Author: Johann Sebastian BachPublisher:
ISBN:
Category : Sonatas
Languages : en
Pages : 120
Book Description
6 Sonatas and Partitas
Author: Johann Sebastian BachPublisher: Ravenio Books
ISBN:
Category : Music
Languages : en
Pages : 60
Book Description
It is one of Josef Joachim’s great merits, not only to have introduced the following sonatas of Johann Sebastian Bach into the Concert-Hall, but also to have made them loved by the great public. They were almost unknown before Joachim played them with his grand art of interpretation, and brought out all the beauties of this magnificent music. Some parts of these sonatas had been played in public by certain violinists before Joachim’s time, but as the spirit and the technique of these works were quite strange to the performers, the interpretation made a ridiculous impression on the audience. Any success was made quite impossible on account of the want of knowledge in the performers. Then came Joachim and his rendering was a revelation. How be played, and interpreted these sonatas is so well-known, that it is not necessary to mention it. When I completed my studies at the Berliner Hochschule under Joachim’s direction, the study of these sonatas formed one of the most important parts of his teaching. Joachim used the very excellent edition by Ferdinand David, based on Bach’s manuscript, to be found in the Royal Library in Berlin. All the same Joachim changed a great deal in this edition, with regard to the manner of playing, bowing, fingering and marks of interpretation, and I kept to all the alterations made by him. I very often had the opportunity of hearing Joachim play these works at concerts as well as during his classes, and so I was able to observe the fineness of his interpretation down to the smallest detail. As I am publishing the standard works of violin literature in connection with my own teaching, it was a special pleasure to me to revise these Sonatas — which I consider one of the most important works written for the violin — in such a manner, that no doubt may be left as to the best and easiest way of mastering the great and unusual difficulties which they contain. I hope to show by this to all young violin-artists, to whom the study of the following sonatas cannot be too strongly recommended — a sure way to a really perfect and beautiful rendering of the same.
Author: Sonatas and Partitas for Violin Solo Bwv 1001-1006 (Transcribed for Viola)
Author: Johann Sebastian BachPublisher: Alfred Music
ISBN:
Category :
Languages : en
Pages : 999
Book Description
Transcription for Viola solo by Simon Rowland-Jones Edited by Rowland-Jones and David Ledbetter The aim of this edition is to make Bach's landmark works for solo violin accessible to viola players by presenting a musical text that remains close to the original but also has a distinctly practical focus. Additionally, it provides interpretative guidance on Baroque performance practices and how they can be applied to the viola. In this transcription, all pieces have been transposed down by a fifth, but no further changes were made.
The Bach Violin Sonatas & Partitas for Guitar
Author: Johann Sebastian BachPublisher:
ISBN: 9781650017600
Category :
Languages : en
Pages : 154
Book Description
The complete six Sonatas and Partitas for solo Violin (BWV 1001-1006) by Johann Sebastian Bach transcribed for guitar in standard notation and tablature. Composed between 1714 and 1720 but not published until 1802, Bach's Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded. The pieces often served as archetypes for solo violin pieces by later generations of composers. Sonata No.1 in G minor BWV 1001 Partita No.1 in B minor BWV 1002 Sonata No.2 in A minor BWV 1003 Partita No.2 in D minor BWV 1004 Sonata No.3 in C major BWV 1005 Partita No.3 in E major BWV 1006
Six Sonatas and Partitas for Violin Solo
Author: Johann Sebastian BachPublisher:
ISBN:
Category :
Languages : en
Pages : 68
Book Description
The work for Solo Violin BWV 1001-1006 by Johann Sebastian Bach (1685-1750) originally titled (Sei Solo - a violino senza basso accompagnato), was published long after his death in 1802 by Nikolaus Simrock in Bonn (Germany), however, fortunately the sources that are preserved today are those of the autograph manuscript itself and in good condition. Even though the work is well written, there are texts and annotations in which it is uncertain to know exactly where they begin or end. Though, to clarify this, other handwritten copies have been used, but when deriving directly or indirectly from the original autograph, the comparison is not relevant to correct errors and discrepancies. This version tries to transmit in a close or faithful way the intention of the composer for the benefit of the performer, since The Six Sonatas and Partitas reflect Bach's ability as a performer and composer. Only someone involved with the violin as a performer could know its possibilities and limitations so well, they demonstrate a level of technical and musical mastery that previous composers had not approached and they remain one of the peaks of violin literature. Musical spelling errors and rhythmic inaccuracies have been corrected, also, some annotations or solutions in brackets have been added, considered by the editor.La obra para Violín Solo BWV 1001-1006 de Johann Sebastian Bach (1685-1750) titulada originalmente (Sei Solo - a violino senza basso accompagnato), fue publicada mucho después de su muerte en 1802 por Nikolaus Simrock en Bonn (Alemania), sin embargo, por fortuna las fuentes que se conservan en la actualidad son las del propio manuscrito autógrafo y en buen estado, se encuentra archivada en la Biblioteca Estatal de Berlín (Mus. Sra. Bach P 967). A pesar que la obra está bien escrita, existen textos y anotaciones en que es incierto saber con exactitud dónde comienzan o terminan. No obstante, para esclarecer esto, se han recurrido a otras copias manuscritas, pero al derivar directa o indirectamente del autógrafo original carece de relevancia la comparación para corregir errores y discrepancias. Esta versión trata de transmitir de manera cercana o fiel la intención del compositor para beneficio del ejecutante, pues Las Seis Sonatas y Partitas reflejan la habilidad de Bach como intérprete y compositor. Sólo alguien involucrado con el violín como intérprete podría conocer tan bien sus posibilidades y limitaciones, demuestran un nivel de maestría técnica y musical al que no se habían acercado los compositores anteriores y, de hecho, siguen siendo una de las cumbres de la literatura del violín. Se han corregido errores ortográficos musicales e inexactitudes rítmicas, además, se agregaron algunas anotaciones o soluciones entre corchetes consideradas por el editor.
Author: Johann Sebastian BachSonatas & Partitas
Author: Walter DespaljPublisher: Chanterelle Verlag
ISBN: 9780786673766
Category : Music
Languages : en
Pages : 144
Book Description
Includes a full facsimile of the original manuscript of Johann Sebastian Bachs Sonatas and Partitas for Violin Solo (BWV1001-1006) transcribed for the classic guitar by Croatian cellist Walter Depalj and fingered by Istvn Rmer. Written for the advanced guitarist in standard notation only.
Six Sonatas and Partitas
Author: Johann Sebastian BachPublisher: Alfred Music
ISBN: 1457471566
Category : Music
Languages : en
Pages : 70
Book Description
The Sonatas and Partitas for solo violin (BWV 1001–1006) consist of three sonatas da chiesa in four movements, and three partitas in dance-form movements. The set was completed by 1720, but was largely ignored at first. Today, Bach's Sonatas and Partitas are an essential part of the violin repertoire.
Sonatas and Partitas for Violin Solo Bwv 1001-1006
Author: Johann Sebastian BachPublisher:
ISBN:
Category :
Languages : en
Pages : 148
Book Description
Bach's Sei Solo a Violino senza Basso accompagnato, the set of three Sonatas and three Partitas for unaccompanied violin, were completed by 1720. Perhaps seeded as early as 1703, they were ultimately fruits of his years employed as Kapellmeister at the court in Köthen where his employer Prince Leopold of Anhalt-Köthen, a Calvinist with little requirement for liturgical music and also a keen musician, encouraged Bach to write much instrumental music for public and private entertainment. Nothing written before approached the complexity, expressive range and scale of this music, from the volleys of chords and rhythmic intricacy of the B minor Partita's opening Allemanda>/i> and the endlessly inventive elaboration of the same work's variant 'doubles' to the vastness of the D minor Partita's concluding Ciaccona, possibly the longest stand-alone movement written to that point, which contains worlds of contrast in its 64 variants of the opening bars. Reportedly a fine violinist himself, Bach completely redefined virtuosic and expressive violinistic possibility in these works. This Urtext edition by Max Rostal from Edition Peters is a cornerstone of any violinist's library.
