Author: Cone, James H.
Publisher: Orbis Books
ISBN: 1608339432
Category : History
Languages : en
Pages : 167
Book Description
"How two forms of song helped sustain slaves and their children in the midst of tribulation. With a new introduction by Cheryl Townsend Gilkes"--
Spiritual, Blues, and Jazz People in African American Fiction
Author: A. Yemisi Jimoh
Publisher: Univ. of Tennessee Press
ISBN: 9781572331723
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Univ. of Tennessee Press
ISBN: 9781572331723
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Jimoh (English, U. of Arkansas-Fayetteville) investigates African American intracultural issues that inform a more broadly intertextual use of music in creating characters and themes in fiction by US black writers. Conventional close readings of texts, she argues, often miss historical-sociopolitical discourses that can illuminate African American narratives. Annotation copyrighted by Book News, Inc., Portland, OR
Beyond the Crossroads
Author: Adam Gussow
Publisher: UNC Press Books
ISBN: 1469633671
Category : Music
Languages : en
Pages : 417
Book Description
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
Publisher: UNC Press Books
ISBN: 1469633671
Category : Music
Languages : en
Pages : 417
Book Description
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
Images of the Apocalypse in African American Blues and Spirituals
Author: Małgorzata Ziółek-Sowińska
Publisher: New Americanists in Poland
ISBN: 9783631681312
Category : African Americans
Languages : en
Pages : 0
Book Description
This book explores the recurrence of Apocalyptic motifs and imagery in blues and spirituals recorded by blues musicians. It looks at the ways in which Black Americans portray Apocalypse ideas about the Last Judgement from the Book of Revelation. It also focuses on how literary themes in spirituals and blues depict the destruction of the world, death, Christian judgement, heaven and catastrophic events in personal lives of African Americans that result in loss. Selected blues lyrics and texts of spirituals show the persistence of these themes. The book was written with a broad potential audience in mind especially among those interested in religion, eschatology, spirituals, blues and African American studies.
Publisher: New Americanists in Poland
ISBN: 9783631681312
Category : African Americans
Languages : en
Pages : 0
Book Description
This book explores the recurrence of Apocalyptic motifs and imagery in blues and spirituals recorded by blues musicians. It looks at the ways in which Black Americans portray Apocalypse ideas about the Last Judgement from the Book of Revelation. It also focuses on how literary themes in spirituals and blues depict the destruction of the world, death, Christian judgement, heaven and catastrophic events in personal lives of African Americans that result in loss. Selected blues lyrics and texts of spirituals show the persistence of these themes. The book was written with a broad potential audience in mind especially among those interested in religion, eschatology, spirituals, blues and African American studies.
The New Blue Music
Author: Richard J. Ripani
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 283
Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 283
Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Cross the Water Blues
Author: Neil A. Wynn
Publisher: Univ. Press of Mississippi
ISBN: 1604735473
Category : Music
Languages : en
Pages : 302
Book Description
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Publisher: Univ. Press of Mississippi
ISBN: 1604735473
Category : Music
Languages : en
Pages : 302
Book Description
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Jazz, Blues, and Spirituals
Author: Hans Rookmaaker
Publisher: P & R Publishing
ISBN: 9781629956732
Category : African Americans
Languages : en
Pages :
Book Description
"Rookmaaker's music history explores the development of black music in the United States until the 1950s-describing the spiritual and cultural origins, rationale, and interplay of its diverse new genres"--
Publisher: P & R Publishing
ISBN: 9781629956732
Category : African Americans
Languages : en
Pages :
Book Description
"Rookmaaker's music history explores the development of black music in the United States until the 1950s-describing the spiritual and cultural origins, rationale, and interplay of its diverse new genres"--
Noise and Spirit
Author: Anthony B. Pinn
Publisher: NYU Press
ISBN: 0814766994
Category : Music
Languages : en
Pages : 224
Book Description
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.
Publisher: NYU Press
ISBN: 0814766994
Category : Music
Languages : en
Pages : 224
Book Description
Rap music is often seen as a Black secular response to pressing issues of our time. Yet, like spirituals, the blues, and gospel music, rap has deep connections to African American religious traditions. Noise and Spirit explores the diverse religious dimensions of rap stemming from Islam (including the Nation of Islam and Five Percent Nation), Rastafarianism, and Humanism, as well as Christianity. The volume examines rap’s dialogue with religious traditions, from the ways in which Islamic rap music is used as a method of religious and political instruction to the uses of both the blues and Black women’s rap for considering the distinction between God and the Devil. The first section explores rap’s association with more easily recognizable religious traditions and communities such as Christianity and Islam. The next presents discussions of rap and important spiritual considerations, including on the topic of death. The final unit wrestles with ways to theologize about the relationship between the sacred and the profane in rap.