable and inspired.
The Death of a Nobody
Author: Jules Romains
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 176
Book Description
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."
Publisher:
ISBN:
Category : Death
Languages : en
Pages : 176
Book Description
The subject of this modern classic is not a man. "It is an event," says Jules Romains, who is considered "the French Dos Passos." The event starts with the death of Jacques Godard, a man of no importance. It unfolds through his brief survival in the minds of others - the porter of his tenement in Paris, his fellow lodgers, a few acquaintances, his old father, who comes up from the country for the funeral, a young stranger who feels that the dead pass into "a great soul that cannot die." The event expresses Romains's belief in "collective beings," the famous theory of "Unanimism." In dramatizing his theory, Romains developed an advanced motion-picture technique when films were in their infancy, a technique of group portraits and sudden shifts from scene to scene that keeps this work far ahead of conventional novels. Here, Romains explores the ideas and the devices used in his twenty-seven-volume masterpiece, Men of Good Will, which André Maurois calls "the boldest attempt to describe completely his own time that any French novelist has made since Balzac."
After the End of Art
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
The Death of the Artist
Author: Sina Najafi
Publisher:
ISBN: 9781932698893
Category : Art
Languages : en
Pages : 96
Book Description
The seventh publication in Cabinet's 24-Hour Book series, in which distinguished authors and artists are incarcerated in the Cabinet gallery space to complete a project from start to finish within 24 hours, The Death of the Artist breaks from prior volumes to stage an experiment involving six different contributors working simultaneously on a single book. Gathered at Cabinet's Berlin event space, the six artists and writers were each asked to consider their own finitude, figurative or literal. The volume includes Sam Durant's meditation on the death of an artwork as a political idea; Tom McCarthy's forensic postulations about death and geometry; Eva Stenram's modified found photographs that suggest violence-to-come; Omer Fast's script in which a woman on an Austrian ski slope becomes the reluctant audience for a retelling of a Yiddish folk tale; Susan Ploetz's outline for a Live Action Role Play (LARP) in which players can learn the art of dying; and Till Gathmann's aleatory game whose outcome can invoke death.
Publisher:
ISBN: 9781932698893
Category : Art
Languages : en
Pages : 96
Book Description
The seventh publication in Cabinet's 24-Hour Book series, in which distinguished authors and artists are incarcerated in the Cabinet gallery space to complete a project from start to finish within 24 hours, The Death of the Artist breaks from prior volumes to stage an experiment involving six different contributors working simultaneously on a single book. Gathered at Cabinet's Berlin event space, the six artists and writers were each asked to consider their own finitude, figurative or literal. The volume includes Sam Durant's meditation on the death of an artwork as a political idea; Tom McCarthy's forensic postulations about death and geometry; Eva Stenram's modified found photographs that suggest violence-to-come; Omer Fast's script in which a woman on an Austrian ski slope becomes the reluctant audience for a retelling of a Yiddish folk tale; Susan Ploetz's outline for a Live Action Role Play (LARP) in which players can learn the art of dying; and Till Gathmann's aleatory game whose outcome can invoke death.
The Artist's Estate
Author: Dr. Loretta Würtenberger
Publisher: Hatje Cantz Verlag
ISBN: 3775751734
Category : Art
Languages : en
Pages : 349
Book Description
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Publisher: Hatje Cantz Verlag
ISBN: 3775751734
Category : Art
Languages : en
Pages : 349
Book Description
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Death of an Artist
Author: Kate Wilhelm
Publisher: Macmillan
ISBN: 0312658613
Category : Fiction
Languages : en
Pages : 286
Book Description
In Silver Bay, Oregon, Marnie and Van enlist the help of Tony, a former New York City police officer, when Dale Oliver claims he has the right to sell Stef's, Marnie's daughter and Van's mother, art after her death.
Publisher: Macmillan
ISBN: 0312658613
Category : Fiction
Languages : en
Pages : 286
Book Description
In Silver Bay, Oregon, Marnie and Van enlist the help of Tony, a former New York City police officer, when Dale Oliver claims he has the right to sell Stef's, Marnie's daughter and Van's mother, art after her death.
ArtCurious
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Publisher: Penguin
ISBN: 0143134590
Category : Art
Languages : en
Pages : 289
Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.