The Romaunt of the Rose

Author: Geoffrey Chaucer
Publisher: CreateSpace
ISBN: 9781517564476
Category :
Languages : en
Pages : 226

Book Description
The Romaunt of the Rose (the Romaunt) is a partial translation into Middle English of the French allegorical poem, le Roman de la Rose (le Roman). Originally believed to be the work of Chaucer, the Romaunt inspired controversy among 19th-century scholars when parts of the text were found to differ in style from Chaucer's other works. Also the text was found to contain three distinct fragments of translation. Together, the fragments--A, B, and C--provide a translation of approximately one-third of Le Roman. There is little doubt that Chaucer did translate Le Roman de la Rose under the title The Romaunt of the Rose: in The Legend of Good Women, the narrator, Chaucer, states as much. The question is whether the surviving text is the same one that Chaucer wrote. The authorship question has been a topic of research and controversy. As such, scholarly discussion of the Romaunt has tended toward linguistic rather than literary analysis. Scholars today generally agree that only fragment A is attributable to Chaucer, although fragment C closely resembles Chaucer's style in language and manner. Fragment C differs mainly in the way that rhymes are constructed. And where fragments A and C adhere to a London dialect of the 1370s, Fragment B contains forms characteristic of a northern dialect.

The Romance of the Rose

Author: Guillaume (de Lorris)
Publisher:
ISBN:
Category :
Languages : en
Pages : 306

Book Description

The Romance of the Rose

Author: Guillaume de Lorris
Publisher: Princeton University Press
ISBN: 0691257779
Category : Literary Criticism
Languages : en
Pages : 519

Book Description
Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden. The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based.

The Romance of the Rose

Author: Guillaume (de Lorris)
Publisher:
ISBN:
Category :
Languages : en
Pages : 524

Book Description

The Romance of the Rose and the Making of Fourteenth-Century English Literature

Author: Philip Knox
Publisher: Oxford University Press
ISBN: 0192847171
Category : Literary Criticism
Languages : en
Pages : 313

Book Description
This title provides a new account of the literary history of fourteenth-century England, arguing that many of this period's most distinctive literary experiments emerge through a productive dialogue with the 'Romance of the Rose', a jointly-authored medieval French poem.

Debate of the Romance of the Rose

Author: Christine de Pizan
Publisher: University of Chicago Press
ISBN: 0226670147
Category : Social Science
Languages : en
Pages : 317

Book Description
In 1401, Christine de Pizan (1365–1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read Romance of the Rose for its blatant and unwarranted misogynistic depictions of women. The debate that ensued, over not only the merits of the treatise but also of the place of women in society, started Europe on the long path to gender parity. Pizan’s criticism sparked a continent-wide discussion of issues that is still alive today in disputes about art and morality, especially the civic responsibility of a writer or artist for the works he or she produces. In Debate of the “Romance of the Rose,” David Hult collects, along with the debate documents themselves, letters, sermons, and excerpts from other works of Pizan, including one from City of Ladies—her major defense of women and their rights—that give context to this debate. Here, Pizan’s supporters and detractors are heard alongside her own formidable, protofeminist voice. The resulting volume affords a rare look at the way people read and thought about literature in the period immediately preceding the era of print.

The Romance of the Rose Illuminated

Author: Alcuin Blamires
Publisher: Virago Press
ISBN:
Category : Design
Languages : en
Pages : 226

Book Description
This book reproduces in colour, with commentary and full contextual discussion, all the miniatures from unpublished illuminated manuscripts of Le Roman de la Rose in the National Library of Wales. A central work in medieval culture, the Rose was among the most consistently illustrated of medieval secular texts. By presenting all the illuminations from all five illuminated Aberystwyth manuscripts the present study enables absorbing comparisons to be made. This is a book that will stir controversy through its scepticism about moral readings of Rose illustrations and through its insistence on an "accidental" element in the interpretative value of miniatures in secular texts. It will interest anyone who studies art and literature, including students of Chaucer - a poet who absorbed the Roman de la Rose to the core by translating it. The reader is first introduced to the narrative and to characteristic sites of illustration within it. The introduction goes on to identify existing published sources of reproductions, and then to argue the crucial role that a grasp of the practical circumstances of production should play in interpreting medieval miniatures. A final complementary chapter formally describes all seven Aberystwyth Rose manuscripts.

Rethinking the "Romance of the Rose"

Author: Kevin Brownlee
Publisher: University of Pennsylvania Press
ISBN: 1512814903
Category : Literary Criticism
Languages : en
Pages : 397

Book Description
The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume—Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters—represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.

Fortune's Faces

Author: Daniel Heller-Roazen
Publisher: JHU Press
ISBN: 0801881552
Category : Literary Criticism
Languages : en
Pages : 223

Book Description
Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.

The Rose

Author: Tiffany Reisz
Publisher: MIRA
ISBN: 1488088578
Category : Fiction
Languages : en
Pages : 373

Book Description
In the second Godwicks novel, the bestselling author of The Red “transmutes spicy mythological tales into sensual fantasies and erotic romance” (Publishers Weekly, starred review). On the day of Lia Godwick’s university graduation party, her parents—wealthy art collectors with friends in high places—gift her a beautiful wine cup, a rare artifact decorated with roses. It’s a stunning gift, and one that August Bowman, a friend of her parents and a guest at Lia’s party, also has his eye on. The cup, August tells her, is known as the Rose Kylix, and it’s no ordinary cup. It was used in the temple ceremonies of Eros, Greek god of erotic love, and has the power to bring the most intimate sexual fantasies to life. But Lia is skeptical of August’s claims of the cup’s mythology and magic—after all, he’s a collector himself, and she suspects he just wants to get his hands on this impressive piece of art. So he dares her to try it for herself, and when Lia drinks from the Rose Kylix she is suddenly immersed in an erotic myth so vivid it seems real—as though she’s living out the most sensual fantasy with August by her side . . . Realizing the true power of this ancient and dangerous relic, Lia is even more wary of giving it up, though August insists it is only safe with him. He’s willing to pay the full value of the cup, but Lia has another type of trade in mind. One that finds them more tangled up in each other—and in fantasy—than either was prepared for.