Author: Gregory Clark Publisher: Getty Publications ISBN: 0892367121 Category : Art Languages : en Pages : 106
Book Description
Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.
Author: Pamela Robinson Publisher: Routledge ISBN: 1351888137 Category : History Languages : en Pages : 607
Book Description
This selection of papers by major scholars introduces students to the history of the book in the West from late Antiquity to the publication of the Gutenberg Bible and the beginning of the print revolution. The collection opens with wide-ranging papers on handwriting and the physical make-up of the book. In the second group of papers the emphasis is on the ’look’ of the book, complemented by a third group dealing with scribes, readers and the availability of books. The editors’ introduction provides an overview of the medieval book.
Author: Bryan C. Keene Publisher: Getty Publications ISBN: 1606065467 Category : Art Languages : en Pages : 114
Book Description
Distant blue hills, soaring trees, vast cloudless skies—the majesty of nature has always had the power to lift the human spirit. For some it evokes a sense of timelessness and wonder. For others it reinforces religious convictions. And for many people today it raises concerns for the welfare of the planet. During the Renaissance, artists from Italy to Flanders and England to Germany depicted nature in their religious art to intensify the spiritual experience of the viewer. Devotional manuscripts for personal or communal use—from small-scale prayer books to massive choir books—were filled with some of the most illusionistic nature studies of this period. Sacred Landscapes, which accompanies an exhibition at the J. Paul Getty Museum, presents some of the most impressive examples of this art, gathering a wide range of illuminated manuscripts made between 1400 and 1600, as well as panel paintings, drawings, and decorative arts. Readers will see the influence of such masters as Albrecht Dürer, Jan van Eyck, Leonardo da Vinci, and Piero della Francesca and will gain new appreciation for manuscript illuminators like Simon Bening, Joris Hoefnagel, Vincent Raymond, and the Spitz Master. These artists were innovative in the early development of landscape painting and were revered throughout the early modern period. The authors provide thoughtful examination of works from the fifteenth through seventeenth centuries.
Author: Albrecht Classen Publisher: Walter de Gruyter ISBN: 3110223902 Category : Literary Criticism Languages : en Pages : 769
Book Description
Although the city as a central entity did not simply disappear with the Fall of the Roman Empire, the development of urban space at least since the twelfth century played a major role in the history of medieval and early modern mentality within a social-economic and religious framework. Whereas some poets projected urban space as a new utopia, others simply reflected the new significance of the urban environment as a stage where their characters operate very successfully. As today, the premodern city was the locus where different social groups and classes got together, sometimes peacefully, sometimes in hostile terms. The historical development of the relationship between Christians and Jews, for instance, was deeply determined by the living conditions within a city. By the late Middle Ages, nobility and bourgeoisie began to intermingle within the urban space, which set the stage for dramatic and far-reaching changes in the social and economic make-up of society. Legal-historical aspects also find as much consideration as practical questions concerning water supply and sewer systems. Moreover, the early modern city within the Ottoman and Middle Eastern world likewise finds consideration. Finally, as some contributors observe, the urban space provided considerable opportunities for women to carve out a niche for themselves in economic terms.
Author: Rob Dückers Publisher: BRILL ISBN: 9004175121 Category : History Languages : en Pages : 223
Book Description
Although the Nijmegen artists Herman, Paul and Jean de Limbourg were barely thirty years old when they suddenly died in 1416, they already had a formidable career behind them. Now, almost six hundred years after their creation, the colourful and highly refined miniatures in the "Belles Heures" and "Tr s Riches Heures du Duc de Berry" still speak vividly to our imagination. In 2005 Museum Het Valkhof in Nijmegen presented the exhibition The Limbourg Brothers. Nijmegen Masters at the French Court (1400-1416) . This was the first time that original miniatures from four manuscripts by the Limbourg brothers were shown in the Netherlands. The exhibition formed an excellent opportunity to invite prominent scholars to share their views on the art of the Limbourg brothers during a two-day conference. This publication presents in written form the conference papers delivered by some of the leading scholars in the field. In that respect, the volume acts as an addendum to the catalogue. Contributors are Hanneke van Asperen, Gregory T. Clark, Herman Th. Colenbrander, Rob D ckers, Eberhard K nig, Margaret Lawson, Stephen Perkinson, Pieter Roelofs and Victor M. Schmidt.
Author: Elizabeth Morrison Publisher: Getty Publications ISBN: 0892368527 Category : Art Languages : en Pages : 212
Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Author: Publisher: BRILL ISBN: 900444260X Category : Literary Criticism Languages : en Pages : 295
Book Description
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
Author: Anne Dawson Hedeman Publisher: Getty Publications ISBN: 9780892369355 Category : Art Languages : en Pages : 300
Book Description
In 1409 Laurent de Premierfait produced a French translation of Giovanni Boccaccio s "De casibus virorum illustrium," a fourteenth-century text containing cautionary historical tales that exemplify the corrupting effects of power. Richly illustrated copies of the translation, known as "Des cas des nobles hommes et femmes," became enormously popular, allowing for a consideration not only of how Boccaccio s Latin made its way into Laurent s French but also how the text was converted into visual images. In "Translating the Past," art historian Anne D. Hedeman traces the history of Laurent s work from the first copies made for the dukes of Berry and Burgundy to manuscripts independently produced by artists and booksellers in Paris. In certain cases, masterpieces resulted, such as the copy owned by the J. Paul Getty Museum, which was painted around 1415 by the Boucicaut Master under King Charles VII of France."
Author: Edelgard E. DuBruck Publisher: Camden House ISBN: 9781571132963 Category : History Languages : en Pages : 252
Book Description
New essays on topics from love and sexuality to physical handicaps, old age, good and bad fortune, women's virtues, art and literature, and the writing of manuscripts. Fifteenth-Century Studies has appeared annually since 1977. It publishes essays on all aspects of life in the 15th century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that defies consensus on fundamental issues. In this volume the standard synopsis of research on 15th-c. theater is followed by essays on reflection/meditation on love and sexuality, physical handicaps, old age, betrayal, and false accusations. Contributors investigate good and bad fortune and human reactions to it, as well as women's virtues. Essays deal with poetry, prose, and drama, while others explore art, looking at illuminations, fresco, and tapestry from the vantage point of hagiography and romance. Finally, there is an essay on scribes, codices, and manuscripts from the perspective of New Philology. Contributors: E. DuBruck, C. Azuela, D.E. Booton, L.V. Gerulaitis, R. Hyatte, S. Jefferis, V. Minet-Mahy, C. Politis, M.J. Seaman, E. I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.
Author: Elizabeth Mansfield Publisher: Routledge ISBN: 1134703295 Category : Art Languages : en Pages : 322
Book Description
Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
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Author: Gregory Clark
Author: Pamela Robinson
Author: Bryan C. Keene 
Author: Albrecht Classen
Author: Rob Dückers
Author: Elizabeth Morrison
Author: 
Author: Anne Dawson Hedeman
Author: Edelgard E. DuBruck
Author: Elizabeth Mansfield