Author: Menna Elfyn
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 454
Book Description
Welsh is the oldest surviving Celtic language, and the most flourishing. For around fifteen centuries Welsh poets have expressed an intense awareness of what it is like to be human in this part of the world in poems of extraordinary range and depth. And despite the global tendency towards homogenisation, Welsh poets have fought back, drawing inspiration from both the traditional and the contemporary to forge a new and rainbow-like modernism. This wide-ranging anthology of 20th-century Welsh-language poetry in English translation - by far the most comprehensive of its kind - will be a revelation for most readers. It will dispel the romantic images of Welsh poets as bards or druids and blow away any preconceived mists of Celtic twilight. This poetry is full of vitality, combining old craftsmanship and daring innovation, humour and angst, the oral and the literary. The selection brings together poets of every hue: from magisterial figures like T Gwynn Jones, R Williams Parry and Saunders Lewis to folk poets such as Alun Cilie and Dic Jones; from cerebral poets Pennar Davies and Bobi Jones to popular entertainers Geraint Løvgreen and Ifor ap Glyn. There are Chaplinesque poets, rebellious and subversive ones, lyrical voices and storytellers. The variety is enormous: from Welsh performance poetry to song lyrics; from the wry social comment of Grahame Davies to the contemporary parables of Gwyneth Lewis, who writes different kinds of poems in Welsh and English. This exuberant chorus of voices from the margins of Europe proves that poetry in this minority language is far from stagnant. Poetry Book Society Recommended Translation.
The Bloodaxe Book of Contemporary Indian Poets
Author: Jeet Thayil
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 428
Book Description
Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.
Publisher: Bloodaxe Books
ISBN:
Category : Poetry
Languages : en
Pages : 428
Book Description
Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.
The Penguin Book of Modern Australian Poetry
Author: John Tranter
Publisher: Penguin Books
ISBN:
Category : Poetry
Languages : en
Pages : 518
Book Description
This broad selection of Australian poets begins with Kenneth Slessor, and offers a challenging view of 'early modern' poetry up until the 1960s. It also presents the decade of turmoil from 1965 to 1975 in a new light, identifying currents of energy among the young writers and balancing new reputations with old. The years from 1965 to the 1990s are revealed as a time of growing vigour and diversity.
Publisher: Penguin Books
ISBN:
Category : Poetry
Languages : en
Pages : 518
Book Description
This broad selection of Australian poets begins with Kenneth Slessor, and offers a challenging view of 'early modern' poetry up until the 1960s. It also presents the decade of turmoil from 1965 to 1975 in a new light, identifying currents of energy among the young writers and balancing new reputations with old. The years from 1965 to the 1990s are revealed as a time of growing vigour and diversity.
Strong Words
Author: W. N. Herbert
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
As well as representing many of the most important poets of the last 100 years, Strong Words charts many different stances and movements, from modernism to postmodernism, from futurism to the future theories of poetry.
The Annotated Collected Poems
Author: Edward Thomas
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914. In April 1917 he was killed at Arras. This book includes all his poems and draws on freshly available archive material.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
Edward Thomas wrote a lifetime's poetry in two years. Already a dedicated prose writer and influential critic, he became a poet only in December 1914. In April 1917 he was killed at Arras. This book includes all his poems and draws on freshly available archive material.
Art in the Light of Conscience
Author: Marina T︠S︡vetaeva
Publisher: Bloodaxe Books Limited
ISBN: 9781852248642
Category : Literary Collections
Languages : en
Pages : 214
Book Description
Marina Tsvetaeva (1892-1941) was one of the four great Russian poets of the 20th century, along with Akhmatova, Mandelstam and Pasternak. She also wrote outstanding prose. Endowed with 'phenomenally heightened linguistic sensitivity' (Joseph Brodsky), Tsvetaeva was primarily concerned with the nature of poetic creation and what it means to be a poet. Among the most exciting of all explorations of this theme are the essays 'Art in the Light of Conscience', her spirited defence of poetry;'The Poet on the Critic', which earned her the enmity of many; and 'The Poet and Time', the key to understanding her work. Her richly diverse essays provide incomparable insights into poetry, the poetic process, and what it means to be a poet. This book includes, among many fascinating topics, a celebration of the poetry of Pasternak ('Downpour of Light') and reflections on the lives and works of other Russian poets, such as Mandelstam and Mayakovsky, as well as a magnificent study of Zhukovsky's translation of Goethe's 'Erlking'. Even during periods of extreme personal hardship, her work retained its sense of elated energy and humour, and Angela Livingstone's translations bring the English-speaking reader as close as possible to Tsvetaeva's inimitable voice. First published in English in 1992, "Art in the Light of Conscience" includes an introduction by the translator, textual notes and a glossary, as well as revised translations of 12 poems by Tsvetaeva on poets and poetry.
Publisher: Bloodaxe Books Limited
ISBN: 9781852248642
Category : Literary Collections
Languages : en
Pages : 214
Book Description
Marina Tsvetaeva (1892-1941) was one of the four great Russian poets of the 20th century, along with Akhmatova, Mandelstam and Pasternak. She also wrote outstanding prose. Endowed with 'phenomenally heightened linguistic sensitivity' (Joseph Brodsky), Tsvetaeva was primarily concerned with the nature of poetic creation and what it means to be a poet. Among the most exciting of all explorations of this theme are the essays 'Art in the Light of Conscience', her spirited defence of poetry;'The Poet on the Critic', which earned her the enmity of many; and 'The Poet and Time', the key to understanding her work. Her richly diverse essays provide incomparable insights into poetry, the poetic process, and what it means to be a poet. This book includes, among many fascinating topics, a celebration of the poetry of Pasternak ('Downpour of Light') and reflections on the lives and works of other Russian poets, such as Mandelstam and Mayakovsky, as well as a magnificent study of Zhukovsky's translation of Goethe's 'Erlking'. Even during periods of extreme personal hardship, her work retained its sense of elated energy and humour, and Angela Livingstone's translations bring the English-speaking reader as close as possible to Tsvetaeva's inimitable voice. First published in English in 1992, "Art in the Light of Conscience" includes an introduction by the translator, textual notes and a glossary, as well as revised translations of 12 poems by Tsvetaeva on poets and poetry.