Author: Elliott Oring
Publisher: Indiana University Press
ISBN: 9780253038326
Category : Social Science
Languages : en
Pages : 0
Book Description
Works on Jewish humor and Jewish jokes abound today, but what formed the basis for our contemporary notions of Jewish jokes? How and when did these perceptions develop? In this groundbreaking study and translation, noted humor and folklore scholar Elliott Oring introduces us to the joke collections of Lippmann Moses Büschenthal, an enlightened rabbi, and an unknown author writing as "Judas Ascher." Originally published in German in 1812 and 1810, these books include jokes and anecdotes that play on stereotypes. The jokes depict Jews dealing with Gentiles who are bent on their conversion, Jews encountering government officials and institutions, newly propertied Jews attempting to demonstrate their acquisition of artistic and philosophical knowledge, and Jews engaged in trade and moneylending—often with the aim to defraud. In these jokes we see the antecedents of modern Jewish humor, and in Büschenthal's brief introduction we find perhaps the earliest theory of the Jewish joke. Oring provides helpful annotations for the jokes and contextualizing essays that examine the current state of Jewish joke scholarship and the situation of the Jews in France and Germany leading up to the periods when the two collections were published. Intended to stimulate the search for even earlier examples, Oring challenges us to confront the Jewish joke from a genuine historical perspective.
The Big Book of Jewish Humor
Author: William Novak
Publisher: William Morrow Paperbacks
ISBN:
Category : Fiction
Languages : en
Pages : 384
Book Description
Two rival businessmen meet in the Warsaw train station. "Where are you going?" says the first man. "To Minsk," says the second. "To Minsk, eh? What a nerve you have! I know you're telling me you're going to Minsk because you want me to think that you're really going to Pinsk. But it so happens that I know you really are going to Minsk. So why are you lying to me?" Four men are walking in the desert. The German says, "I'm tired and thirsty. I must have a beer." The Italian says, "I'm tired and thirsty. I must have wine." The Mexican says, "I'm tired and thirsty. I must have tequila." The Jew says, "I'm tired and thirsty. I must have diabetes."
Publisher: William Morrow Paperbacks
ISBN:
Category : Fiction
Languages : en
Pages : 384
Book Description
Two rival businessmen meet in the Warsaw train station. "Where are you going?" says the first man. "To Minsk," says the second. "To Minsk, eh? What a nerve you have! I know you're telling me you're going to Minsk because you want me to think that you're really going to Pinsk. But it so happens that I know you really are going to Minsk. So why are you lying to me?" Four men are walking in the desert. The German says, "I'm tired and thirsty. I must have a beer." The Italian says, "I'm tired and thirsty. I must have wine." The Mexican says, "I'm tired and thirsty. I must have tequila." The Jew says, "I'm tired and thirsty. I must have diabetes."
At Wit's End
Author: Louis Kaplan
Publisher: Fordham University Press
ISBN: 0823287572
Category : Social Science
Languages : en
Pages : 315
Book Description
CHOICE: OUTSTANDING ACADEMIC TITLE A scholarly and thought-provoking work that places Jewish humor at the center of a discourse about Jewish and German relations through most of the twentieth century. At Wit’s End explores the fascinating discourse on Jewish wit in the twentieth century when the Jewish joke became the subject of serious humanistic inquiry and inserted itself into the cultural and political debates among Germans and Jews against the ideologically charged backdrop of anti-Semitism, the Jewish question, and the Holocaust. The first in-depth study to explore the Jewish joke as a crucial rhetorical figure in larger cultural debates in Germany, author Louis Kaplan presents an engrossing and lucid work of scholarship that examines how “der jüdische Witz” (referring to both Jewish wit and jokes) was utilized differently in a number of texts, from the Weimar Republic to the rise of National Socialism, and how it was re-introduced into the public sphere after the Holocaust with the controversial publication of Salcia Landmann’s collection of Jewish jokes in the reparations era (Wiedergutmachung). Kaplan reviews the claims made about the Jewish joke and its provocative laughter by notable writers from a variety of ideological perspectives, demonstrating how their reflections on this complex cultural trope enable a better understanding of German–Jewish intercultural relations and their eventual breakdown in the Third Reich. He also illustrates how selfcritical and self-ironic Jewish Witz maintained a fraught and ambivalent relationship with anti-Semitism. In reviewing this critical and traumatic moment in modern German–Jewish history through the deadly discourse on the Jewish joke, At Wit’s End includes chapters on the virulent Austrian anti-Semitic racial theorist Arthur Trebitsch, the Nazi racial propagandist Siegfried Kadner, the German Marxist cultural historian Eduard Fuchs, the Jewish diasporic historian Erich Kahler, and the Jewish cabaret impresario Kurt Robitschek, among others. Shedding new light on anti-Semitism and on the Jewish question leading up to the Holocaust, At Wit’s End provides readers with a unique perspective by which to gain important insights about this crucial historical period that reverberates into the present day, when potentially offensive humor coupled with a toxic political climate and xenophobia can have deadly consequences.
Publisher: Fordham University Press
ISBN: 0823287572
Category : Social Science
Languages : en
Pages : 315
Book Description
CHOICE: OUTSTANDING ACADEMIC TITLE A scholarly and thought-provoking work that places Jewish humor at the center of a discourse about Jewish and German relations through most of the twentieth century. At Wit’s End explores the fascinating discourse on Jewish wit in the twentieth century when the Jewish joke became the subject of serious humanistic inquiry and inserted itself into the cultural and political debates among Germans and Jews against the ideologically charged backdrop of anti-Semitism, the Jewish question, and the Holocaust. The first in-depth study to explore the Jewish joke as a crucial rhetorical figure in larger cultural debates in Germany, author Louis Kaplan presents an engrossing and lucid work of scholarship that examines how “der jüdische Witz” (referring to both Jewish wit and jokes) was utilized differently in a number of texts, from the Weimar Republic to the rise of National Socialism, and how it was re-introduced into the public sphere after the Holocaust with the controversial publication of Salcia Landmann’s collection of Jewish jokes in the reparations era (Wiedergutmachung). Kaplan reviews the claims made about the Jewish joke and its provocative laughter by notable writers from a variety of ideological perspectives, demonstrating how their reflections on this complex cultural trope enable a better understanding of German–Jewish intercultural relations and their eventual breakdown in the Third Reich. He also illustrates how selfcritical and self-ironic Jewish Witz maintained a fraught and ambivalent relationship with anti-Semitism. In reviewing this critical and traumatic moment in modern German–Jewish history through the deadly discourse on the Jewish joke, At Wit’s End includes chapters on the virulent Austrian anti-Semitic racial theorist Arthur Trebitsch, the Nazi racial propagandist Siegfried Kadner, the German Marxist cultural historian Eduard Fuchs, the Jewish diasporic historian Erich Kahler, and the Jewish cabaret impresario Kurt Robitschek, among others. Shedding new light on anti-Semitism and on the Jewish question leading up to the Holocaust, At Wit’s End provides readers with a unique perspective by which to gain important insights about this crucial historical period that reverberates into the present day, when potentially offensive humor coupled with a toxic political climate and xenophobia can have deadly consequences.
Let There Be Laughter
Author: Michael Krasny
Publisher: HarperCollins
ISBN: 0062422057
Category : Humor
Languages : en
Pages : 202
Book Description
From the host of NPR affiliate’s Forum with Michael Krasny, a compendium of Jewish jokes that packs the punches with hilarious riff after riff and also offers a window into Jewish culture. Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it’s been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation, but explains the cultural expressions and anxieties behind the laughs. "What’s Jewish Alzheimer’s?" "You forget everything but the grudges." "You must be so proud. Your daughter is the President of the United States!" "Yes. But her brother is a doctor!" "Isn’t Jewish humor masochistic?" "No. And if I hear that one more time I am going to kill myself." With his background as a scholar and public-radio host, Krasny delves deeply into the themes, topics, and form of Jewish humor: chauvinism undercut by irony and self-mockery, the fear of losing cultural identity through assimilation, the importance of vocal inflection in joke-telling, and calls to communal memory, including the use of Yiddish. Borrowing from traditional humor and such Jewish comedy legends as Jackie Mason, Mel Brooks, and Joan Rivers, Larry David, Sarah Silverman, Jerry Seinfeld and Amy Schumer, Let There Be Laughter is an absolute pleasure for the chosen and goyim alike.
Publisher: HarperCollins
ISBN: 0062422057
Category : Humor
Languages : en
Pages : 202
Book Description
From the host of NPR affiliate’s Forum with Michael Krasny, a compendium of Jewish jokes that packs the punches with hilarious riff after riff and also offers a window into Jewish culture. Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it’s been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation, but explains the cultural expressions and anxieties behind the laughs. "What’s Jewish Alzheimer’s?" "You forget everything but the grudges." "You must be so proud. Your daughter is the President of the United States!" "Yes. But her brother is a doctor!" "Isn’t Jewish humor masochistic?" "No. And if I hear that one more time I am going to kill myself." With his background as a scholar and public-radio host, Krasny delves deeply into the themes, topics, and form of Jewish humor: chauvinism undercut by irony and self-mockery, the fear of losing cultural identity through assimilation, the importance of vocal inflection in joke-telling, and calls to communal memory, including the use of Yiddish. Borrowing from traditional humor and such Jewish comedy legends as Jackie Mason, Mel Brooks, and Joan Rivers, Larry David, Sarah Silverman, Jerry Seinfeld and Amy Schumer, Let There Be Laughter is an absolute pleasure for the chosen and goyim alike.
Life is Like a Glass of Tea
Author: Richard Raskin
Publisher: Quid Pro Books
ISBN: 1610273214
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
The first book on Jewish humor in which individual jokes are singled out for comprehensive study, Life is Like a Glass of Tea devotes a chapter to each of eight major jokes, tracing its history and variants—and looking closely at the ways in which the comic behavior enacted in the punchline can be interpreted. One of the unique properties of classic Jewish jokes is their openness to radically different interpretive options (having nothing to do with wordplay or double entendre). This openness to alternate interpretations—never before discussed in the literature on Jewish humor—gives classic Jewish jokes their special flavor, as they leave us wondering which of several possible attitudes we are expected to hold toward the comic figure. An additional chapter is devoted to the ways in which Jewish jokes tend to evolve over time and across language and cultural barriers. Throughout the book, in fact, one can see the processes that Jewish jokes undergo over decades as their comic potential is unfolded in successive stages, and when they are transplanted from European to American soil. Now in its Second Edition, this expanded version adds two new chapters and new introductory material. It includes a 2015 Foreword by Marc Galanter, who notes that the author “is concerned not only with what makes jokes funny but with what makes some of them profound. His imaginative response to this puzzle makes this little book a distinctive and engaging contribution to the literature on Jewish jokes and on jokes generally.” It will appeal to the general reader, as well as to readers especially interested in Jewish culture, the psychology of humor, religion, ethnography, and folklore. “Richard Raskin’s book on Jewish humor was the most original and useful I found in years of research on the topic. I’m delighted to see it back in print—and with added chapters!” — Ruth Wisse Professor Emerita, Yiddish and Comparative Literature, Harvard University Author, No Joke: Making Jewish Humor (2013) “A fascinating book that explores the richness of Jewish humor. Raskin offers a thought-provoking analysis of what makes Jewish humor special. Raskin merges an understanding of Jewish culture, fresh psychological insights, and a sophisticated reading of jokes and their evolution to create a gem of a book. However, it is not just an outstanding book on Jewish humor. It is an outstanding book on humor. Period. After reading it, you won’t laugh the same way again.” — Dov Cohen Professor, Department of Psychology, University of Illinois Co-editor, Handbook of Cultural Psychology (2007)
Publisher: Quid Pro Books
ISBN: 1610273214
Category : Literary Criticism
Languages : en
Pages : 353
Book Description
The first book on Jewish humor in which individual jokes are singled out for comprehensive study, Life is Like a Glass of Tea devotes a chapter to each of eight major jokes, tracing its history and variants—and looking closely at the ways in which the comic behavior enacted in the punchline can be interpreted. One of the unique properties of classic Jewish jokes is their openness to radically different interpretive options (having nothing to do with wordplay or double entendre). This openness to alternate interpretations—never before discussed in the literature on Jewish humor—gives classic Jewish jokes their special flavor, as they leave us wondering which of several possible attitudes we are expected to hold toward the comic figure. An additional chapter is devoted to the ways in which Jewish jokes tend to evolve over time and across language and cultural barriers. Throughout the book, in fact, one can see the processes that Jewish jokes undergo over decades as their comic potential is unfolded in successive stages, and when they are transplanted from European to American soil. Now in its Second Edition, this expanded version adds two new chapters and new introductory material. It includes a 2015 Foreword by Marc Galanter, who notes that the author “is concerned not only with what makes jokes funny but with what makes some of them profound. His imaginative response to this puzzle makes this little book a distinctive and engaging contribution to the literature on Jewish jokes and on jokes generally.” It will appeal to the general reader, as well as to readers especially interested in Jewish culture, the psychology of humor, religion, ethnography, and folklore. “Richard Raskin’s book on Jewish humor was the most original and useful I found in years of research on the topic. I’m delighted to see it back in print—and with added chapters!” — Ruth Wisse Professor Emerita, Yiddish and Comparative Literature, Harvard University Author, No Joke: Making Jewish Humor (2013) “A fascinating book that explores the richness of Jewish humor. Raskin offers a thought-provoking analysis of what makes Jewish humor special. Raskin merges an understanding of Jewish culture, fresh psychological insights, and a sophisticated reading of jokes and their evolution to create a gem of a book. However, it is not just an outstanding book on Jewish humor. It is an outstanding book on humor. Period. After reading it, you won’t laugh the same way again.” — Dov Cohen Professor, Department of Psychology, University of Illinois Co-editor, Handbook of Cultural Psychology (2007)
Jewish Comedy: A Serious History
Author: Jeremy Dauber
Publisher: W. W. Norton & Company
ISBN: 0393247880
Category : Social Science
Languages : en
Pages : 198
Book Description
Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.
Publisher: W. W. Norton & Company
ISBN: 0393247880
Category : Social Science
Languages : en
Pages : 198
Book Description
Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.
Encyclopedia of Jewish Humor
Author: Henry D. Spalding
Publisher: Jonathan David Pub
ISBN: 9780824604394
Category : Humor
Languages : en
Pages : 458
Book Description
Hundreds of colorful, witty, and downright hilarious stories, anecdotes, quips, jokes, and yarns reflect and poke fun at Jewish culture from ancient times to the present.
Publisher: Jonathan David Pub
ISBN: 9780824604394
Category : Humor
Languages : en
Pages : 458
Book Description
Hundreds of colorful, witty, and downright hilarious stories, anecdotes, quips, jokes, and yarns reflect and poke fun at Jewish culture from ancient times to the present.
Shtick Shift
Author: Simcha Weinstein
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 160
Book Description
Rabbi Simcha Weinstein grew up in England. As a short fellow, he waited for his growth spurt. That never happened, so to avoid the anti-Semitism he confronted, he became funny. He later turned that humour into his own stand-up and wrote a book describing how Jewish humour has changed in the 21st century and how comedians like Sacha Baron Cohen, Sarah Silverman and Jon Stewart now use the old taboos to get lots of laughs.
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 160
Book Description
Rabbi Simcha Weinstein grew up in England. As a short fellow, he waited for his growth spurt. That never happened, so to avoid the anti-Semitism he confronted, he became funny. He later turned that humour into his own stand-up and wrote a book describing how Jewish humour has changed in the 21st century and how comedians like Sacha Baron Cohen, Sarah Silverman and Jon Stewart now use the old taboos to get lots of laughs.