North by Northwest

Author: Ernest Lehman
Publisher:
ISBN: 9780571202690
Category : Performing Arts
Languages : en
Pages : 196

Book Description
Described by Stuart Hall as "one of the most riveting and important films produced by a black writer in recent years," "My Beautiful Laundrette" was a significant production for its director Stephen Frears and its writer Hanif Kureshi. Christine Geraghty considers it a crossover film: between television and cinema, realism and fantasy, and as an independent film targeting a popular audience. She deftly shows how it has remained an important and timely film in the 1990s and early 2000s, and her exploration of the film itself is an original and entertaining achievement.

North by Northwest

Author: Dan Williams
Publisher: Longman Publishing Group
ISBN:
Category : Fiction
Languages : en
Pages : 94

Book Description
Examines the film North by northwest, starring Cary Grant, directed by Alfred Hitchcock.

North by Northwest

Author: James Naremore
Publisher:
ISBN: 9780813520063
Category : Performing Arts
Languages : en
Pages : 238

Book Description
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Hitchcock on Hitchcock

Author: Alfred Hitchcock
Publisher: Univ of California Press
ISBN: 9780520212220
Category : Biography & Autobiography
Languages : en
Pages : 374

Book Description
Hitchcock writings about himself and his films

CinemaTexas Notes

Author: Louis Black
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416

Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.

The Cambridge Companion to Alfred Hitchcock

Author: Jonathan Freedman
Publisher: Cambridge University Press
ISBN: 1107107571
Category : Literary Criticism
Languages : en
Pages : 289

Book Description
In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career.

A Hitchcock Reader

Author: Marshall Deutelbaum
Publisher: John Wiley & Sons
ISBN: 1405155566
Category : Performing Arts
Languages : en
Pages : 425

Book Description
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

Hitchcock's Films Revisited

Author: Robin Wood
Publisher: Columbia University Press
ISBN: 9780231126953
Category : Performing Arts
Languages : en
Pages : 516

Book Description
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.

It's Only a Movie

Author: Charlotte Chandler
Publisher: Simon and Schuster
ISBN: 1847397093
Category : Biography & Autobiography
Languages : en
Pages : 433

Book Description
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.

Hitchcock's Rear Window

Author: John Fawell
Publisher: SIU Press
ISBN: 080932606X
Category : Performing Arts
Languages : en
Pages : 204

Book Description
In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.