Do Colors Exist?

Author: Seth Stannard Cottrell
Publisher: Birkhäuser
ISBN: 9783319643601
Category : Mathematics
Languages : en
Pages : 0

Book Description
Why do polished stones look wet? How does the Twin Paradox work? What if Jupiter were a star? How can we be sure that pi never repeats? How does a quantum computer break encryption? Discover the answers to these, and other profound physics questions! This fascinating book presents a collection of articles based on conversations and correspondences between the author and complete strangers about physics and math. The author, a researcher in mathematical physics, responds to dozens of questions posed by inquiring minds from all over the world, ranging from the everyday to the profound. Rather than unnecessarily complex explanations mired in mysterious terminology and symbols, the reader is presented with the reasoning, experiments, and mathematics in a casual, conversational, and often comical style. Neither over-simplified nor over-technical, the lucid and entertaining writing will guide the reader from each innocent question to a better understanding of the weird and beautiful universe around us. Advance praise for Do Colors Exist?: “Every high school science teacher should have a copy of this book. The individual articles offer enrichment to those students who wish to go beyond a typical ‘dry curriculum’. The articles are very fun. I probably laughed out loud every 2-3 minutes. This is not easy to do. In fact, my children are interested in the book because they heard me laughing so much.” – Ken Ono, Emory University

Do Colors Exist?

Author: Seth Stannard Cottrell
Publisher: Birkhäuser
ISBN: 3319643614
Category : Mathematics
Languages : en
Pages : 286

On Vision and Colors; Color Sphere

Author: Arthur Schopenhauer
Publisher: Chronicle Books
ISBN: 1616890053
Category : Design
Languages : en
Pages : 168

Book Description
During the first two decades of the nineteenth century, two of the most significant theoretical works on color since Leonardo da Vinci's Trattato della Pittura were written and published in Germany: Arthur Schopenhauer's On Vision and Colors and Philipp Otto Runge's Color Sphere. For Schopenhauer, vision is wholly subjective in nature and characterized by processes that cross over into the territory of philosophy. Runge's Color Sphere and essay "The Duality of Color" contained one of the first attempts to depict a comprehensive and harmonious color system in three dimensions. Runge intended his color sphere to be understood not as a product of art, but rather as a "mathematical figure of various philosophical reflections." By bringing these two visionary color theories together within a broad theoretical context—philosophy, art, architecture, and design—this volume uncovers their enduring influence on our own perception of color and the visual world around us.

A Naïve Realist Theory of Colour

Author: Keith Allen
Publisher: Oxford University Press
ISBN: 0198755368
Category : Philosophy
Languages : en
Pages : 215

Book Description
A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment. Keith Allen argues that a naive realist theory of colour best explains how colours appear to perceiving subjects, and that this view is not undermined by our modern scientific understanding of the world.

Colors Passing Through Us

Author: Marge Piercy
Publisher: Knopf
ISBN: 0307517942
Category : Poetry
Languages : en
Pages : 177

Book Description
In Colors Passing Through Us, Marge Piercy is at the height of her powers, writing about what matters to her most: the lives of women, nature, Jewish ritual, love between men and women, and politics, sexual and otherwise. Feisty and funny as always, she turns a sharp eye on the world around her, bidding an exhausted farewell to the twentieth century and singing an "electronic breakdown blues" for the twenty-first. She memorializes movingly those who, like los desaparecidos and the victims of 9/11, disappear suddenly and without a trace. She writes an elegy for her mother, a woman who struggled with a deadening round o fhousework, washin gon Monday, ironing on Tuesday, and so on, "until stroke broke/her open." She remembers the scraps of lace, the touch of velvet, that were part of her maternal inheritance and fist aroused her sensual curiosity. Here are paeans to the pleasures of the natural world (rosy ripe tomatoes, a mating dance of hawks) as the poet confronts her own mortality in the cycle of seasons and the eternity of the cosmos: "iam hurrying, I am running hard / toward I don't know what, / but I mean to arrive before dark." Other poems--about her grandmother's passage from Russia to the New World, or the interrupting of a Passover seder to watch a comet pass--expand on Piercy's appreciation of Jewish life that won her so much acclaim in The Art of Blessing the Day. Colors Passing Through Us is a moving celebration of the endurance of love an dof the phenomenon of life itself--a book to treasure.

Seven Deadly Colours

Author: Andrew Parker
Publisher:
ISBN: 9780565093990
Category : Color in nature
Languages : en
Pages : 0

Book Description
Taking the colours of the spectrum as his keys to the natural world, Andrew Parker shows that nature's palette is a far more miraculous thing than we had previously imagined. With fascinating examples of how colour has affected flora and fauna in different environments across the globe.

The Quest for Reality

Author: Barry Stroud
Publisher: Oxford University Press
ISBN: 9780198034643
Category : Philosophy
Languages : en
Pages : 258

Book Description
We say "the grass is green" or "lemons are yellow" to state what everyone knows. But are the things we see around us really colored, or do they only look that way because of the effects of light rays on our eyes and brains? Is color somehow "unreal" or "subjective" and dependent on our human perceptions and the conditions under which we see things? Distinguished scholar Barry Stroud investigates these and related questions in The Quest for Reality. In this long-awaited book, he examines what a person would have to do and believe in order to reach the conclusion that everyone's perceptions and beliefs about the color of things are "illusions" and do not accurately represent the way things are in the world as it is independently of us. Arguing that no such conclusion could be consistently reached, Stroud finds that the conditions of a successful unmasking of color cannot all be fulfilled. The discussion extends beyond color to present a serious challenge to many other philosophical attempts to discover the way things really are. A model of subtle, elegant, and rigorous philosophical writing, this study will attract a wide audience from all areas of philosophy.

Color for Philosophers

Author: C. L. Hardin
Publisher: Hackett Publishing
ISBN: 9780872200395
Category : Philosophy
Languages : en
Pages : 300

Book Description
Awarded the 1986 Johnsonian Prize in Philosophy. This work on colour features a chapter, 'Further Thoughts: 1993', in which the author revisits the dispute between colour objectivists and subjectivists from the perspective of the ecology, genetics, and evolution of colour vision.

Gastrophysics

Author: Charles Spence
Publisher: Penguin
ISBN: 0735223475
Category : Technology & Engineering
Languages : en
Pages : 337

Book Description
The science behind a good meal: all the sounds, sights, and tastes that make us like what we're eating—and want to eat more. Why do we consume 35 percent more food when eating with one other person, and 75 percent more when dining with three? How do we explain the fact that people who like strong coffee drink more of it under bright lighting? And why does green ketchup just not work? The answer is gastrophysics, the new area of sensory science pioneered by Oxford professor Charles Spence. Now he's stepping out of his lab to lift the lid on the entire eating experience—how the taste, the aroma, and our overall enjoyment of food are influenced by all of our senses, as well as by our mood and expectations. The pleasures of food lie mostly in the mind, not in the mouth. Get that straight and you can start to understand what really makes food enjoyable, stimulating, and, most important, memorable. Spence reveals in amusing detail the importance of all the “off the plate” elements of a meal: the weight of cutlery, the color of the plate, the background music, and much more. Whether we’re dining alone or at a dinner party, on a plane or in front of the TV, he reveals how to understand what we’re tasting and influence what others experience. This is accessible science at its best, fascinating to anyone in possession of an appetite. Crammed with discoveries about our everyday sensory lives, Gastrophysics is a book guaranteed to make you look at your plate in a whole new way.

The Brilliant History of Color in Art

Author: Victoria Finlay
Publisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122

Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.