Author: Publisher:
ISBN: 9789927108549
Category :
Languages : en
Pages : 191
Book Description
The Routledge Companion to Literature and Art
Author: Neil MurphyPublisher: Taylor & Francis
ISBN: 1003807305
Category : Literary Criticism
Languages : en
Pages : 533
Book Description
The Routledge Companion to Literature and Art explores the links between literature and visual art from classical ekphrasis through to contemporary experimental forms. The collection’s engagement with diverse literary and cultural artifacts offers a comprehensive survey of the vibrant interrelationships that currently inform literary studies and the arts. Featuring four sections, the first part provides an overview of theoretical approaches to art and literature from philosophy and aesthetics through to cognitive neuroscience. Part two examines one of the most important intersections between text and image: the workings of ekphrasis across poetry, fiction, drama, comics, life and travel writing, and architectural treatises. Parts three and four consider intermedial crossings from antiquity to the present. The contributors examine the rich intermedial experiments that range from manuscript studies to infographics in graphic narratives, illuminating the vibrant ways in which texts have intersected with illustration, music, dance, architecture, painting, photography, media installations, and television. Throughout this dynamic collection of 37 chapters, the contributors evolve existing critical debates in innovative new directions. The volume will be a critical resource for advanced undergraduate and graduate students, as well as specialist scholars working in literary studies, philosophy of art, text and image studies, and visual culture. The Introduction and Chapters 10, 14 and 37 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.
Kalyana Mitra: Volume 9
Author: Prof. Katta Narasimha ReddyPublisher: Blue Rose Publishers
ISBN:
Category : History
Languages : en
Pages : 312
Book Description
Volume IX, Literature: This volume contains 20 articles on Literature and Literary studies. Topics covered in the Volume include Charaka and Susrutha Samhita, Ramayana, Puranas, Literature of the Mughal period like Babur-nama, Annamayya Samkirtanas, Women’s Literature and poets. This Volume serves as a source book for students, research scholars and teachers of Literature, Literary Criticism in historical context. This volume also highlights the love and affection of Prof. P. Chenna Reddy enjoys in the intellectual world. The felicitation Volume is brought out in a series of 12 independent books covering a total of 460 articles. Every volume contains two sections. The first section contains the biographical sketch of Prof. P. Chenna Reddy, his achievements and contribution to archaeology, history and Society. The second section of each volume is subject specific, E.g., Volume-I on Archaeology, Volume II on Early and Medieval Indian History, Volume III on Modern Indian History, Volume IV on Epigraphy and Numismatics, Volume V on Art , Volume VI on Architecture, Volume VII on Religion and Philosophy, Volume VIII on Economy, Trade and Commerce, Volume IX on Literature, Volume X Tribalore and Folklore, Volume XI Contemporary India and Diaspora, Volume XII, Tourism and contains as many as 460 articles and contributed by renowned scholars.
The Art of Cloth in Mughal India
Author: Sylvia HoughtelingPublisher: Princeton University Press
ISBN: 069123213X
Category : Art
Languages : en
Pages : 280
Book Description
A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
Libraries in the Manuscript Age
Author: Nuria de CastillaPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110779773
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
The case studies presented in this volume help illuminate the rationale for the founding of libraries in an age when books were handwritten, thus contributing to the comparative history of libraries. They focus on examples ranging from the seventh to the seventeenth century emanating from the Muslim World, East Asia, Byzantium and Western Europe. Accumulation and preservation are the key motivations for the development of libraries. Rulers, scholars and men of religion were clearly dedicated to collecting books and sought to protect these fragile objects against the various hazards that threatened their survival. Many of these treasured books are long gone, but there remain hosts of evidence enabling one to reconstruct the collections to which they belonged, found in ancient buildings, literary accounts, archival documentation and, most crucially, catalogues. With such material at hand or, in some cases, the manuscripts of a certain library which have come down to us, it is possible to reflect on the nature of these libraries of the past, the interests of their owners, and their role in the intellectual history of the manuscript age.
Once Upon a Time in Delhi
Author: Nita BerryPublisher: Hachette India Children's Books
ISBN: 9357312935
Category : History
Languages : en
Pages : 339
Book Description
The adventurous, the ambitious and the brave coveted its throne. One invader after another crossed the mighty Himalayas to seek a fortune here. A pivot of power down the ages, it fascinated both settlers and rulers, to become the capital of mighty empires. Across centuries, the 'Delhi Triangle' of about 200 square kilometres became the base of many a powerful monarch, with a different name and location every time: Dillika, Siri, Tughlakabad, Jahanpanah, Firozabad, Purana Qila and Shahjahanabad. These seven cities gave the historic hub its grand, varied and colourful heritage. A centre of learning and culture, art and architecture, and trade and commerce, it was a megalopolis like no other. In time, New Delhi emerged from the light and shadows of its past to become the eighth city - modern India's seat of government! Among the oldest capital cities in the world, Delhi is a storehouse of legends and lore, history and mysteries, secrets and stories. Every nook and corner, pathway and rock here hides a tale - of triumph and defeat, riches and ruin; of builders, sculptors and artists, royalty and rebels; of saints and common folk, poets, writers and thinkers - waiting to be uncovered. Are you ready to embark on an exciting journey of discovery?
South Asian Islam
Author: Nasr M ArifPublisher: Taylor & Francis
ISBN: 1000961273
Category : Religion
Languages : en
Pages : 257
Book Description
This volume explores the historical trajectory of the spread of Islam in South Asia and how the engagements of the past have played a crucial role in the making of the present outfits of South Asian Islam. Islam in South Asia has maintained a distinct role while imbibing cultural, social, ethnic, folk, and artistic networks of the subcontinent in diverse echelons. In an unequivocal analysis, this volume showcases the visible varieties of Islam from an array of regional cultural, ethnic, and vernacular groups. While many characteristics remain distinct in different provinces or regions of South Asia, similarities are palpable in etiquettes, customary laws, art, and architecture. More than regional differences, various ethnic groups from all poles of the Indian subcontinent have paved the way for the dissimilar landscapes of Islam, in tandem with differences in language, culture, and festivals. The case studies in this book exhibit forms of cultural pluralism in the communities, which have helped in building a cohesive community. Part of the ‘Global Islamic Cultures’ series that looks at integrated and indigenized Islam, this book will be of interest to students and researchers of religion, religious history, theology, study of Islamic law and politics, cultural studies, and South Asian Studies. It will also be useful to general readers who are interested in world religions and cultures.
Author: Catherine B. AsherThe Language of History
Author: Audrey TruschkePublisher: Columbia University Press
ISBN: 0231551959
Category : History
Languages : en
Pages : 252
Book Description
For over five hundred years, Muslim dynasties ruled parts of northern and central India, starting with the Ghurids in the 1190s through the fracturing of the Mughal Empire in the early eighteenth century. Scholars have long drawn upon works written in Persian and Arabic about this epoch, yet they have neglected the many histories that India’s learned elite wrote about Indo-Muslim rule in Sanskrit. These works span the Delhi Sultanate and Mughal Empire and discuss Muslim-led kingdoms in the Deccan and even as far south as Tamil Nadu. They constitute a major archive for understanding significant cultural and political changes that shaped early modern India and the views of those who lived through this crucial period. Audrey Truschke offers a groundbreaking analysis of these Sanskrit texts that sheds light on both historical Muslim political leaders on the subcontinent and how premodern Sanskrit intellectuals perceived the “Muslim Other.” She analyzes and theorizes how Sanskrit historians used the tools of their literary tradition to document Muslim governance and, later, as Muslims became an integral part of Indian cultural and political worlds, Indo-Muslim rule. Truschke demonstrates how this new archive lends insight into formulations and expressions of premodern political, social, cultural, and religious identities. By elaborating the languages and identities at play in premodern Sanskrit historical works, this book expands our historical and conceptual resources for understanding premodern South Asia, Indian intellectual history, and the impact of Muslim peoples on non-Muslim societies. At a time when exclusionary Hindu nationalism, which often grounds its claims on fabricated visions of India’s premodernity, dominates the Indian public sphere, The Language of History shows the complexity and diversity of the subcontinent’s past.
The Spirit of Indian Painting
Author: B N GoswamyPublisher: Penguin UK
ISBN: 9351188620
Category : Literary Collections
Languages : en
Pages : 763
Book Description
This magnificent, lavishly illustrated book by India’s most eminent and perceptive art historian, B.N. Goswamy, will open readers’ eyes to the wonders of Indian painting, and show them new ways of seeing and appreciating art. An illuminating introductory essay, ‘A Layered World’, explains the themes and emotions that inspired Indian painters, the values and influences that shaped their work, and the unique ways in which they depicted time and space. It describes, too, the characteristics of the different regional styles, the relationship between patrons and painters, the milieu in which they created their works, and the tools and techniques the painters used. The second part of this book consists of ‘Close Encounters with 101 Great Works’. Carefully selected by Prof. Goswamy and spanning nearly a thousand years, these works range from Jain manuscripts, and Rajasthani, Mughal, Pahari and Deccani miniatures, to Company School paintings. His description and analysis of these works unlock the treasures that lie within them and show us how to ‘read’ each painting, as he points out its finest features, explains its visual vocabulary and symbolism, and recounts the story, legend or event that inspired it. Combining deep scholarship with great storytelling, this is a book of enduring value that will both educate and delight the reader. It is destined to become a classic.
