Author: Andrey Tarkovsky
Publisher: University of Texas Press
ISBN: 9780292776241
Category : Performing Arts
Languages : en
Pages : 260
Book Description
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
The Films of Andrei Tarkovsky
Author: Vida T. Johnson
Publisher: Indiana University Press
ISBN: 9780253208873
Category : Performing Arts
Languages : en
Pages : 356
Book Description
"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.
Publisher: Indiana University Press
ISBN: 9780253208873
Category : Performing Arts
Languages : en
Pages : 356
Book Description
"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.
Instant Light
Author: Andreĭ A. Tarkovskiĭ
Publisher:
ISBN: 9780500286142
Category : Photography
Languages : en
Pages : 135
Book Description
A volume of sixty Polaroid photographs of the late Russian filmmaker's friends and family consists of images taken between 1979 and 1984 in his native land and Italy, where he spent time in political exile. Original.
Publisher:
ISBN: 9780500286142
Category : Photography
Languages : en
Pages : 135
Book Description
A volume of sixty Polaroid photographs of the late Russian filmmaker's friends and family consists of images taken between 1979 and 1984 in his native land and Italy, where he spent time in political exile. Original.
Andrei Tarkovsky
Author: Sean Martin
Publisher: Oldacastle Books
ISBN: 1842434403
Category : Performing Arts
Languages : en
Pages : 192
Book Description
A concise study of the work of the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 1970s Considering the whole of Tarkovsky's oeuvre, this book covers everything from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky's writings, paintings, and photographs. This study seeks to demystify Tarkovsky as a "difficult" director, while also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub "imprinted" or "sculpted" time, and to make a case for his position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time. Although he made only seven features, each one was a major landmark in cinema. Since his death in Paris in 1986, his reputation continues to grow.
Publisher: Oldacastle Books
ISBN: 1842434403
Category : Performing Arts
Languages : en
Pages : 192
Book Description
A concise study of the work of the most celebrated Russian filmmaker since Eisenstein, and one of the most important directors to have emerged during the 1960s and 1970s Considering the whole of Tarkovsky's oeuvre, this book covers everything from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky's writings, paintings, and photographs. This study seeks to demystify Tarkovsky as a "difficult" director, while also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub "imprinted" or "sculpted" time, and to make a case for his position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time. Although he made only seven features, each one was a major landmark in cinema. Since his death in Paris in 1986, his reputation continues to grow.
Tarkovsky
Author: Andrey A. Tarkovsky
Publisher:
ISBN: 9780500022597
Category : Motion picture producers and directors
Languages : en
Pages : 288
Book Description
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
Publisher:
ISBN: 9780500022597
Category : Motion picture producers and directors
Languages : en
Pages : 288
Book Description
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
Zona
Author: Geoff Dyer
Publisher: Canongate Books
ISBN: 0857861689
Category : Performing Arts
Languages : en
Pages : 185
Book Description
In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.
Publisher: Canongate Books
ISBN: 0857861689
Category : Performing Arts
Languages : en
Pages : 185
Book Description
In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.
Tarkovsky
Author: Nathan Dunne
Publisher: Black Dog Pub Limited
ISBN: 9781907317163
Category : Art
Languages : en
Pages : 464
Book Description
Tarkovsky pays tribute to the substantial legacy of Andrei Tarkovsky, the most important Soviet filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. His reputation has grown significantly since his death twenty years ago in Paris. Tarkovsky created spiritual, existential films of incredible beauty, repeatedly returning to themes of memory, dreams, childhood and Christianity. Hugely influential on directors such as David Lynch, Steven Soderburgh and Lars Von Trier, he is particularly known for his re-imagining of the science fiction genre in films such as Solaris and Stalker. Tarkovsky provides a collection of accessible academic essays by leading film studies professionals that explore aspects of Tarkovsky's films including their sociological and psychological dimensions, their cinematic language and their rich symbolism. Contributions include the first ever English translation of Jean-Paul Sartre’s famous essay on the film Ivan’s Childhood, along with pieces by Harvard professor Stephanie Sandler, film critic and curator James Quandt, and Evgeny Tsymbal, assistant director to Tarkovsky on Stalker. Tarkovsky is illustrated with original stills along with studio shots, lobby cards, posters and other rare ephemera and contains a wealth of previously unseen material from Soviet archives, making it the definitive text on Tarkovsky’s singularly complex body of work.
Publisher: Black Dog Pub Limited
ISBN: 9781907317163
Category : Art
Languages : en
Pages : 464
Book Description
Tarkovsky pays tribute to the substantial legacy of Andrei Tarkovsky, the most important Soviet filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses. His reputation has grown significantly since his death twenty years ago in Paris. Tarkovsky created spiritual, existential films of incredible beauty, repeatedly returning to themes of memory, dreams, childhood and Christianity. Hugely influential on directors such as David Lynch, Steven Soderburgh and Lars Von Trier, he is particularly known for his re-imagining of the science fiction genre in films such as Solaris and Stalker. Tarkovsky provides a collection of accessible academic essays by leading film studies professionals that explore aspects of Tarkovsky's films including their sociological and psychological dimensions, their cinematic language and their rich symbolism. Contributions include the first ever English translation of Jean-Paul Sartre’s famous essay on the film Ivan’s Childhood, along with pieces by Harvard professor Stephanie Sandler, film critic and curator James Quandt, and Evgeny Tsymbal, assistant director to Tarkovsky on Stalker. Tarkovsky is illustrated with original stills along with studio shots, lobby cards, posters and other rare ephemera and contains a wealth of previously unseen material from Soviet archives, making it the definitive text on Tarkovsky’s singularly complex body of work.