The Photobook in Art and Society

Author: Montag Stiftung Kunst und Gesellschaft
Publisher: Jovis Verlag
ISBN: 9783868595949
Category : Interactive art
Languages : en
Pages : 0

Book Description
Since the turn of the millennium, the analogue photo book has experienced an international boom, developing into its own art form: a kind of visual literature, somewhere between novel and film. More and more often, photographers are publishing their works in this format rather than only as part of exhibitions. However, the photo book as an art form is hardly known to a wider public. The multiyear project?Welt im Umbruch? (World in Transition), which the Montag Stiftung initiated together with the PhotoBookMuseum, made one attempt to change this. In Rostock, Duisburg, and Kassel, members of the public were able to get to know photobooks as an artistic form of expression and to design photobooks of their own.00This volume not only documents the experience-based knowledge of all participants but also introduces the history of the photobook along with theories and current practices of participative art. It collects contributions on the production and distribution conditions of photobooks from Asia, Europe, and the United States. In addition to the medium?s political and emancipatory potential, topics discussed include the reasons for the analogue photobook's enormous appeal in the digital present.

The Photobook World

Author: Paul Ernest Michael Edwards
Publisher:
ISBN: 9781526167576
Category : Photography
Languages : en
Pages : 0

Book Description
This volume challenges the art-market definition of the photobook as a photographer's book, proposing instead to show how books and photos come together as collective cultural productions. The chapters revisit canonical works and delve into institutional, digital and unrealised projects, illegal practices, collectives and the poetic impulse.

How We See: Photobooks by Women

Author: Russet Lederman
Publisher: 10x10 Photobooks
ISBN: 0692144293
Category : Photography
Languages : en
Pages : 7

Book Description
A “book on books” anthology that documents How We See, a traveling public and hands-on reading room of a global range of 100 photography books by female photographers. In addition to all one hundred books in the How We See Reading Room, the publication includes three essays, an annotated history, reference lists of historical books by women photographers, an author index and a visual index. Paris Photo-Aperture Foundation Photobook Awards 2019 – Jury’s Special Mention Les Rencontres d’Arles Photobook Award 2019 – Shortlisted 50 Books 50 Covers / AIGA 2019 – Best Book Winner ADC Merit Award 2020

The Photobook

Author: Patrizia Di Bello
Publisher: Routledge
ISBN: 9781032220260
Category :
Languages : en
Pages : 252

Book Description
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's The Pencil of Nature heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.

The Photography Book

Author: Editors of Phaidon Press
Publisher: Phaidon Press
ISBN: 0714836346
Category : Photography
Languages : en
Pages : 512

Book Description
An introduction to 500 photographers from the mid-19th century to today.

Making Strange

Author: Kim Sichel
Publisher: Yale University Press
ISBN: 0300246188
Category : Photography
Languages : en
Pages : 233

Book Description
A richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, Making Strange reasserts the role of French photobooks in the history of modern art.

The Book of Veles

Author: JONAS. BENDIKSEN
Publisher: Gost Books
ISBN: 9781910401613
Category :
Languages : en
Pages :

Book Description
Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' -- a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself--the pre-Christian Slavic god of mischief, chaos and deception

How Photography Became Contemporary Art

Author: Andy Grundberg
Publisher: Yale University Press
ISBN: 0300259891
Category : Photography
Languages : en
Pages : 554

Book Description
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.

Photography and the Art of Chance

Author: Robin Kelsey
Publisher: Harvard University Press
ISBN: 0674744004
Category : Art
Languages : en
Pages : 409

Book Description
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.

What They Saw: Historical Photobooks by Women, 1843-1999

Author: Russet Lederman
Publisher: 10x10 Photobooks
ISBN: 057893213X
Category : Photography
Languages : en
Pages : 8

Book Description
What They Saw: Historical Photobooks by Women, 1843 - 1999, 10×10 Photobooks' most recent "book-on-photobooks" anthology in its ongoing examination of photobook history, explores photobooks created by women from photography's beginnings to the dawn of the 21st century. Presenting a diverse geographic and ethnic selection, the anthology interprets the concept of the photobook in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks. Some of the books documented are well-known publications such as Anna Atkins' Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull's Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris' The Camera and the Congo Crime (c. 1906), Varvara Stepanova's Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson's African Journey (1945), Fina Gómez Revenga's Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa's Far and Near (1962) and Gretta Alegre Sarfaty's Auto-photos: Série transformações-1976: Diário de Uma Mulher-1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history-in particular, the lack of access, support and funding for photobooks by non-Western women and women of color. Paris Photo–Aperture Foundation Catalogue of the Year Award 2021 Kraszna-Krausz Photography Book Award 2022 Time Magazine 20 Best Photobooks of 2021