The Films of Andrei Tarkovsky

Author: Vida T. Johnson
Publisher: Indiana University Press
ISBN: 9780253208873
Category : Performing Arts
Languages : en
Pages : 356

Book Description
"Johnson and Petrie have produced an admirable book. Anyone who wants to make sense of Tarkovsky's films—a very difficult task in any case—must read it." —The Russian Review "This book is a model of contextual and textual analysis. . . . the Tarkovsky myth is stripped of many of its shibboleths and the thematic structure and coherence of his work is revealed in a fresh and stimulating manner." —Europe-Asia Studies "[This book,] with its wealth of new research and critical insight, has set the standard and should certainly inspire other writers to keep on trying to collectively explore the possible meanings of Tarkovsky's film world." —Canadian Journal of Film Studies "For Tarkovsky lovers as well as haters, this is an essential book. It might make even the haters reconsider." —Cineaste This definitive study, set in the context of Russian cultural history, throws new light on one of the greatest—and most misunderstood—filmmakers of the past three decades. The text is enhanced by more than 60 frame enlargements from the films.

Portable Hell

Author: Paul Herbst
Publisher:
ISBN: 9780957366213
Category : Photography, Artistic
Languages : en
Pages : 32

Book Description

Sculpting in Time

Author: Andrey Tarkovsky
Publisher: University of Texas Press
ISBN: 9780292776241
Category : Performing Arts
Languages : en
Pages : 260

Book Description
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

ReFocus: the Films of Andrei Tarkovsky

Author: Sergey Toymentsev
Publisher:
ISBN: 9781474437240
Category : Performing Arts
Languages : en
Pages : 0

Book Description
This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars.

Andrei Tarkovsky’s Poetics of Cinema

Author: Thomas Redwood
Publisher: Cambridge Scholars Publishing
ISBN: 144382240X
Category : Performing Arts
Languages : en
Pages : 280

Book Description
“If you look for a meaning, you’ll miss everything that happens.” Almost twenty-five years after the death of Andrei Tarkovsky, the mystery of his films remains alive and well. Recent years have witnessed an ever-increasing number of film theorists, critics and philosophers taking up the challenge to decipher what these films actually mean. But what do these films actually show us? In this study Thomas Redwood undertakes a close formal analysis of Tarkovsky’s later films. Charting the stylistic and narrative innovations in Mirror, Stalker, Nostalghia and The Sacrifice, Redwood succeeds in shedding new light on these celebrated but often misunderstood masterpieces of narrative film. Tarkovsky is revealed here both as a cinematic thinker and as an artistic practitioner, a filmmaker of immense poetic significance for the history of cinema.

Andrei Tarkovsky

Author: Robert Bird
Publisher: Reaktion Books
ISBN: 9781861893420
Category : Performing Arts
Languages : en
Pages : 260

Book Description
The films of Andrei Tarkovsky have been revered as ranking on a par with the masterpieces of Russia's novelists and composers. His work has had an enormous influence on the style and structure of contemporary European film. This book is an original and comprehensive account of Tarkovsky's entire film output.

Andrei Tarkovsky

Author: Andreĭ Arsenʹevich Tarkovskiĭ
Publisher: Univ. Press of Mississippi
ISBN: 9781578062201
Category : Biography & Autobiography
Languages : en
Pages : 236

Book Description
A collection of interviews with the Russian filmmaker who directed Andrei Roublev, Solaris, and The Mirror

The Cinema of Andrei Tarkovsky

Author: Mark Le Fanu
Publisher: London : BFI Pub.
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 172

Book Description
No Marketing Blurb

Time Within Time

Author: Andrei Tarkovsky
Publisher:
ISBN: 9780857424921
Category : Performing Arts
Languages : en
Pages : 0

Book Description
"Tarkovsky for me is the greatest," wrote Ingmar Bergman. Andrey Tarkovsky only made seven films, but all are celebrated for its striking visual images, quietly patient dramatic structures, and visionary symbolism. Time within Time is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of the state of society and the future of art, noting significant world events and purely personal dramas along with fascinating accounts of his own filmmaking. Rounding out this volume are Tarkovsky's plans and notes for his stage version of Hamlet; a detailed proposal for a film adaptation of Dostoyevsky's The Idiot; and a glimpse of the more public Tarkovsky answering questions put to him by interviewers.

The Encyclopedia of Epic Films

Author: Constantine Santas
Publisher: Scarecrow Press
ISBN: 0810882485
Category : Performing Arts
Languages : en
Pages : 713

Book Description
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.