Author: Roger ScrutonPublisher: Princeton University Press
ISBN: 0691158339
Category : Architecture
Languages : en
Pages : 316
Book Description
"Paperback reissue, with a new introduction by the author."
Author: Roger ScrutonVirtual Aesthetics in Architecture
Author: Sara EloyPublisher: Routledge
ISBN: 1000430855
Category : Architecture
Languages : en
Pages : 282
Book Description
Virtual Aesthetics in Architecture: Designing in Mixed Realities presents a curated selection of projects and texts contributed by leading international architects and designers who are using virtual reality technologies in their design process. It triggers discussion and debate on exploring the aesthetic potential and establishing its language as an expressive medium in architectural design. Although virtual reality is not new and the technology has evolved rapidly, the aesthetic potential of the medium is still emerging and there is a great deal more to explore. The book provides a comprehensive overview of the current use of virtual reality technologies in the architectural design process. Contributions are presented in six parts, fully illustrated with over 150 images. Recent projects presented are distributed in five themes: introduction to mixed realities; space and form; context and ambiguity; materiality and movement; body and social. Each theme includes richly illustrated essays by leading academics and practitioners, including those from Zaha Hadid Architects and MVRDV, detailing their design process using data-driven methodologies. Virtual Aesthetics in Architecture expands the use of technology per se and focuses on how architecture can benefit from its aesthetic potential during the design process. A must-read for practitioners, academics, and students interested in cutting-edge digital design.
Aesthetics of Sustainable Architecture
Author: Nezar AlSayyadPublisher: Nai010 Publishers
ISBN: 9789064507526
Category : Aesthetics
Languages : en
Pages : 0
Book Description
This book deals with the aesthetic potentials of sustainable architecture and its practice. In contrast to the mechanistic model, the book attempts to open a new area of scholarship and debate on sustainability in the design and production of architecture. It traces and underscores how the consideration of environment and sustainability is directly connected to aesthetic propositions in architecture.
The Architecture of Use
Author: Stephen GrabowPublisher: Routledge
ISBN: 1135016461
Category : Architecture
Languages : en
Pages : 210
Book Description
By analyzing ten examples of buildings that embody the human experience at an extraordinary level, this book clarifies the central importance of the role of function in architecture as a generative force in determining built form. Using familiar twentieth-century buildings as case studies, the authors present these from a new perspective, based on their functional design concepts. Here Grabow and Spreckelmeyer expand the definition of human use to that of an art form by re-evaluating these buildings from an aesthetic and ecological view of function. Each building is described from the point of view of a major functional concept or idea of human use which then spreads out and influences the spatial organization, built form and structure. In doing so each building is presented as an exemplar that reaches beyond the pragmatic concerns of a narrow program and demonstrates how functional concepts can inspire great design, evoke archetypal human experience and help us to understand how architecture embodies the deeper purposes and meanings of everyday life.
Author: Edward WintersOn the Aesthetics of Architecture
Author: Ralf WeberPublisher: Routledge
ISBN: 9781032820347
Category : Architecture
Languages : en
Pages : 0
Book Description
Originally published in 1995, this title is a result of an interdisciplinary study in architectural theory, psychology and philosophy and the author's experience as a practicing architect. It tries to relate theories of aesthetics and recent advances in the psychology of visual perception to the practice of design.
Meaning and Aesthetics in Architecture
Author: Kurt BrändlePublisher: Brandle Publishing LLC
ISBN: 9780984727117
Category : Architecture
Languages : en
Pages : 385
Book Description
We experience meaning in architecture when we derive - as observers - impressions from it and when we give - as designers - expressions to it. This implies that meaning in architecture, like in all other fields, is process and result. The related decision making involves judgments based on theoretical and practical issues, driven by purpose, context and realization. This book proceeds from explaining the philosophical foundations of meaning to interpreting physical designs of architecture. At the center of discussion is design thinking with rational and emotional components. Because of the latter, the results are profoundly aesthetic, that is, pleasure or displeasure arises from the form of the object. The concept of design narratives is developed as the dialog between the content and the form of projects. The text is profusely supported by illustrations in color and by extensive bibliographic references. "Meaning and Aesthetics in Architecture" - while being a rather personal account - provides a comprehensive basis for readers to develop their own thoughts and views.
The Aesthetics of Architecture
Author: Roger ScrutonPublisher: Princeton University Press
ISBN: 069124037X
Category : Architecture
Languages : en
Pages : 316
Book Description
A landmark account of architectural theory and practice from acclaimed philosopher Roger Scruton Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication, and he assesses the continuing relevance of his argument for the twenty-first century.
On the Aesthetics of Architecture
Author: Ralf WeberPublisher: Taylor & Francis
ISBN: 1040150012
Category : Architecture
Languages : en
Pages : 270
Book Description
Originally published in 1995 as part of the Ethnoscapes: Current Challenges in the Environmental Social Sciences series, reissued now with a new series introduction, On the Aesthetics of Architecture is a result of an interdisciplinary study in architectural theory, psychology and philosophy and the author’s experience as a practicing architect. It tries to relate theories of aesthetics and recent advances in the psychology of visual perception to the practice of design. The text starts with an analysis of traditional and contemporary schools of thought in architectural theory, and then proceeds through the formulation of a general theory of aesthetics based on perceptual and cognitive information processing to a description of the actual conditions under which aesthetic experiences of buildings and cities take place. It exemplifies principles of aesthetic appropriateness through an analysis of architectural space and form. Weber’s book attempts to move the discussion of architectural aesthetics beyond the shifting doctrines of style and the often ambiguous dicta of critics. While the author makes no claim that his interpretation of psychological research will result in good architecture, he does insist on the need to bring the discussion of form back to more objective grounds. As such, it provided a valuable teaching resource and an important new contribution to the discussion among architects themselves, as well as between psychologists, philosophers and art theorists at the time.
