Experience Or Interpretation

Author: Nicholas Serota
Publisher:
ISBN: 9780500282168
Category : Art museums
Languages : en
Pages : 63

Book Description
This is the first coherent historical account of the changing attitudes to the way art is presented in the modern museum of art. Nicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations. With authority and insight, he provides an expert view of the ways we can expect art to be displayed in the twenty-first century.

Teaching in the Art Museum

Author: Rika Burnham
Publisher: Getty Publications
ISBN: 1606060589
Category : Art
Languages : en
Pages : 182

Book Description
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].

Modernity as Experience and Interpretation

Author: Peter Wagner
Publisher: John Wiley & Sons
ISBN: 074565584X
Category : Social Science
Languages : en
Pages : 321

Book Description
We are all modern today. But modernity today is not what it used to be. Over the past few decades, modernity has been radically changed by globalization, individualization, new inequalities, and fundamentalism. A novel way of analysing contemporary societies is needed. This book proposes such an analysis. Every society seeks answers to certain basic questions: how to order life in common; how to satisfy human needs; how to establish knowledge. Sociology long assumed that the answers had been found once and for all: a liberal-democratic state, a market economy, and free scientific institutions. This trinity used to be called ‘modern society’. By contrast, this book is based on the idea that, under conditions of modernity, there are no stable and certain answers to these questions. There is a plurality of possible answers, every proposed answer can be criticized and contested, and every society needs to find its answer on its own. This new sociology of modernity proposes two key instruments through which to understand the answers given to those questions: the experiences human beings have of their own modernity and the interpretations they give to those experiences. It reviews the history of ‘Western’ modernity in this light and then focuses on the specific answers that were and are being developed in Europe.

Public Space and Political Experience

Author: David Antonini
Publisher: Rowman & Littlefield
ISBN: 1793626014
Category : Philosophy
Languages : en
Pages : 171

Book Description
Contemporary politics is dominated by discussions of rights and liberties as the proper subjects about which citizens should be concerned in the political sphere. In Public Space and Political Experience: An Arendtian Interpretation, David Antonini argues that Hannah Arendt conceived of politics differently and that her thought can help us retrieve a more authentic sense of politics as the site where citizens can speak and act together about matters of shared concern. Antonini shows that citizens can experience politics together if they approach it not as a realm where privately interested individuals compete for their rights or liberties but instead as a space where plural human beings come together as distinct yet equal creatures. Antonini argues that if we read Arendt as primarily concerned with political experience, we can reimagine common political concepts such as freedom, power, revolution, and civil disobedience. The book posits that politics should be considered a fundamental form of human experience, one rooted in what Arendt refers to as the existential condition of politics—human plurality. If plurality is the existential condition out of which our political life emerges, we can enliven and reimagine the possibilities that political life can provide for contemporary citizens.

Experience Or Interpretation

Author: Nicholas Serota
Publisher: Thames & Hudson
ISBN: 9780500550298
Category : Art
Languages : en
Pages : 63

Book Description
Art galleries 100 years ago were structured to impose the curator's view onto the public. Today, these institutions welcome differences. In the first coherent account of the changing attitudes about the way art is presented, Nicholas Serota examines the relationship between the artist, the public, and the curator. With authority and insight, he provides an expert view of the ways we may expect to see art displayed in the 21st century. Illus.

Effective Exhibit Interpretation and Design

Author: Tessa Bridal
Publisher: Rowman & Littlefield
ISBN: 0759121125
Category : Business & Economics
Languages : en
Pages : 145

Book Description
As the American Alliance of Museums’ (AAM) Standing Professional Committees Council tells us “exhibitions are the public face of museums. The effective presentation of collections and information in exhibitions is an activity unique to museums, and it is through their exhibitions that the vast majority of people know museums.” Effective Exhibit Interpretation and Design examines the impact of an integrated approach to exhibit design and development on the effective creation and support of live interpretation of exhibit messages and institutional mission. Bridal argues that the interpreters who bring these exhibitions, an institution’s mission, collections, and stories to life and the forefront of a visitor’s attention are just as vital a part of an institution’s public face, and that neglecting to give live interpretation an equal seat at the table impoverishes the ultimate visitor experience. Eight institutions collaborated with the author in examining the outcomes of approaching exhibit and live interpretation design and development collaboratively, the challenges of adding interpretation to spaces and exhibits not designed for it, and the guiding practices they have put into place. These institutions were: Imagine It! The Children's Museum of Atlanta, Minnesota History Center, The Missouri History Museum, the Museum of Science and Industry, Chicago, National Children’s Museum, The National Museum of American History, The Science Museum of Minnesota and The Science Museum of Virginia. Information was also shared by the Children’s Museum of Indianapolis and the Monterey Bay Aquarium.

Museum Gallery Interpretation and Material Culture

Author: Juliette Fritsch
Publisher: Routledge
ISBN: 1135767955
Category : Art
Languages : en
Pages : 278

Book Description
Museum Gallery Interpretation and Material Culture publishes the proceedings of the first annual Sackler Centre for Arts Education conference at the Victoria and Albert Museum (V&A) in London. The conference launched the annual series by addressing the question of how gallery interpretation design and management can help museum visitors learn about art and material culture. The book features a range of papers by leading academics, museum learning professionals, graduate researchers and curators from Europe, the USA and Canada. The papers present diverse new research and practice in the field, and open up debate about the role, design and process of exhibition interpretation in museums, art galleries and historic sites. The authors represent both academics and practitioners, and are affiliated with high quality institutions of broad geographical scope. The result is a strong, consistent representation of current thinking across the theory, methodology and practice of interpretation design for learning in museums.

A Buddhist Doctrine of Experience

Author: Thomas A. Kochumuttom
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120806627
Category : Religion
Languages : en
Pages : 316

Book Description
Giving a new translation and interpretation of the basic works of Vasubandhu the yogacarin, the author shows that Yogacara metaphysics is basically the same as that of the early Buddhism. He contends that the Yogacara writings are open to interpretation in terms of realistic pluralism, and thus challenges their traditional interpretation in terms of idealistic monism. His translation is faithful to the original, arguments convincing and consistent, and presentation clear and readable. The texts translated and interpreted are (i) Madhyanta-vibhago-karika-bhasya, (ii) Trisvabhava-nirdesa, (iii) Trimsatika and (iv) Vimsatika. The doctrine of experience presented by these texts may be summarised in the words of the author as follow: The experience of samsara consists basically in one's being forced to view oneself as the grasper (grahaka), the enjoyer (bhoktr), knower (jnatr) of all beings, which are then viewed as the graspable (grahya), the enjoyable (bhojya), the knowable (jneya). There one cannot help mentally constructing the distinction between the subject and the object, the grasper and the graspable, the enjoyer and the enjoyable...

Museums and Their Visitors

Author: Eilean Hooper-Greenhill
Publisher: Routledge
ISBN: 1134915853
Category : Art
Languages : en
Pages : 223

Book Description
A guide for museum and gallery staff in the development of provision for their visitors, to ensure survival into the next century.

Museums and the Shaping of Knowledge

Author: Eileen Hooper Greenhill
Publisher: Routledge
ISBN: 1134912692
Category : Business & Economics
Languages : en
Pages : 243

Book Description
Museums have been active in shaping knowledge over the last six hundred years. Yet what is their function within today's society? At the present time, when funding is becoming increasingly scarce, difficult questions are being asked about the justification of museums. Museums and the Shaping of Knowledge presents a critical survey of major changes in current assumptions about the nature of museums. Through the examination of case studies, Eilean Hooper-Greenhill reveals a variety of different roles for museums in the production and shaping of knowledge. Today, museums are once again organising their spaces and collections to present themselves as environments for experimental and self-directed learning.