Author: William ShakespearePublisher:
ISBN:
Category : Assassins
Languages : en
Pages : 96
Book Description
Author: William Shakespeare
Author: William Shakespeare
Author: Gill Roma Ed.Julius Caesar
Author: William ShakespearePublisher: Broadview Press
ISBN: 1770483578
Category : Drama
Languages : en
Pages : 275
Book Description
Julius Caesar is a key link between Shakespeare’s histories and his tragedies. Unlike the Caesar drawn by Plutarch in a source text, Shakespeare’s Caesar is surprisingly modern: vulnerable and imperfect, a powerful man who does not always know himself. The open-ended structure of the play insists that revealing events will continue after the play ends, making the significance of the history we have just witnessed impossible to determine in the play itself. John D. Cox’s introduction discusses issues of genre, characterization, and rhetoric, while also providing a detailed history of criticism of the play. Appendices provide excerpts from important related works by Lucretius, Plutarch, and Montaigne. A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.
Author: William ShakespeareOxford Shakespeare: Julius Caesar
Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Bartleby.com, Inc. presents the full text of the play "Julius Caesar," as part of the full text of the 1914 Oxford edition of the "Complete Works of William Shakespeare." "Julius Caesar" was written in 1599-1600 by English dramatist and poet William Shakespeare (1564-1616).
Shakespeare's Reading
Author: Robert S. MiolaPublisher: Oxford Shakespeare Topics
ISBN: 9780198711698
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Oxford Shakespeare Topics (General Editors Peter Holland and Stanley Wells) provide students, teachers, and interested readers with short books on important aspects of Shakespeare criticism and scholarship, including some general anthologies relating to Shakespeare. Shakespeare's Reading explores Shakespeare's marvelous reshaping of sources into new creations. Beginning with a discussion of how and what Elizabethans read--manuscripts, popular pamphlets, and books--Robert S. Miola examines Shakespeare's use of specific texts such as Holinshed's Chronicles, Plutarch's Lives, and Chaucer's The Canterbury Tales. As well as reshaping other writers' work, Shakespeare transformed traditions--the inherited expectations, tropes, and strategies about character, action and genre. For example, the tradition of Italian love poetry, especially Petrarch, shapes Romeo and Juliet as well as the sonnets; the Vice figure finds new life in Richard III and Falstaff. Employing a traditional understanding of sources as well as more recent developments in intertextuality, this book traces Shakespeare's reading throughout his career, as it inspires his poetry, histories, comedies, tragedies, and romances. Repeated references to the plays in performance enliven and enrich the account.
Author: William ShakespeareThe Tragedy of Coriolanus
Author: William ShakespearePublisher: CUP Archive
ISBN: 9780521075299
Category : Drama
Languages : en
Pages : 344
Book Description
John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.
