Author: Tamar Garb Publisher: Yale University Press ISBN: 9780300059038 Category : Art Languages : en Pages : 228
Book Description
Although the women of the Union were often quite conservative politically, socially, and stylistically, says Garb, they believed that women had a special gift that would enhance France's cultural reputation and maintain the uplifting moral-cultural position that seemed in jeopardy at the turn of the century. Focusing on the developments that made the prominence of the organisation possible, Garb discusses the growth of the women's movement, educational reforms, institutional changes in the art world, and critical debates and contemporary scientific thought.
Author: Gary M. Douglas Publisher: Access Consciousness Publishing Company ISBN: 9781939261854 Category : Languages : en Pages : 456
Book Description
What if you lived in a world where everybody was kind to each other? What if you were the one who could assist in creating that?What if you had a relationship that was loving, caring, and receiving--and not unaware, not hating, and not judging?Gary Douglas is on a mission to end the perpetual conflict between men and women. Salon des Femmes is based on a series of teleclasses Douglas held with a group of women. They discussed men, sex, relationships, men's and women's roles, and creating amazing, harmonious relationships. It blends the ground-breaking Access Consciousness® tools and processes, insightful revelations and heart-warming inspiration. Says Douglas: "My desire is to give women in the world a greater sense of peace with others and peace with self and the place where they wouldn't feel like they have to fight for everything they are getting."Douglas encourages women to become "pragmatists of femininity," applying their feminine power to create what they want. A "pragmatic relationship" is where partners strive to make things work for everyone involved, he says. "Happily ever after doesn't occur unless you are willing to become pragmatic about your choices.""Salon des Femmes is a profound book. If it's read with care, it will change women's lives in really big ways."
Author: Steven D. Kale Publisher: JHU Press ISBN: 9780801883866 Category : History Languages : en Pages : 328
Book Description
Challenging many of the conclusions of recent historiography, including the depiction of salonnières as influential power brokers, French Salons offers an original, penetrating, and engaging analysis of elite culture and society in France before, during, and after the Revolution.
Author: Faith E. Beasley Publisher: Routledge ISBN: 1351902210 Category : Literary Criticism Languages : en Pages : 358
Book Description
The first half of the book is a detailed study of how the salons influenced the development of literature. Beasley argues that many women were not only writers, they also served as critics for the literary sphere as a whole. In the second half of the book Beasley examines how historians and literary critics subsequently portrayed the seventeenth century literary realm, which became identified with the great reign of Louis XIV and designated the official canon of French literature. Beasley argues that in a rewriting of this past, the salons were reconfigured in order to advance an alternative view of this premier moment of French culture and of the literary masterpieces that developed out of it. Through her analysis of how the seventeenth century salon has been defined and transmitted to posterity, Beasley illuminates facets of France's collective memory, and the powers that constituted it in the past and that are still working to define it today.
Author: Antoine Lilti Publisher: Oxford University Press, USA ISBN: 0199772347 Category : History Languages : en Pages : 345
Book Description
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
Author: Rakhee Balaram Publisher: Manchester University Press ISBN: 1526125188 Category : Art Languages : en Pages : 433
Book Description
Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Author: PaulaJ. Birnbaum Publisher: Routledge ISBN: 1351536702 Category : Art Languages : en Pages : 347
Book Description
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members?Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka?brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing?one reason for the lack of attention paid to their efforts?Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years.
Author: Fae Brauer Publisher: Cambridge Scholars Publishing ISBN: 144386370X Category : Art Languages : en Pages : 457
Book Description
Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
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Author: Tamar Garb
Author: Gary M. Douglas
Author: Steven D. Kale
Author: Faith E. Beasley
Author: Antoine Lilti
Author: R. Celestin
Author: 
Author: Rakhee Balaram
Author: PaulaJ. Birnbaum
Author: Fae Brauer