Welcome to the Terrordome

Author: Dave Zirin
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 268

Book Description
"Dave Zirin is the best young sportswriter in America."--Robert Lipsyte This much-anticipated sequel to What's My Name, Fool? by acclaimed commentator Dave Zirin breaks new ground in sports writing, looking at the controversies and trends now shaping sports in the United States--and abroad. Features chapters such as "Barry Bonds is Gonna Git Your Mama: The Last Word on Steroids," "Pro Basketball and the Two Souls of Hip-Hop," "An Icon's Redemption: The Great Roberto Clemente," and "Beisbol: How the Major Leagues Eat Their Young." Zirin's commentary is always insightful, never predictable. Dave Zirin is the author of the widely acclaimed book What's My Name, Fool? (Haymarket Books) and writes the weekly column "Edge of Sports" (edgeofsports.com). He writes a regular column for The Nation and Slam magazine and has appeared as a sports commentator on ESPN TV and radio, CBNC, WNBC, Democracy Now!, Air America, Radio Nation, and Pacifica. Chuck D redefined rap music and hip-hop culture as leader and co-founder of the legendary rap group Public Enemy. Spike Lee calls him "one of the most politically and socially conscious artists of any generation." He co-hosts a weekly radio show on Air America.

Welcome to the Terrordome

Author: Steven Hartman
Publisher:
ISBN:
Category :
Languages : en
Pages : 2

Book Description

Welcome to the Terrordome: The Pain, Politics and Promise of Sports

Author: Dave Zirin
Publisher: Haymarket Books
ISBN: 1931859418
Category : Hosting of sporting events
Languages : en
Pages : 266

Book Description
Zirin widens his remit to take a hard look at the trends now shaping sports in the United States and abroad, including an analysis of the 2006 World Cup.

I'll Take You There

Author: Bill Friskics-Warren
Publisher: A&C Black
ISBN: 9780826419217
Category : Music
Languages : en
Pages : 292

Book Description
The urge to connect with that which transcends our experience, be it a higher power, another person or some artistic ideal or aspect of nature, is one of the things that makes us human. People view the object of this quest, as well as what it means to achieve it, differently. Yet regardless of how it is understood, the urge to participate in or belong to something greater and more lasting than ourselves—a feeling born of an awareness of our mortality—is what defines us as spiritual beings. Though often dismissed as ephemeral or, worse, demonic, popular music has given voice to this quest for transcendence since its beginnings. Pop singers are rarely as outwardly spiritual as, say, their gospel counterparts; they're forever pointing beyond themselves, though, be it to some better future, some higher ideal, or to some vision of deliverance. Fontella Bass's "Rescue Me," the Four Tops's "Reach Out (I'll Be There)," Jimmy Cliff's "Many Rivers to Cross," Afrika Bambaataa's "Looking for the Perfect Beat," and U2's "I Still Haven't Found What I'm Looking For" are but a handful of popular recordings from the past few decades that express a longing for something more. What, other than transcendence, is Jimi Hendrix talking about in "Purple Haze" when he shouts, "'scuse me, while I kiss the sky"? Or Van Morrison, in "Caravan," when he implores us to crank our radios and sail away with him into the mystic? Heard in the right light, secular and even carnal records have the power to speak to transcendental concerns, galvanizing their historical and cultural moments. Regardless of their spiritual leanings, all of the subjects discussed in this book (including Public Enemy, Madonna, Sleater-Kinney, Tricky, Johnny Cash, Nine Inch Nails, Moby, Marvin Gaye, Eminem, Polly Harvey, Bruce Springsteen and Sly & the Family Stone) make music that expresses a basic striving for transcendence. Artists' stories and personalities inform these discussions, but only in as much as they illuminate the struggles and concerns that run through their music. I'll Take You There is a beautifully written, wide-ranging and illuminating examination of some of the most potent popular music ever recorded.

Lyrics of a Rap Revolutionary

Author: Chuck D
Publisher: KingDoMedia
ISBN:
Category : Music
Languages : en
Pages : 412

Book Description
The power is in the mic, and the power has been unleashed in clubs, arenas, stadiums, stages, and parks all over the planet. MC's are able to connect with its audience in a way that the music alone cannot. Hip Hop, via the MC, has undoubtedly become the voice of a new generation. Much attention has been paid to the staggering impact hip hop music and culture has had on the greater American and world cultures; its influence on fashion, television, advertising, and the attitudes of the world’s youth. However, not nearly as much attention has been paid to the social and political impact that the art form and its artists have had. Lyrics of a Rap Revolutionary is designed to transcend rap and venture into the realm of offering commentary and analysis into some of the deeper aspects of life itself. As one of rap’s preeminent political and social groups of all time, front man Chuck D offers direct explanations and interpretations of what his lyrics are about as a tool to help set minds free in this "hustle and flow and get rich or die tryin times." Chuck D — consistently ranked as one of the greatest rappers of all time — will provide insight in the creation of Hip-Hop iconic albums 1988’s “It Takes a Nation of Millions to Hold Us Back” and 1990’s “Fear of a Black Planet”, both recognized among the greatest politically charged albums of all time featuring rap classics such as "Fight the Power," "Don’t Believe The Hype," "Can’t Truss It," and "Welcome to the Terrordome." As Chuck D explains, "We must remain mindful that there’s a road to freedom, and resist the embarrassingly popular trend that ignorance and a ghetto mentality, which is cast upon us, is our only food for thought or food for non-thought. As MC's we must become more responsible and revolutionary in our approach, because we have young people around the globe listening to our every word and watching our every step." Lyrics of a Rap Revolutionary: Times, Rhymes & Mind of Chuck D will clarify, in a way similar to when a person rereads a book ten years after originally reading it, and allow for a deeper understanding and further insight into the thoughts behind classic and controversial Public Enemy lyrics. Admirers proclaimed him the Bob Dylan or Bob Marley of rap. -- Los Angeles Times One of the most politically and socially conscious artists of any generation? -- Spike Lee Chuck D is the greatest voice in Hip Hop history as far as social commentary and rhymes for the upliftment of Black people. Chuck D is in a league of his own. -- Kool Moe Dee

Networks in Society

Author: Robert Stocker
Publisher: CRC Press
ISBN: 9814364827
Category : Mathematics
Languages : en
Pages : 218

Book Description
This book covers technical fundamentals, complexity and social networks, and communication and language. It raises readers' interest in social networks, the importance of language in the emergence and maintenance of networks, the integral patterns of interconnectivity, and the means to measure and model social structure. It presents a broad range o

Gamer Theory

Author: McKenzie Wark
Publisher: Harvard University Press
ISBN: 0674044835
Category : Social Science
Languages : en
Pages : 241

Book Description
Ever get the feeling that life's a game with changing rules and no clear sides? Welcome to gamespace, the world in which we live. Where others argue obsessively over violence in games, Wark contends that digital computer games are our society's emergent cultural form, a utopian version of the world as it is. Gamer Theory uncovers the significance of games in the gap between the near-perfection of actual games and the imperfect gamespace of everyday life in the rat race of free-market society.

SPIN

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

Book Description
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

Who Got the Camera?

Author: Eric Harvey
Publisher: University of Texas Press
ISBN: 1477321349
Category : Music
Languages : en
Pages : 358

Book Description
Reality first appeared in the late 1980s—in the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and America’s Most Wanted; the daytime gabfests of Geraldo, Oprah, and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism, Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or, as legendary performers Ice Cube and Ice-T called it, “reality rap.” Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.’s “Fuck tha Police” countered Cops’ vision of Black lives in America, the reality rappers who emerged in that group’s wake, such as Snoop Doggy Dogg and Tupac Shakur, embraced reality’s visceral tabloid sensationalism, using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now, where politics and basic facts don’t feel real until they have been translated into mass-mediated entertainment.

Post-Soul Nation

Author: Nelson George
Publisher: Penguin
ISBN: 9780143034476
Category : Social Science
Languages : en
Pages : 260

Book Description
One of the foremost chroniclers of the contemporary black experience offers an undeluded perspective on the 1980s. Here are crack, AIDS, and the Reagan rollback of the major advances of the civil rights movement. But Nelson George also shows how black performers, athletes, and activists made increasing inroads into the mainstream. This fast-paced, chronological retrospective profiles personalities from Bill Cosby to Louis Farrakhan and explores such flashpoints as the first rap single and the infamous Willie Horton ad campaign. On the web: http://www.nelsongeorge.com/