What Is Cinema?

What Is Cinema? PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242272
Category : Performing Arts
Languages : en
Pages : 212

Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

What Cinema Is!

What Cinema Is! PDF Author: Dudley Andrew
Publisher: John Wiley & Sons
ISBN: 1444357417
Category : Performing Arts
Languages : en
Pages : 147

Book Description
What Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examines cinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times

What Is Cinema?

What Is Cinema? PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 9780520242272
Category : Performing Arts
Languages : en
Pages : 212

Book Description
These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

The British Cinema Book

The British Cinema Book PDF Author: Robert Murphy
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 360

Book Description
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Movies and Methods

Movies and Methods PDF Author: Bill Nichols
Publisher: Univ of California Press
ISBN: 0520054091
Category : Performing Arts
Languages : en
Pages : 770

Book Description
The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity—from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. The writings collected in this volume exhibit not only a strong sense of personal engagement but als a persistent awareness of the social importance of the cinema in our culture. Movies and Methods, Volume II, will prove as invaluable to the serious student of cinema as its predecessor; it will be an essential reference work for years to come.

The Cinema of Tom DiCillo

The Cinema of Tom DiCillo PDF Author: Wayne Byrne
Publisher: Columbia University Press
ISBN: 0231851200
Category : Performing Arts
Languages : en
Pages : 413

Book Description
This volume considers for the first time in a single collection this acclaimed, award-winning director's entire oeuvre, addressing and analyzing themes such as identity, family, and masculinity, supported by in-depth coverage of the generic and aesthetic aspects of DiCillo's distinctive and influential film style. Through detailed chapters on each of DiCillo's feature films, presented here is a candid look behind-the-scenes of both the American independent film industry - from the No Wave movement of the 1980s, through the Indie boom of the 1990s, to the contemporary milieu - and the Hollywood studio system. This study documents the writing, production, and release of every DiCillo picture, each followed by an extensive Q&A with the director. Also featured are exclusive interviews and commentary with many cast members and collaborators, and members of legendary rock group, The Doors. Films covered include Johnny Suede, Living In Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You're Strange, and Down in Shadowland.

The End of Cinema?

The End of Cinema? PDF Author: André Gaudreault
Publisher: Columbia University Press
ISBN: 023153938X
Category : Performing Arts
Languages : en
Pages : 257

Book Description
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.

The Cinema of Robert Altman

The Cinema of Robert Altman PDF Author: Robert Niemi
Publisher: Columbia University Press
ISBN: 0231850867
Category : Performing Arts
Languages : en
Pages : 457

Book Description
In a controversial and tumultuous filmmaking career that spanned nearly fifty years, Robert Altman mocked, subverted, or otherwise refashioned Hollywood narrative and genre conventions. Altman's idiosyncratic vision and propensity for formal experimentation resulted in an uneven body of work: some rank failures and intriguing near-misses, as well as a number of great films that are among the most influential works of New American Cinema. While Altman always professed to have nothing authoritative to say about the state of contemporary society, this volume surveys all of his major films in their sociohistorical context to reposition the director as a trenchant satirist and social critic of postmodern America, depicted as a lonely wasteland of fraudulent spectacle, exploitative social relations, and unfulfilled solitaries in search of elusive community.

Millennial Cinema

Millennial Cinema PDF Author: Amresh Sinha
Publisher: Columbia University Press
ISBN: 023116193X
Category : Performing Arts
Languages : en
Pages : 267

Book Description
Includes bibliographical references and index.

Studying Film with André Bazin

Studying Film with André Bazin PDF Author: Blandine Joret
Publisher: Film Theory in Media History
ISBN: 9789462989528
Category : Film critics
Languages : en
Pages : 0

Book Description
The impact of French film critic André Bazin (1918-1958) on the development of film studies, though generally acknowledged, remains contested. A passionate initiator of film culture during his lifetime, his ideas have been challenged, defended and revived throughout his afterlife. Studying Film with André Bazin offers an entirely original interpretation of major concepts from Bazin's legacy, such as auteur theory, realism, film language and the influence of film on other arts (poetry and painting in particular). By examining mostly unknown and uncollected texts, Blandine Joret explains Bazin's methodology and adopts it in a contemporary reading, linking his ideas to major philosophical and scientific frameworks as well as more recent media practices such as advertising, CGI, 3D cinema and Virtual Reality. In tune with 21st-century concerns in media culture and film studies, this book addresses a wide readership of film scholars, students and cinephiles.
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