Medieval Wall Paintings

Author: Roger Rosewell
Publisher: Bloomsbury Publishing
ISBN: 0747814562
Category : Art
Languages : en
Pages : 179

Book Description
The medieval wall paintings that remain in English churches are for the most part shadows of their former selves – the rare fragments of this beautiful art to have survived not only the Reformation but also successive waves of iconoclastic zeal and unsympathetic restoration. The whitewashed walls of most parish churches belie the riot of colour and decoration that once adorned them, but the remnants of paintings tucked into corners or rescued from later layers of paint help us to understand the role of art in medieval religion. Roger Rosewell here offers a guide to the role played by medieval wall paintings, as religious, didactic and commemorative works of art, telling the stories of those who created them and those who used them on a daily basis. He also compares and contrasts religious and domestic wall paintings, using beautiful colour photography throughout.

Medieval Wall Paintings in English & Welsh Churches

Author: Roger Rosewell
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 414

Book Description
Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.

Pigments of English Medieval Wall Painting

Author: Helen Howard
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 400

Book Description
In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed. This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects. Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings - vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed.The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 colour plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings.

Medieval Nubian Wall Paintings

Author: Dobrochna Zielinska
Publisher:
ISBN: 9781909492684
Category :
Languages : en
Pages : 176

Book Description
This volume, which draws on more than 50 years of research experience in Nubia is the result of four years of collaboration between chemists, restorers and archaeologists from Poland, Czech Republic, Austria, France, and Sudan who conducted an extensive program of research based on investigations of samples of Nubian wall paintings from the Middle Nile Valley dating from the 6th to the 14th century AD which are now to be found in various places including the National Museum, Warsaw and the Sudan National Museum, Khartoum.

Monastic Visions

Author: Elizabeth S. Bolman
Publisher: Yale University Press
ISBN: 0300092245
Category : Art
Languages : en
Pages : 348

Book Description
The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.

ENGLISH MEDIEVAL WALL PAINTING.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

Book Description

Thirteenth-century Wall Painting of Salisbury Cathedral

Author: Matthew M. Reeve
Publisher: Boydell Press
ISBN: 9781843833314
Category : Architecture
Languages : en
Pages : 244

Book Description
Revisionist study of the wall-paintings of Salisbury Cathedral, setting them in the context of thirteenth-century religious reform.

Medieval Painting in Northern Europe

Author: Unn Plahter
Publisher: Archetype Publications
ISBN:
Category : Art
Languages : en
Pages : 312

Book Description
This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.

Conservation and Painting Techniques of Wall Paintings on the Ancient Silk Road

Author: Shigeo Aoki
Publisher: Springer Nature
ISBN: 9813341610
Category : Technology & Engineering
Languages : en
Pages : 330

Book Description
This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.

Flemish Wall Painting

Author: Carina Fryklund
Publisher: Brepols Publishers
ISBN: 9782503512372
Category : Mural painting and decoration
Languages : en
Pages : 0

Book Description
The present book considers the development of figurative wall painting in the southern Low Countries over a period of two centuries, between circa 1300 and 1500. The region had a long-standing tradition of monumental figurative painting, of which the earliest, romanesque, examples are still preserved at Tournai and Ghent. Despite the central role that figurative wall painting clearly continued to play in the art, propaganda, and liturgy of the courts and churches of the late medieval southern Low Countries, the medium has been largely overlooked in comparison with the attention paid by art historians to other contemporary art forms. A variety of factors have contributed to this neglect, of which the most significant are undoubtedly the random survival, and the often damaged condition, of extant wall paintings, as well as the frequently remote locations and difficulty of access to the buildings housing them. Benign neglect and active vandalism have ensured that only a fraction of the great wall painting ensembles of the late medieval era have survived. Today, only fifty or so individual murals or ensembles of the Late Gothic period -not including a large number of tomb paintings -once in the churches and monasteries, town halls and guild chapels, castles and hotels of the southern Low Countries, have survived the passage of time, wars, iconoclasm, and changing fashions of interior decoration. These include many previously unrecorded wall paintings discovered beneath layers of whitewash in churches and private residences within the last twenty-five years or so, and restored by conservation staff.