The Fantastic

Author: Tzvetan Todorov
Publisher: Cornell University Press
ISBN: 9780801491467
Category : Art
Languages : en
Pages : 196

Book Description
In The Fantastic, Tzvetan Todorov seeks to examine both generic theory and a particular genre, moving back and forth between a poetics of the fantastic itself and a metapoetics or theory of theorizing, even as he suggest that one must, as a critic, move back and forth between theory and history, between idea and fact. His work on the fantastic is indeed about a historical phenomenon that we recognize, about specific works that we may read, but it is also about the use and abuse of generic theory. As an essay in fictional poetics, The Fantastic is consciously structuralist in its approach to the generic subject. Todorov seeks linguistic bases for the structural features he notes in a variety of fantastic texts, including Potocki's The Sargasso Manuscript, Nerval's Aurélia, Balzac's The Magic Skin, the Arabian Nights, Cazotte's Le Diable Amoureux, Kafka's The Metamorphosis, and tales by E. T. A. Hoffman, Charles Perrault, Guy de Maupassant, Nicolai Gogol, and Edgar A. Poe.

Exploring the Fantastic

Author: Ina Batzke
Publisher: transcript Verlag
ISBN: 3839440270
Category : Literary Criticism
Languages : en
Pages : 301

Book Description
The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

The Fantastic in Religious Narrative from Exodus to Elisha

Author: Laura Feldt
Publisher: Routledge
ISBN: 1317543831
Category : History
Languages : en
Pages : 325

Book Description
The Fantastic in Religious Narrative from Exodus to Elisha argues that perspectives drawn from literary-critical theories of the fantastic and fantasy are apt to explore Hebrew Bible religious narratives. The book focuses on the narratives' marvels, monsters, and magic, rather than whether or not the stories depict historical events. The Exodus narrative (Ex 1-18) and a selection of additional Hebrew Bible narratives (Num 11-14, Judg 6-8, 1 Kings 17-19, 2 Kings 4-7) are analysed from a fantasy-theoretical perspective. The 'fantasy perspective' helps to make sense of elements of these narratives that - although prominently featured in the stories - have previously often been explained by being explained away. These case studies can illuminate Hebrew Bible religion and offer wider perspectives on religious narrative generally. In light of the fantasy-theoretical approach, these Hebrew Bible stories - with the Exodus narrative at the centre - read not as foundational stories, affirming triumphantly and unambiguously the bond between the deity, his people, and their territory, but rather as texts that harbour and even actively encourage ambiguity and uncertainty, not necessarily prompting belief, orientation, and a sense of meaningfulness, but also open-ended reflection and doubt. The case studies suggest that other religious narratives, both in and beyond the Judaic tradition, may also be amenable to interpretation in these terms, thus questioning a dominant trend in myth studies. The results of the analyses lead to a discussion of the role of ambiguity, uncertainty, and transformation in religious narrative in broader perspective, and to a questioning of the emphasis in the study of religion on the capacity of religious narrative for founding and maintaining institutions, orienting identity, and defending order over disorder. The book suggests the wider importance of incorporating destabilisation, disorientation, and ambiguity more strongly into theories of what religious narrative is and does.

Magical Realism and the Fantastic

Author: Amaryll Beatrice Chanady
Publisher: Routledge
ISBN: 1000639053
Category : Literary Criticism
Languages : en
Pages : 193

Book Description
Every reader of literature interprets the literary text on the basis of information they have acquired from previous reading, and according to norms they have established, either consciously or not, with regard to a work of literature. In this study, originally published in 1985, the author clarifies the concepts of magical realism and the fantastic, and establishes a series of guidelines that will allow us to distinguish between the two similar yet independent modes. The reader will thus be able to identify the implicit framework upon which the author of the fantastic and of magical realism bases their text.

The Fantastic in Holocaust Literature and Film

Author: Judith B. Kerman
Publisher: McFarland
ISBN: 1476618739
Category : History
Languages : en
Pages : 243

Book Description
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).

On the Uses of the Fantastic in Modern Theatre

Author: I. Eynat-Confino
Publisher: Springer
ISBN: 0230616968
Category : Performing Arts
Languages : en
Pages : 202

Book Description
The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.

Lovecraft, a Study in the Fantastic

Author: Maurice Lévy
Publisher: Wayne State University Press
ISBN: 9780814319567
Category : Fiction
Languages : en
Pages : 156

Book Description
Maurice L'vy's book is a penetrating analysis of the themes running through the works of H. P. Lovecraft, the writer of horror and supernatural fiction. Broader than a thematic study, however, L'vy's analysis is unique in his use of Lovecraft's work as a model for fantastic writing in general and in his provocative theory as to why Lovecraft wrote the sort of works he did. At an early age, Lovecraft sloughed off all religious belief and came to adopt a bleak and nihilistic philosophy where humans have no importance in the cosmos but to serve as the playthings of incomprehensible and uncaring forces. L'vy sees Lovecraft's works as an attempt to purge himself of these feelings and to give himself a reason to love in a universe that cares nothing for him or for other human beings in general. It is this view of Lovecraft the writer, the thinker, and the man that sets L'vy's work apart from any Lovecraft criticism.

Contemporary Italian Women Writers and Traces of the Fantastic

Author: Danielle Hipkins
Publisher: Routledge
ISBN: 1351195336
Category : Literary Criticism
Languages : en
Pages : 423

Book Description
"Contemporary fantastic fiction, particularly that written by women, often challenges traditional literary practice. At the same time the predominantly male-authored canon of fantastic literature offers a problematic range of gender stereotypes for female authors to 're-write'. Fantastic tropes, of space in particular, enable three important contemporary Italian female writers (Paola Capriolo, b. 1962; Francesca Duranti, b. 1935 and Rossana Ombres, b. 1931) to encounter and counter anxieties about writing from the female subject. All three writers begin by exploring the hermetic, fantastic space of enclosure with a critical, or troubled, eye, but eventually opt for wider national, and often international spaces, in which only a 'fantastic trace' remains. This shift mirrors their own increasingly confident distance from male-authored literary models and demonstrates the creative input that these writers bring to the literary canon, by redefining its generic boundaries."

The Fantastic in France and Russia in the 19th Century

Author: Claire Whitehead
Publisher: Routledge
ISBN: 1351196251
Category : Literary Criticism
Languages : en
Pages : 336

Book Description
"Hesitation between a natural or supernatural interpretation of fictional events is the life-blood of the fantastic; but just how is this hesitation provoked? In this detailed and insightful study, Claire Whitehead uses examples from nineteenth-century French and Russian literature to provide a range of narrative and syntactic answers to this question. A close reading of eight key works by Alexander Pushkin, Vladimir Odoevskii, Nikolai Gogol, Fedor Dostoevskii, Theophile Gautier, Prosper Merimee and Guy de Maupassant illustrates how ambiguity is provoked by such factors as point of view, multiple voice and narrative authority. The analysis of hesitation experienced in works depicting madness or ironic self-consciousness advocates the inclusion in the genre of previously marginalized texts. The close comparison of works from these two national traditions shows that the fundamental discursive features of the fantastic do not belong to any one language."

The Fantastic Other

Author: Brett Cooke
Publisher: Rodopi
ISBN: 9789042004016
Category : History
Languages : en
Pages : 312

Book Description
The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.