Author: Madame de La Fayette (Marie-Madeleine Pioche de La Vergne)
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 306
Book Description
Oroonoko
Author: Aphra Behn
Publisher: The Floating Press
ISBN: 1775415600
Category : Fiction
Languages : en
Pages : 115
Book Description
Aphra Behn was one of the first professional English female writers and Oroonoko was one of her earliest works. It is the love story between Oroonoko, the grandson of an African king, and the daughter of that king's general. The king takes the girl into his harem, and when she plans to escape with his grandson, sells her as a slave. When Oroonoko tries to follow her he is caught by an English slave trader and taken to the same West Indian island as his love.
Publisher: The Floating Press
ISBN: 1775415600
Category : Fiction
Languages : en
Pages : 115
Book Description
Aphra Behn was one of the first professional English female writers and Oroonoko was one of her earliest works. It is the love story between Oroonoko, the grandson of an African king, and the daughter of that king's general. The king takes the girl into his harem, and when she plans to escape with his grandson, sells her as a slave. When Oroonoko tries to follow her he is caught by an English slave trader and taken to the same West Indian island as his love.
Before Fiction
Author: Nicholas D. Paige
Publisher: University of Pennsylvania Press
ISBN: 0812205103
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness. Before Fiction: The Ancien Régime of the Novel offers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette's La Princesse de Clèves, Rousseau's Julie, ou la Nouvelle Héloïse, Diderot's La Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
Publisher: University of Pennsylvania Press
ISBN: 0812205103
Category : Literary Criticism
Languages : en
Pages : 301
Book Description
Fiction has become nearly synonymous with literature itself, as if Homer and Dante and Pynchon were all engaged in the same basic activity. But one difficulty with this view is simply that a literature trafficking in openly invented characters is a quite recent development. Novelists before the nineteenth century ceaselessly asserted that their novels were true stories, and before that, poets routinely took their basic plots and heroes from the past. We have grown accustomed to thinking of the history of literature and the novel as a progression from the ideal to the real. Yet paradoxically, the modern triumph of realism is also the triumph of a literature that has shed all pretense to literalness. Before Fiction: The Ancien Régime of the Novel offers a new understanding of the early history of the genre in England and France, one in which writers were not slowly discovering a type of fictionality we now take for granted but rather following a distinct set of practices and rationales. Nicholas D. Paige reinterprets Lafayette's La Princesse de Clèves, Rousseau's Julie, ou la Nouvelle Héloïse, Diderot's La Religieuse, and other French texts of the seventeenth and eighteenth centuries in light of the period's preoccupation with literal truth. Paige argues that novels like these occupied a place before fiction, a pseudofactual realm that in no way leads to modern realism. The book provides an alternate way of looking at a familiar history, and in its very idiom and methodology charts a new course for how we should study the novel and think about the evolution of cultural forms.
Beware, Princess Elizabeth
Author: Carolyn Meyer
Publisher: Houghton Mifflin Harcourt
ISBN: 0547940629
Category : Young Adult Fiction
Languages : en
Pages : 239
Book Description
A “gripping historical drama” that tells the story of young Elizabeth Tudor’s journey to the throne—and her fierce rivalry with her half sister (School Library Journal). Imprisonment. Betrayal. Lost love. Murder. What more must a princess endure? Elizabeth Tudor’s teenage and young adult years during the turbulent reigns of Edward and then Mary Tudor are hardly those of a fairy-tale princess. Her mother has been beheaded by Elizabeth's own father, Henry VIII. Her jealous half sister, Mary, has her locked away in the Tower of London. And her only love interest betrays her in his own quest for the throne… Told in the voice of the young Elizabeth and ending when she is crowned queen, this novel in the exciting Young Royals series explores the relationship between two sisters who became mortal enemies. New York Times-bestselling author Carolyn Meyer has written an intriguing historical tale that reveals the deep-seated rivalry between a determined girl who became Elizabeth I, one of England's most powerful monarchs—and the sister who tried everything to stop her.
Publisher: Houghton Mifflin Harcourt
ISBN: 0547940629
Category : Young Adult Fiction
Languages : en
Pages : 239
Book Description
A “gripping historical drama” that tells the story of young Elizabeth Tudor’s journey to the throne—and her fierce rivalry with her half sister (School Library Journal). Imprisonment. Betrayal. Lost love. Murder. What more must a princess endure? Elizabeth Tudor’s teenage and young adult years during the turbulent reigns of Edward and then Mary Tudor are hardly those of a fairy-tale princess. Her mother has been beheaded by Elizabeth's own father, Henry VIII. Her jealous half sister, Mary, has her locked away in the Tower of London. And her only love interest betrays her in his own quest for the throne… Told in the voice of the young Elizabeth and ending when she is crowned queen, this novel in the exciting Young Royals series explores the relationship between two sisters who became mortal enemies. New York Times-bestselling author Carolyn Meyer has written an intriguing historical tale that reveals the deep-seated rivalry between a determined girl who became Elizabeth I, one of England's most powerful monarchs—and the sister who tried everything to stop her.
Time and Ways of Knowing Under Louis XIV
Author: Roland Racevskis
Publisher: Bucknell University Press
ISBN: 9780838755198
Category : History
Languages : en
Pages : 228
Book Description
This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.
Publisher: Bucknell University Press
ISBN: 9780838755198
Category : History
Languages : en
Pages : 228
Book Description
This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.
Narrative as Theme
Author: Gerald Prince
Publisher: U of Nebraska Press
ISBN: 9780803236998
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
In literature the very act of narration often constitutes a theme: everyone is familiar with narration that interrupts the story, that provides an ironic gloss on the action, that exposes the narrator, that serves to deceive. In Narrative as Theme Gerald Prince offers the first book-length study of the theme of narrative and of the relationshipøbetween narrative and truth in fiction. In the first part, theoretical in nature, Prince considers the notion of theme as well as the theme of narrative itself, surveys the research that has come out of that notion, and isolates starting points for the investigation of narrative as theme. Of particular interest to narratologists will be his discussion of the "disnarrated," all those passages of a text that consider what did not or does not happen but oculd have. He shows how the disnarrated is an important guide to reading the theme of narrative. The second part focuses on seven French novels: Mme de Lafayette's La Princesse de Cl_ves, Voltaire's Candide, Flaubert's Madame Bovary, Sartre's La Nausäe, Maupassant's Bel-Ami, Claude Simon's La Route des Flandres, and Patrick Modiano's Rue des Boutiques Obscures. Written in first and third person, absorbed or not in the act of narration, variously concerned with history, ethics, and psychology, these classical, modern, and postmodern works exemplify basic positions with regard to the truth or value of narrative. His Dictionary of Narratology, published by the University of Nebraska Press in 1987, confirmed Gerald Prince as one of the world's leading narratologists.
Publisher: U of Nebraska Press
ISBN: 9780803236998
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
In literature the very act of narration often constitutes a theme: everyone is familiar with narration that interrupts the story, that provides an ironic gloss on the action, that exposes the narrator, that serves to deceive. In Narrative as Theme Gerald Prince offers the first book-length study of the theme of narrative and of the relationshipøbetween narrative and truth in fiction. In the first part, theoretical in nature, Prince considers the notion of theme as well as the theme of narrative itself, surveys the research that has come out of that notion, and isolates starting points for the investigation of narrative as theme. Of particular interest to narratologists will be his discussion of the "disnarrated," all those passages of a text that consider what did not or does not happen but oculd have. He shows how the disnarrated is an important guide to reading the theme of narrative. The second part focuses on seven French novels: Mme de Lafayette's La Princesse de Cl_ves, Voltaire's Candide, Flaubert's Madame Bovary, Sartre's La Nausäe, Maupassant's Bel-Ami, Claude Simon's La Route des Flandres, and Patrick Modiano's Rue des Boutiques Obscures. Written in first and third person, absorbed or not in the act of narration, variously concerned with history, ethics, and psychology, these classical, modern, and postmodern works exemplify basic positions with regard to the truth or value of narrative. His Dictionary of Narratology, published by the University of Nebraska Press in 1987, confirmed Gerald Prince as one of the world's leading narratologists.