Translations from Bark Beetle

Translations from Bark Beetle PDF Author: Jody Gladding
Publisher:
ISBN: 9781571314550
Category : Poetry
Languages : en
Pages : 0

Book Description
A powerful, eerie book. --CECILIA VICUÑA In this inspired collection, acclaimed poet and translator Jody Gladding takes the physical, elemental world as her point of inquiry, examining how language arises from landscape, and deriving a lexicon for these poems from the rich offerings of the world around her. In some poems, Gladding steps into the role of translator, interpreting fragments left by bark beetles or transcribing raven calls. In others, poems take the form of physical objects--a rock, split slate, an egg, a feather--or they emerge from a more expansive space--a salt flat at the Great Salt Lake, or a damaged woodlot. But regardless of the site, the source, or the material, the poet does not position herself as the innovator of these poems. Rather, the objects and landscapes we see in Translations from Bark Beetle provide the poet with both a shape and a language for each poem. The result is a collection that reminds us how to see and to listen, and which calls us to a deeper communion--true collaboration--between art and the more-than-human world.

Ecocriticism and the Poiesis of Form

Ecocriticism and the Poiesis of Form PDF Author: Aaron M. Moe
Publisher: Routledge
ISBN: 0429592272
Category : Literary Collections
Languages : en
Pages : 256

Book Description
Ecocriticism and the Poiesis of Form: Holding on to Proteus demonstrates how a fractal imagination helps one hold the form of a poem within the reaches of Deep Time, and it explores the kinship between the hazy, liminal moment when Sound becomes Syllable and the hazy, liminal moment when the sage energy of the Atom made a leap toward the gaze of the first cell, to echo Merwin. Moe distills his methodology as follows: "My work?—I point," asserted the aphorism. "That’s what I do." To point, the project integrates a wide range of interdisciplinary ideas—including biosemiotics, fractals, phi, trauma theory, the Mandelbrot Set, hyperobjects, meditative chants, Goethe’s morphology, Ramanujan’s summation, a spiderweb’s sonic properties, and Thoreau’s sense of the plant-like burgeoning force of an Atom—in order to open up multiple trajectories. In this context, the volume foregrounds the insights of poets/storytellers including Hillman, Snyder, Anzaldúa, EEC, okpik, Whitman, Dickinson, Gladding, Melville, Morrison, and Toomer, for they are most attentive to that liminal moment when the vibratory hum in language, and in the cosmos, turns kinetic. As this volume draws on a wide range of writers from many backgrounds, it allows the myriad voices to engage with one another across differences in race, gender, and ethnicity. These writers show us how, to echo Dickinson, the "Freight / Of a delivered Syllable - " can split and how the energy unleashed came from, and points us back toward, the energy (un)making the forms of Gaia. The starting point for discussing the energy of a poem can no longer begin with the human; rather, Holding on explores how the poem’s energy is but a sliver of a hyperobject "massively distributed" throughout the cosmos—a sage energy that brings forth form.

Modernism's Inhuman Worlds

Modernism's Inhuman Worlds PDF Author: Rasheed Tazudeen
Publisher: Cornell University Press
ISBN: 1501776509
Category : Literary Criticism
Languages : en
Pages : 301

Book Description
Modernism's Inhuman Worlds explores the centrality of ecological precarity, species indeterminacy, planetary change, and the specter of extinction to modernist and contemporary metamodernist literatures. Modernist ecologies, Rasheed Tazudeen argues, emerge in response to the enigma of how to imagine inhuman being—including soils, forests, oceans, and the earth itself—through languages and epistemologies that have only ever been humanist. How might (meta)modernist aesthetics help us to imagine (with) inhuman worlds, including the worlds still to be made on the other side of mass extinction? Through innovative readings of canonical and emergent modernist and metamodernist works, Tazudeen theorizes inhuman modernism as a call toward further receptivity to the worlds, beings, and relations that tend to go unthought within Western humanist epistemologies. Modernist engagements with the figures of enigma, riddle, and metaphor, according to the book's central argument, offer a means toward what Franz Kafka calls an "otherwise" speaking, based on language's obliqueness to inhuman and planetary being. Drawing on ecocriticism, decolonial and feminist science studies, postcolonial theory, inhuman geography, and sound studies, Tazudeen analyzes an inhuman modernist lineage—spanning from Darwin, Carroll, and Flaubert, through Joyce, Kafka, and Woolf, to contemporary poetic works—as both part of a collaborative rethinking of modernism's planetary and inhuman aesthetics, as well as occasions for imagining new modes of livingness for the extinctions to come.

Recomposing Ecopoetics

Recomposing Ecopoetics PDF Author: Lynn Keller
Publisher: University of Virginia Press
ISBN: 081394063X
Category : Literary Criticism
Languages : en
Pages : 374

Book Description
In the first book devoted exclusively to the ecopoetics of the twenty-first century, Lynn Keller examines poetry of what she terms the "self-conscious Anthropocene," a period in which there is widespread awareness of the scale and severity of human effects on the planet. Recomposing Ecopoetics analyzes work written since the year 2000 by thirteen North American poets--including Evelyn Reilly, Juliana Spahr, Ed Roberson, and Jena Osman--all of whom push the bounds of literary convention as they seek forms and language adequate to complex environmental problems. Drawing as often on linguistic experimentalism as on traditional literary resources, these poets respond to environments transformed by people and take "nature" to be a far more inclusive and culturally imbricated category than conventional nature poetry does. This interdisciplinary study not only brings cutting-edge work in ecocriticism to bear on a diverse archive of contemporary environmental poetry; it also offers the environmental humanities new ways to understand the cultural and affective dimensions of the Anthropocene.

Life Writing in the Anthropocene

Life Writing in the Anthropocene PDF Author: Jessica White
Publisher: Routledge
ISBN: 1000396835
Category : Literary Criticism
Languages : en
Pages : 274

Book Description
Life Writing in the Anthropocene is a collection of timely and original approaches to the question of what constitutes a life, how that life is narrated, and what lives matter in autobiography studies in the Anthropocene. This era is characterised by the geoengineering impact of humans, which is shaping the planet’s biophysical systems through the combustion of fossil fuels, production of carbon, unprecedented population growth, and mass extinction. These developments threaten the rights of humans and other-than-humans to just and sustainable lives. In exploring ways of representing life in the Anthropocene, this work articulates innovative literary forms such as ecobiography (the representation of a human subject's entwinement with their environment), phytography (writing the lives of plants), and ethological poetics (the study of nonhuman poetic forms), providing scholars and writers with innovative tools to think and write about our strange new world. In particular, its recognition on plant life reminds us of how human lives are entwined with vegetal lives. The creative and critical essays in this book, shaped by a number of Antipodean authors, bear witness to a multitude of lives and deaths. The chapters in this book were originally published as a special issue of a/b: Auto/Biography Studies.

Every Minute Is First

Every Minute Is First PDF Author: Marie-Claire Bancquart
Publisher: Milkweed Editions
ISBN: 1639550917
Category : Poetry
Languages : en
Pages : 128

Book Description
The first full-length English translation of this celebrated French poet offers a penetrating and encompassing collection touching on death, domesticity, nature, language itself, and—always—the body. French literary icon Marie-Claire Bancquart (1932–2019) is known for an uncanny inhabitation of the concrete, finding whole worlds, even afterlives, in daily instances and spaces. “If I could seize a little nothing / a bit of nothing,” she muses, “all things would come to me / those that dance / in its cloth.” The tiniest moments can be acts of utterance, defiance, communion, and immortality. Yet death does indeed appear in the everyday, though it’s more than a fact of existence. It is fiction as well, small cunning stories we create so we’re not merely waiting for it: “one sets / close by / the pot of orange flowers / the here and now / to block the view.” Here, the infinitesimal has no end; the smaller life gets, the deeper and more carefully Bancquart has us pause to notice its offerings. Though for her “the body” is the surest, most trustworthy way of knowing, the mystery of language is often referenced, and reverenced. And translator Jody Gladding, an award-winning poet herself, beautifully carries forward Bancquart’s lifetime of distinctive work. Every Minute Is First is lean, lucid yet philosophical poetry, reflecting visceral life and experiential thought, walking in the dark with a light, lighting words—or alighting on them—in their own incandescent power to make the long-lived journey meaningful.

Engaging with Environmental Education through the Language Arts

Engaging with Environmental Education through the Language Arts PDF Author: Nicholas McGuinn
Publisher: Taylor & Francis
ISBN: 1040222560
Category : Education
Languages : en
Pages : 217

Book Description
This creative volume demonstrates the urgent importance of engaging students cognitively and affectively with the climate crisis and environmental education, underpinning the vital role the language arts play in expanding this engagement for a better future. Moving beyond the basic modalities of English, chapters written by an internationally diverse group of contributors advocate for the integration of language arts with environmental education through broad representation of creative subdisciplines: drama, visual literacy, philosophy, poetry, student voice and more. These subdisciplines are explored to suggest the context in which environmental degradation, forest ecologies, carbon literacy and indigenous knowledges are taught, further helping students to develop a comprehensive view of how they can effect change. Ultimately, the book makes a compelling argument by emphasising the significance of interdisciplinary learning in fostering a holistic understanding of environmental issues. This volume will appeal to scholars, researchers and postgraduate students in the field of environmental and sustainability education, English and literacy/language arts and teacher education more broadly. Undergraduate students, policymakers, environmental educators and curriculum designers may also benefit from this volume.
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