Arcana

Author: John Zorn
Publisher: Hips Road/Tzadik
ISBN:
Category : Music
Languages : en
Pages : 392

Book Description
Experimental music has been called "difficult," perhaps more in relation to the open-mindedness needed to let it settle between your ears than the break from traditional technique required to play it. But does that explain the scarcity of critical writing about this music form relative to visual arts -- film, photography, sculpture, painting -- that also use experimentation as a main creative force? Arcana: Musicians on Music is an answer to that call. Delving into recent development in avantgarde music, this long overdue anthology looks at the current generation of experimental players and composers. Collecting writings, working notes, scores, interviews, and manifestos, editor John Zarn gets deep under the surface of experimental music, and looks at the creative methods and philosophies of some of the most innovative experimental musicians. Among the 29 contributors are: Mark Dresser, John Oswald, Marilyn Crispell, Bill Frisell, Ikue Mari, Larry Ochs, Elliott Sharp, Anthony Coleman, Fred Frith,David Roseboom, George Lewis, Guy Klucevsek, Peter Garland, Z'ev, and Gerry Hemmingway. Containing discographies and bios on the musicians presented, this book is an excellent resource for fans and critics as well as a good introduction for the curious.

Arcana VIII

Author: John Zorn
Publisher: Arcana
ISBN: 9780978833732
Category : Music
Languages : en
Pages : 280

Book Description
Initiated in 1997 and now in its eighth installment, John Zorn's acclaimed Arcana series is a major source of new music theory and practice in the 21st century. This special anniversary edition presents writings spanning classical music, jazz, rock, improvisation, world music, film soundtracks and more by exciting young artists, established masters and visionary mavericks, including Jad Atoui, Steve Beresford, Per Bloland, Brian Chase, Kris Davis, Robert Dick, Rinde Eckert, Wendy Eisenberg, Harris Eisenstadt, Suzanne Farrin, Dave Fiuczynski, David Garland, Michael Gordon, Simon Hanes, Barbara Hannigan, John Hollenbeck, Matt Hollenberg, Jon Irabagon, Julian Lage, Ava Mendoza, Matt Mitchell, Nicole Mitchell, Vadim Neselovskyi, Linda May Han Oh, Shane Parish, Chris Pitsiokos, Sofia Rei, Ted Reichman, Sara Serpa, Marc Urselli, Ken Vandermark and Dan Weiss.

Arcana VI

Author: John Zorn
Publisher: Arcana
ISBN: 9780978833756
Category : Music
Languages : en
Pages : 0

Book Description
A major resource for new music theory and practice in the twenty-first century, the acclaimed Arcana series looks at the inner workings of the artistic process through manifestoes, scores, interviews, notes and critical papers written by the practitioners themselves, providing insight into the work, mind and methodologies of some of the most remarkable creative minds of our time. Contributors to this volume include Duck Baker, Eve Beglarian, Karl Berger, Chuck Bettis, Claire Chase, Anna Clyne, John Corigliano, Jeremiah Cymerman, David Fulmer, Jeff Gauthier, Alan Gilbert, Judd Greenstein, Mary Halvorson, Hillary Hahn, Jesse Harris, David Lang, Mary Jane Leach, Steve Lehman, Steve Mackey, Rudresh Mahanthappa, Denman Maroney, Brad Mehldau, Jessica Pavone, Toby Picker, Gyan Riley, Jon Rose, Steve Schick, Jen Shyu, Dave Taylor, Richard Teitelbaum, Julia Wolfe, Kenny Wollesen, Nate Wooley and Charles Wuorinen.

John Zorn

Author: John Brackett
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256

Book Description
Following his English edition of Alma Mahler-Werfel's Diaries 1898-1902, Antony Beaumont presents both the first comprehensive biography of the composer and conductor Alexander Zemlinsky (1871-1942) and a critical assessment of his works. "Zemlinsky--all hail to you!" wrote the young Alma. "All hail to you and your art." When she first met him, Zemlinsky was the most promising Viennese composer of his generation. In 1901, when Alma abruptly ended their passionate love affair in order to marry Gustav Mahler, the crisis served to transform Zemlinsky's talent into mastery. Only long after his death, however, did his music begin to receive its due. Zemlinsky was central to the musical life of Vienna and Central Europe, and this brilliant biography illuminates a social and cultural milieu that disappeared forever with the triumph of Hitler's Reich. The author details the composer's early years as a protégé of Brahms and Mahler, his complex friendship with his brother-in-law Arnold Schoenberg, the influence of his teaching on the boy-prodigy Erich Korngold, his kindly and helpful attitude toward the hypersensitive Anton Webern, and his heartfelt friendship with Alban Berg. Zemlinsky was one of the leading conductors of the interwar period, considered by both Schoenberg and Stravinsky the finest they had ever heard. The author charts Zemlinsky's career from Vienna to Berlin, St. Petersburg, and Prague, providing insight into his Catholic-Sephardic background and investigating his keen interest in esoteric aspects of music, including color symbolism and numerology. The author's analyses of Zemlinsky's major scores are accessible and fully contextualized.

Composing Community in Late Medieval Music

Author: Jane D. Hatter
Publisher: Cambridge University Press
ISBN: 1108628834
Category : Music
Languages : en
Pages :

Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.

Instruments for New Music

Author: Thomas Patteson
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251

Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium

Three Questions for Sixty-five Composers

Author: Bálint András Varga
Publisher: University Rochester Press
ISBN: 1580463797
Category : Music
Languages : en
Pages : 356

Book Description
Do today's composers draw inspiration from life experiences? What has influenced recent composers? How essential is it for a composer to develop a personal style? This book reveals the spontaneous thoughts of some of the most famous composers from around the world about their own development as composers and their reactions to the outside world.

Brian Eno

Author: Eric Enno Tamm
Publisher: Da Capo Press
ISBN: 9780306806490
Category : Social Science
Languages : en
Pages : 246

Book Description
Musician, composer, producer: Brian Eno is unique in contemporary music. Best known in recent years for producing U2's sensational albums, Eno began his career as a synthesizer player for Roxy Music. He has since released many solo albums, both rock and ambient, written music for film and television soundtracks, and collaborated with David Bowie, David Byrne, Robert Fripp, and classical and experimental composers. His pioneering ambient sound has been enormously influential, and without him today's rock would have a decidedly different sound. Drawing on Eno's own words to examine his influences and ideas, this book—featuring a new afterword and an updated discography and bibliography—will long remain provocative and definitive.

Voicetracks

Author: Norie Neumark
Publisher: MIT Press
ISBN: 0262553287
Category : Art
Languages : en
Pages : 231

Book Description
The affects, aesthetics, and ethics of voice in the new materialist turn, explored through encounters with creative works in media and the arts. Moved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a “wayfaring” process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal—the actual voices within the works she examines—and the metaphorical—in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and “unvoicing,” disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.

Arcana V

Author: John Zorn
Publisher: Arcana (Hip Road)
ISBN: 9780978833794
Category : Music
Languages : en
Pages : 0

Book Description
"Mysticism, magic and alchemy all come into play in the creative process. For centuries musicians have tapped into things spiritual, embracing ritual, spell, incantation and prayer deeply into their life and work. Although the connection of music to mysticism has been consistent, well documented and productive, it is still shrouded in mystery and largely misunderstood. For this special edition, Aracana focuses on the nexus of mysticism and spirituality in the magical act of making music. Far from an historical overview or cold musicologist's study, these essays illuminate a fascinating and elusive subject via the eloquent voices of today's most distinguished modern practitioners and greatest adult thinkers, providing insights into the esoteric traditions and mysteries involved in the composition and performance of the most mystical of all arts."--Book cover.