Anthotypes – Explore the darkroom in your garden and make photographs using plants

Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 100

Book Description
Learn to make prints using plants – an environmentally safe process in this book dedicated to anthotypes. Includes a comprehensive reference section on plants. About the anthotype book It is possible to print photographs using nothing but juice extracted from the petals of flowers, the peel from fruits and pigments from plants. This book will show you how it is done, and expand your creative horizons with plenty of examples from artists working with anthotypes today. Anthotypes will simply make you look at plants in a whole new light. And, if that is not enough, anthotype is a totally environmentally friendly photographic process. From Malin Fabbri, author Anthotypes will make you look at plants in a whole new light. It will show you how to make photographs from the juice of flowers, fruits and plants, using a totally environmentally friendly photographic process. Anthotype is a very delicate photographic process and an environmentally friendly way of making prints using nothing other than the photosensitive material of plants found in the garden, the flower market or in the wild. All you need to add is water, sunshine, inspiration and patience – a lot of patience! The process is very basic and simple. Utilizing nature’s own coloring pigments from flower petals, berries, plants, vegetables or even spices, images are produced using the action of light. The natural pigment is used to create a photographic image. What could be better? Your impact on the natural environment is virtually non-existent, and you can carry out your art with a clear conscience. Anthotyping is the ultimate environmentally friendly photo process.

Blueprint to cyanotypes – Exploring a historical alternative photographic process

Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 68

Book Description
An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the final print. It is full of information and tips. Even the experienced cyanotypist may learn a thing or two. Blueprint to cyanotypes is published by AlternativePhotography.com – a website and information center dedicated to alternative photographic processes. From Malin Fabbri, the author: Why a book on cyanotypes? Of all the alternative processes the cyanotype is the one closest to my heart. I made my first cyanotype in 1999. I was intrigued by the blue images and wanted to test the cyanotype process to see what it had to offer. I bought chemicals and spent an evening coating paper and cloth. The results of the next day’s printing surprised me. Although the alchemy of the darkroom had always captivated me, developing a print in the sun was like a liberation. One of the things I found most refreshing about the process was the unpredictability of the results. Some of my best prints were the product of ‘happy accidents’. The developing process is straightforward. The chemicals are cheap, and most of the other items used can be found around the house. Pre-coated paper is available, but one of the benefits of working with cyanotypes is the great flexibility of material and paper available to you. Cyanotypes print on anything made of natural fibre. Cotton, linen, silk, handmade paper, watercolor paper and rags are just number of alternatives. Some artists even print on wood. So, if you want to explore a fun alternative photographic process or seriously want to experiment with producing unique fine art, make a cyanotype.

Jill Enfield’s Guide to Photographic Alternative Processes

Author: Jill Enfield
Publisher: Routledge
ISBN: 1315390345
Category : Photography
Languages : en
Pages : 826

Book Description
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.

Forget Photography

Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 276

Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.

The Last Layer

Author: Bonny Pierce Lhotka
Publisher: New Riders
ISBN: 0133373002
Category : Computers
Languages : en
Pages : 601

Book Description
In The Last Layer–the follow-up to Digital Alchemy, her successful book on alternative printmaking techniques–Bonny Lhotka teaches how to make prints that take their inspiration from early printmaking processes. In this book, Lhotka shows readers step-by-step how to create modern-day versions of anthotypes, cyanotypes, tintypes, and daguerreotypes as well as platinum and carbon prints. She also reinvents the photogravure and Polaroid transfer processes and explores and explains groundbreaking techniques for combining digital images with traditional monotype, collograph, and etching press prints. By applying these classic techniques to modern images, readers will be able to recreate the look of historical printmaking techniques and explore the limits of their creative voice. Best of all, the only equipment required is a desktop inkjet printer that uses pigment inks, and a handful of readily available materials and supplies–not the toxic chemicals once required to perform these very same processes. Leveraging her training as a traditional painter and printmaker, Bonny Lhotka brings new innovations and inventions that combine the best of centuries of printmaking technique with modern technology to create unique works of art and photography. After years of experimentation and development, these new processes allow alternative photographers, traditional printer makers, and 21st century digital artists to express their creative voice in ways never before possible.

The Book of Alternative Photographic Processes

Author: Christopher P. James
Publisher:
ISBN: 9781473735644
Category : Photography
Languages : en
Pages : 857

Book Description
"The definitive textbook for students and professionals studying the art of handmade photographic prints, The Book of Alternative Photographic Processes, 3e brings students, hobbyists, and professionals up to date with the latest techniques and artists." -- Provided by publisher.

Alternative Photography: Art and Artists, Edition I

Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Art
Languages : en
Pages : 238

Book Description
115 artists working with albumen, anthotype, argyrotype, carbon, chrysotype, cyanotype, bromoil, gum bichromate, gumoil, infrared, kallitype, platinum/palladium, photogravure, polaroid lift, transfer and sx-70, salt print, temperaprint, vandyke, wet plate collodion, ziatype and other alternative photographic processes. Alternative Photography: Art and Artists, Edition I highlights the work of over 100 of today’s most active photographers working with alternative processes. Discover how the different processes create a unique look in a print, and get an insight into how the processes function. Here you will find both information and inspiration. Artists introduce themselves, their work and why they chose the qualities of that particular process.

The Gender of Photography

Author: Nicole Hudgins
Publisher: Routledge
ISBN: 1000211509
Category : Art
Languages : en
Pages : 312

Book Description
It would be unthinkable now to omit early female pioneers from any survey of photography's history in the Western world. Yet for many years the gendered language of American, British and French photographic literature made it appear that women's interactions with early photography did not count as significant contributions. Using French and English photo journals, cartoons, art criticism, novels, and early career guides aimed at women, this volume will show why and how early photographic clubs, journals, exhibitions, and studios insisted on masculine values and authority, and how Victorian women engaged with photography despite that dominant trend. Focusing on the period before 1890, when women were yet to develop the self-assurance that would lead to broader recognition of the value of their work, this study probes the mechanisms by which exclusion took place and explores how women practiced photography anyway, both as amateurs and professionals. Challenging the marginalization of women’s work in the early history of photography, this is essential reading for students and scholars of photography, history and gender studies.

Anthotype Emulsions, Volume 1 – The collective research from photographers on World Anthotype Day 2022

Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 84

Book Description
On Saturday the 20th of August 2022 the World’s FIRST EVER Anthotype Day took place, initiated and facilitated by a small team at AlternativePhotography.com. Over 100 artists from all over the globe sent in their anthotypes and research notes of prints made from plants, powders or dyes. The collective research gathered on the day has been compiled in this book covering 60 plants: African Lily, Algae / Spirulina, Amaranth, Arjuna tree, Basil, Beach Rose, Beech, Beetroot, Black Grape, Black Raspberry, Blackberry, Blackcurrant, Blueberry, Bougainvillea, Butterfly Pea, Celadine Poppy, Chard, Cherry, Chocolate Cosmos, Christmas Cactus, Coffee, Cootamundra Wattle, Dahlia, Eastern Red Columbine, English Cucumber, Geranium, Hardy Hibiscus, Hierbamora / Black Nightshade, Kembang Telang, Marigold, Matcha, Moss-Rose Purslane, Northern White Cedar, Oak Apple, Onion, Ora-pro-nóbis, Paprika, Pau Brasil, Petunia, Phasey bean, Pokeberry, Poppy, Raspberry, Red cabbage, Red Pepper, Rose Madder or Dyer’s Madder, Rowanberry, Royal Grape, Skunk Cabbage, Spinach, Strawberry, Sunflower, Sweet Paprika, Turmeric, Violet, Walnut, Watercress, Winter Purslane, Woad and Yerba Mate. Next time you want to know if a plant can be used to make an anthotype, just look it up – or use the book as inspiration to try something new.

From Pinhole to Print

Author: Gary Fabbri
Publisher:
ISBN: 9789163343803
Category : Photography, Pinhole
Languages : en
Pages : 44

Book Description