Author: André Breton Publisher: Pattern Books ISBN: 1848647735 Category : Art Languages : en Pages : 112
Book Description
A collection of both of the Manifestoes of Surrealism written by Andre Breton in 1924 and 1929. The pocket book size to make the two manifestoes more accessible in print without being part of some collected works.
Author: André Breton Publisher: ISBN: 9781541357433 Category : Languages : en Pages : 40
Book Description
Two Surrealist Manifestos were issued by the Surrealist movement, in 1924 and 1929. They were both written by Andr� Breton. Andr� Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. The first Surrealist manifesto was written by Breton and published in 1924 as a booklet (Editions du Sagittaire). The document defines Surrealism as:"Psychic automatism in its pure state, by which one proposes to express - verbally, by means of the written word, or in any other manner - the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern." Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to "resolve the previously contradictory conditions of dream and reality". Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.
Author: André Breton Publisher: ISBN: Category : Painters Languages : en Pages : 454
Book Description
Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism."--BOOK JACKET.
Author: André Breton Publisher: ISBN: 9781312579941 Category : Languages : en Pages : 0
Book Description
In the early 20th century, radical art movements transformed traditional art forms by challenging established norms and redefining the boundaries of art. The manifestos of Surrealism, Dada, and Futurism reflect the innovative ideas of these movements, such as Andre Breton's focus on the unconscious mind as the foundation for artistic expression and Hugo Ball's rejection of societal norms in favor of chaos and chance. Luigi Russolo's Art of Noises manifesto proposed a revolutionary approach to music that explored sound as an artistic medium. This compilation of manifestos offers valuable insights into the core principles of these movements and their ongoing impact on contemporary art. Published by Zem Books.
Author: André Breton Publisher: Grove Press ISBN: 9780802150264 Category : Fiction Languages : en Pages : 164
Book Description
"Nadja, " originally published in France in 1928, is the first and perhaps best Surrealist romance ever written, a book which defined that movement's attitude toward everyday life. The principal narrative is an account of the author's relationship with a girl in teh city of Paris, the story of an obsessional presence haunting his life. The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various "surreal" people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. "The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as "not so much a thing as a way things happen, " Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.
Author: André Breton Publisher: Univ of California Press ISBN: 9780520239548 Category : Literary Criticism Languages : en Pages : 194
Book Description
"This is a kind of "essence of Breton", variously translated by some of our finest writers, each of whom highlights different facets of Breton's complex work. Mark Polizzotti's useful introduction provides context and a brief analysis of the artist and his times."—Diane di Prima, author of Recollections of My Life as a Woman "Mark Polizzotti, who is a poet, a translator, and the author of the definitive biography of André Breton, has chosen stellar translations of Breton's dazzling poetry and placed it in its lively context. This shapely introduction to the life and work of André Breton is smart, concise, and exciting. I cannot imagine a better one."—Ron Padgett, poet and translator of The Complete Poems of Blaise Cendrars "The Poets for the Millennium Series generally and André Breton's Selected Works specifically offers a workable image of an author and the work and the conjuncture, all at once. What comes across is a vivid presentation of Andre Breton not just as an art czar, a manifesto merchant, but a serious, haunted, inventive and strangely profound poet of the imagination, who invented or archeologized new ways of dreaming, but insisted on bearing witness with them in the actual world. Polizzotti does justice--as I think no other writer has--to the double burden of Breton's work."—Robert Kelly "A superbly chosen selection of Breton's poetry and prose, translated in every case with an elegant intelligence, and preceded by an unusually thorough introduction showing quite exactly how the poet's life informed each epoch of his work. It proves again the remarkable un-boringness of Breton, and how important he is now to our own poetry and to us.—Mary Ann Caws, author of The Surrealist Look: An Erotics of Encounter and editor of The Surrealist Painters and Poets
Author: Georges Bataille Publisher: Verso Books ISBN: 1789602653 Category : Philosophy Languages : en Pages : 305
Book Description
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andr Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
Author: Tristan Tzara Publisher: Alma Books ISBN: 0714545686 Category : Literary Collections Languages : en Pages : 129
Book Description
This volume contains Tristan Tzara's famous manifestos, which first appeared between 1916 and 1921 and became essential texts of the modern movement and models for Breton's Surrealist manifestos. Art for Tzara was both deadly serious and a game, and the playfulness of his character is apparent not only in his polemic, which often uses dadaist typography, but in the delightful drawings contributed by Francis Picabia.In addition, this volume also contains Tzara's Lampisteries - articles that throw light on various art forms contemporary with his own work, at a time when art, weary of the old certainties, turned into subjective and often abstract forms, favouring the reality of the mind over that of the senses.
Author: Nadia Choucha Publisher: Inner Traditions / Bear & Co ISBN: 9780892813735 Category : Art Languages : en Pages : 156
Book Description
"Searching for a deeper understanding of the power and influence of surrealist art, Nadia Choucha clearly confirms that many surrealists and their predecessors were steeped in magical ideas. The Theosophical involvement of Kandinsky, the visionary paintings of Salvador Dali, the alchemy of Pablo Picasso, and the shamanism of Max Ernst and Leonora Carrington all demonstrate the fundamental and dynamic impact of magic and mysticism on surrealism. Surrealist artists believed that society had much to learn from the unconditioned, spontaneous forms of art produced by spiritual mediums, children, untutored artists, and the insane. In their attempt to tap the unconscious regions of the mind, the surrealists borrowed imagery from alchemy, the Tarot, Gnosticism, Tantra, and other esoteric traditions and sought inspiration from ancient myths, 'irrational' thought, and ethnic art. Enhanced by both color and black-and-white reproductions of fine art, Choucha's account explains the intimate connections between occult and surrealist philosophies and provides an essential key to the mysteries of the surrealist movement and the forces that give it life" --Back cover.
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Author: André Breton
Author: André Breton
Author: André Breton
Author: André Breton
Author: André Breton
Author: André Breton
Author: André Breton
Author: Georges Bataille
Author: Tristan Tzara
Author: Nadia Choucha