Author: Michael Benedikt
Publisher: ORO Applied Research + Design
ISBN: 9781943532896
Category : Architecture
Languages : en
Pages : 312
Book Description
Architecture Beyond Experience is an interdisciplinary work in the service of one goal: the bringing about of a more relational, "posthuman" and yet humanist strain in architecture. It argues against the values that currently guide much architectural production (and the larger economy's too), which is the making, marketing, and staging of ever more arresting experiences. The result, in architecture, is experientialism: the belief that what gives a building value, aside from fulfilling its shelter functions, is how its views and spaces make us personally feel as we move around it. I argue that it's time to find a deeper basis for making and judging architecture, a basis which is not personal-experience-multiplied, but which is dialogical and relational from the start. I use the word relational to describe an architecture that guides people in search of encounter with (or avoidance of) each other and that manifests and demonstrates those same desires in its own forms, components, and materials. Buildings are beings. When architecture, they teach as well as protect; they tell us who we were and who we want to be; they exemplify, they deserve respect, invite investment, and reward affection. These are social-relational values, values that both underlie and go beyond experiential ones (sometimes called "phenomenological"). Such relational values have been suppressed, in part because architects have joined the Experience Economy, hardly noticing they have done so. Architecture Beyond Experience provides the argument and the concepts to ultimately re-center a profession.
Beyond Sticky Notes
Author: Kelly Ann McKercher
Publisher:
ISBN: 9780648787501
Category :
Languages : en
Pages :
Book Description
This book includes a deep-dive into the mindsets and methods of Co-design. It draws on the authors' experience across Australia and New Zealand, as well as design, trauma-informed practice, collective learning and social movements.
Publisher:
ISBN: 9780648787501
Category :
Languages : en
Pages :
Book Description
This book includes a deep-dive into the mindsets and methods of Co-design. It draws on the authors' experience across Australia and New Zealand, as well as design, trauma-informed practice, collective learning and social movements.
Reading Architecture
Author: Angeliki Sioli
Publisher: Routledge
ISBN: 1315402882
Category : Architecture
Languages : en
Pages : 332
Book Description
Why write instead of draw when it comes to architecture? Why rely on literary pieces instead of architectural treatises and writings when it comes to the of study buildings and urban environments? Why rely on literary techniques and accounts instead of architectural practices and analysis when it comes to academic research and educational projects? Why trust authors and writers instead of sociologists or scientists when it comes to planning for the future of cities? This book builds on the existing interdisciplinary bibliography on architecture and literature, but prioritizes literature’s capacity to talk about the lived experience of place and the premise that literary language can often express the inexpressible. It sheds light on the importance of a literary instead of a pictorial imagination for architects and it looks into four contemporary architectural subjects through a wide variety of literary works. Drawing on novels that engage cities from around the world, the book reveals aspects of urban space to which other means of architectural representation are blind. Whether through novels that employ historical buildings or sites interpreted through specific literary methods, it suggests a range of methodologies for contemporary architectural academic research. By exploring the power of narrative language in conveying the experience of lived space, it discusses its potential for architectural design and pedagogy. Questioning the massive architectural production of today’s globalized capital-driven world, it turns to literature for ways to understand, resist or suggest alternative paths for architectural practice. Despite literature’s fictional character, the essays of this volume reveal true dimensions of and for places beyond their historical, social and political reality; dimensions of utmost importance for architects, urban planners, historians and theoreticians nowadays.
Publisher: Routledge
ISBN: 1315402882
Category : Architecture
Languages : en
Pages : 332
Book Description
Why write instead of draw when it comes to architecture? Why rely on literary pieces instead of architectural treatises and writings when it comes to the of study buildings and urban environments? Why rely on literary techniques and accounts instead of architectural practices and analysis when it comes to academic research and educational projects? Why trust authors and writers instead of sociologists or scientists when it comes to planning for the future of cities? This book builds on the existing interdisciplinary bibliography on architecture and literature, but prioritizes literature’s capacity to talk about the lived experience of place and the premise that literary language can often express the inexpressible. It sheds light on the importance of a literary instead of a pictorial imagination for architects and it looks into four contemporary architectural subjects through a wide variety of literary works. Drawing on novels that engage cities from around the world, the book reveals aspects of urban space to which other means of architectural representation are blind. Whether through novels that employ historical buildings or sites interpreted through specific literary methods, it suggests a range of methodologies for contemporary architectural academic research. By exploring the power of narrative language in conveying the experience of lived space, it discusses its potential for architectural design and pedagogy. Questioning the massive architectural production of today’s globalized capital-driven world, it turns to literature for ways to understand, resist or suggest alternative paths for architectural practice. Despite literature’s fictional character, the essays of this volume reveal true dimensions of and for places beyond their historical, social and political reality; dimensions of utmost importance for architects, urban planners, historians and theoreticians nowadays.
Architecture Beyond Criticism
Author: Wolfgang F. E. Preiser
Publisher: Routledge
ISBN: 1317580826
Category : Architecture
Languages : en
Pages : 321
Book Description
For the first time, this book demonstrates that the two paradigms of architectural criticism and performance evaluation can not only co-exist but complement each other in the assessment of built works. As architecture takes more principled stances worldwide, from environmental sustainability to social, cultural, and economic activism, this book examines the roles of perceived and measured quality in architecture. By exploring in tandem both subjective traditional architectural criticism and environmental design and performance evaluation and its objective evaluation criteria, the book argues that both methodologies and outcomes can achieve a comprehensive assessment of quality in architecture. Curated by a global editorial team, the book includes: Contributions from international architects and critics based in the UK, USA, Brazil, France, Qatar, Egypt, New Zealand, China, Japan and Germany Global case studies which illustrate both perspectives addressed by the book and comparative analyses of the findings A six part organization which includes introductions and conclusions from the editors, to help guide the reader and further illuminate the contributions. By presenting a systematic approach to assessing building performance, design professionals will learn how to improve building design and performance with major stakeholders in mind, especially end users/occupants.
Publisher: Routledge
ISBN: 1317580826
Category : Architecture
Languages : en
Pages : 321
Book Description
For the first time, this book demonstrates that the two paradigms of architectural criticism and performance evaluation can not only co-exist but complement each other in the assessment of built works. As architecture takes more principled stances worldwide, from environmental sustainability to social, cultural, and economic activism, this book examines the roles of perceived and measured quality in architecture. By exploring in tandem both subjective traditional architectural criticism and environmental design and performance evaluation and its objective evaluation criteria, the book argues that both methodologies and outcomes can achieve a comprehensive assessment of quality in architecture. Curated by a global editorial team, the book includes: Contributions from international architects and critics based in the UK, USA, Brazil, France, Qatar, Egypt, New Zealand, China, Japan and Germany Global case studies which illustrate both perspectives addressed by the book and comparative analyses of the findings A six part organization which includes introductions and conclusions from the editors, to help guide the reader and further illuminate the contributions. By presenting a systematic approach to assessing building performance, design professionals will learn how to improve building design and performance with major stakeholders in mind, especially end users/occupants.
Brandscapes
Author: Anna Klingmann
Publisher: MIT Press
ISBN: 0262515032
Category : Design
Languages : en
Pages : 379
Book Description
Architecture as imprint, as brand, as the new media of transformation—of places, communities, corporations, and people. In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. Klingmann argues that architecture can use the concepts and methods of branding—not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square—prototypes and case studies in branding—to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown. But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations. How can architects use branding as a means to differentiate places from the inside out—and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.
Publisher: MIT Press
ISBN: 0262515032
Category : Design
Languages : en
Pages : 379
Book Description
Architecture as imprint, as brand, as the new media of transformation—of places, communities, corporations, and people. In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do. Klingmann argues that architecture can use the concepts and methods of branding—not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square—prototypes and case studies in branding—to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown. But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations. How can architects use branding as a means to differentiate places from the inside out—and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.
Experiencing Architecture, second edition
Author: Steen Eiler Rasmussen
Publisher: MIT Press
ISBN: 9780262680028
Category : Architecture
Languages : en
Pages : 260
Book Description
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”
Publisher: MIT Press
ISBN: 9780262680028
Category : Architecture
Languages : en
Pages : 260
Book Description
A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”
Information Architecture for the World Wide Web
Author: Louis Rosenfeld
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596000356
Category : Computers
Languages : en
Pages : 500
Book Description
Today's web sites and intranets are larger, more valuable, and more complex than ever before, and their users are busier and less forgiving. Designers, information architects, and web site managers are required to juggle vast amounts of information, frequent changes, new technologies, and corporate politics, making some web sites look like a fast-growing but poorly planned city -roads everywhere, but impossible to navigate. A well-planned information architecture has never been as essential as it is now. Information Architecture for the World Wide Web, Second Edition, shows how to use both aesthetics and mechanics to create distinctive, cohesive web sites that work. Most books on web development concentrate either on the graphics or on the technical issues of a site. This book focuses on the framework that holds the two together. By applying the principles outlined in this completely updated classic, you'll build scalable and maintainable web sites that are easier to navigate and more appealing to your users. Using examples and case studies, Information Architecture for the World Wide Web will help you: Develop a strong, cohesive vision for your site that makes it both distinctive and usable; Organize your site's hierarchy in ways that are meaningful to its users and that minimize the need to re-engineer the site; Create navigation systems that allow users to move through the site without getting lost or frustrated; Accurately label your site's content; Organize your site in a way that supports both searching for specific items and casual browsing; Configure search systems so that users' queries actually retrieve meaningful results; Manage the process of developing an information architecture, from selling the concept to research and conceptual design to planning and production. "The world will be a better place when web designers read this book. It's smart, funny, and artfully distills years of the authors' bard-won experience. Information Architecture for the World Wide Web tackles political/organizational challenges as well as content, structure, and user interface. This is not design-lite, but a deep treatment of fundamental issues of information presentation that advances the state of the art. It's light years ahead of the competition." -Bonnie Nardi, Co-author of Information Ecologies- Using Technology with Heart
Publisher: "O'Reilly Media, Inc."
ISBN: 9780596000356
Category : Computers
Languages : en
Pages : 500
Book Description
Today's web sites and intranets are larger, more valuable, and more complex than ever before, and their users are busier and less forgiving. Designers, information architects, and web site managers are required to juggle vast amounts of information, frequent changes, new technologies, and corporate politics, making some web sites look like a fast-growing but poorly planned city -roads everywhere, but impossible to navigate. A well-planned information architecture has never been as essential as it is now. Information Architecture for the World Wide Web, Second Edition, shows how to use both aesthetics and mechanics to create distinctive, cohesive web sites that work. Most books on web development concentrate either on the graphics or on the technical issues of a site. This book focuses on the framework that holds the two together. By applying the principles outlined in this completely updated classic, you'll build scalable and maintainable web sites that are easier to navigate and more appealing to your users. Using examples and case studies, Information Architecture for the World Wide Web will help you: Develop a strong, cohesive vision for your site that makes it both distinctive and usable; Organize your site's hierarchy in ways that are meaningful to its users and that minimize the need to re-engineer the site; Create navigation systems that allow users to move through the site without getting lost or frustrated; Accurately label your site's content; Organize your site in a way that supports both searching for specific items and casual browsing; Configure search systems so that users' queries actually retrieve meaningful results; Manage the process of developing an information architecture, from selling the concept to research and conceptual design to planning and production. "The world will be a better place when web designers read this book. It's smart, funny, and artfully distills years of the authors' bard-won experience. Information Architecture for the World Wide Web tackles political/organizational challenges as well as content, structure, and user interface. This is not design-lite, but a deep treatment of fundamental issues of information presentation that advances the state of the art. It's light years ahead of the competition." -Bonnie Nardi, Co-author of Information Ecologies- Using Technology with Heart
For an Architecture of Reality
Author: Michael Benedikt
Publisher:
ISBN: 9780930829056
Category : Architectural design
Languages : en
Pages : 0
Book Description
Michael Benedikt teaches, practices architecture, and writes in Austin, where he is a Professor of Architecture at the University of Texas. His second book, Deconstructing the Kimbell (0-930829-16-6), is also published by Lumen. "Benedikt has written a bold theoretical essay, with stirring cultural implications, that argues to restore the missing sense of reality to architecture and insists on 'the direct esthetic experience of the real.' . . . a timely manifesto. Thought-provoking and eminently quotable, it succeeds admirably in what it sets out to do: to recall architecture, and not only architecture, to those all but mute meanings so often passed over and yet inseparable from our everyday existence.--Karsten Harries "This book will still be useful when this year's round arches have all been remodeled (isn't it inevitable?) into pointed. And because it is so vividly -and thoughtfully--written, it will still be a pleasure to read."--Charles Moore "Every literate architect should take an afternoon off to read and ponder this brief and thoughtful and thoroughly engaging book. . . . Benedikt says more about some central aesthetic and philosophical issues confronting contemporary architecture than many celebrated pundits manage to squeeze into a shelfful of books. . . . He offers a straightforward account of his own struggle to understand the pleasures and responsibilities of architecture in an age when aesthetic pleasure is all but indiscernible from entertainment, and responsibility is often a cover for thoughtless conformity."--Roger Kimball, Architectural Record "Benedikt marches bravely into the philosophical thicket to find a working definition of reality. . . . In his sensibilities, he is quite transcendental, much like a Thoreau or an Emerson in a hotel lobby of potted ficus trees."--Howard Mansfield, Small Press ". . . the book of the decade in Texas architectural circles. . . "--Texas Architect
Publisher:
ISBN: 9780930829056
Category : Architectural design
Languages : en
Pages : 0
Book Description
Michael Benedikt teaches, practices architecture, and writes in Austin, where he is a Professor of Architecture at the University of Texas. His second book, Deconstructing the Kimbell (0-930829-16-6), is also published by Lumen. "Benedikt has written a bold theoretical essay, with stirring cultural implications, that argues to restore the missing sense of reality to architecture and insists on 'the direct esthetic experience of the real.' . . . a timely manifesto. Thought-provoking and eminently quotable, it succeeds admirably in what it sets out to do: to recall architecture, and not only architecture, to those all but mute meanings so often passed over and yet inseparable from our everyday existence.--Karsten Harries "This book will still be useful when this year's round arches have all been remodeled (isn't it inevitable?) into pointed. And because it is so vividly -and thoughtfully--written, it will still be a pleasure to read."--Charles Moore "Every literate architect should take an afternoon off to read and ponder this brief and thoughtful and thoroughly engaging book. . . . Benedikt says more about some central aesthetic and philosophical issues confronting contemporary architecture than many celebrated pundits manage to squeeze into a shelfful of books. . . . He offers a straightforward account of his own struggle to understand the pleasures and responsibilities of architecture in an age when aesthetic pleasure is all but indiscernible from entertainment, and responsibility is often a cover for thoughtless conformity."--Roger Kimball, Architectural Record "Benedikt marches bravely into the philosophical thicket to find a working definition of reality. . . . In his sensibilities, he is quite transcendental, much like a Thoreau or an Emerson in a hotel lobby of potted ficus trees."--Howard Mansfield, Small Press ". . . the book of the decade in Texas architectural circles. . . "--Texas Architect
Territory
Author: David Gissen
Publisher: Academy Press
ISBN:
Category : Architecture
Languages : en
Pages : 142
Book Description
Advancing a new relationship between architecture and nature, Territory emphasises the simultaneous production of architectural objects and the environment surrounding them. Conceptualised within a framework that draws from physical and human geographical thought, this title of Architectural Design examines the possibility of an architecture that actively produces its external, ecological conditions. The architecture here scans and modifies atmospheres, arboreal zones, geothermal exchange, magnetic fields, habitats and toxicities – enabling new and intense geographical patterns, effects and sensations within architectural and urban experience. Territory charts out a space, a territory, for architecture beyond conceptualisations of context or environment, understood as that stable setting which pre-exists the production of new things. Ultimately, it suggests a role for architecture as a strategy of environmental tinkering versus one of accommodation or balance with an external natural world.
Publisher: Academy Press
ISBN:
Category : Architecture
Languages : en
Pages : 142
Book Description
Advancing a new relationship between architecture and nature, Territory emphasises the simultaneous production of architectural objects and the environment surrounding them. Conceptualised within a framework that draws from physical and human geographical thought, this title of Architectural Design examines the possibility of an architecture that actively produces its external, ecological conditions. The architecture here scans and modifies atmospheres, arboreal zones, geothermal exchange, magnetic fields, habitats and toxicities – enabling new and intense geographical patterns, effects and sensations within architectural and urban experience. Territory charts out a space, a territory, for architecture beyond conceptualisations of context or environment, understood as that stable setting which pre-exists the production of new things. Ultimately, it suggests a role for architecture as a strategy of environmental tinkering versus one of accommodation or balance with an external natural world.