Author: Elena Phipps
Publisher: Getty Publications
ISBN: 1606060805
Category : Art
Languages : en
Pages : 102
Book Description
A guide to the fundamentals of the materials and techniques used to create textiles.
Unravelling Textiles
Author: Foekje Boersma
Publisher:
ISBN: 9781904982982
Category : Art
Languages : en
Pages : 0
Book Description
This book (first published in the Netherlands as Op de keper beschouwd. Handboekvoor het behoud van textielcollecties), sets out to present the basic information necessary for the professional safekeeping of textile collections. Aimed at curators, owners of textile collections, collection management staff, conservators and conservation students, it contains: An overview of the most common textile fibres, production processes and techniques of decoration. A description of the degradation processes of textiles and the effects of temperature, relative humidity, air pollution and light on textiles. Discussions on the storage, transit and exhibition of textiles and materials which can safely be used with textiles. Guidance for documentation, conservation and restoration, and collection management strategies. Book jacket.
Publisher:
ISBN: 9781904982982
Category : Art
Languages : en
Pages : 0
Book Description
This book (first published in the Netherlands as Op de keper beschouwd. Handboekvoor het behoud van textielcollecties), sets out to present the basic information necessary for the professional safekeeping of textile collections. Aimed at curators, owners of textile collections, collection management staff, conservators and conservation students, it contains: An overview of the most common textile fibres, production processes and techniques of decoration. A description of the degradation processes of textiles and the effects of temperature, relative humidity, air pollution and light on textiles. Discussions on the storage, transit and exhibition of textiles and materials which can safely be used with textiles. Guidance for documentation, conservation and restoration, and collection management strategies. Book jacket.
Textiles on Film
Author: Becky Peterson
Publisher: Bloomsbury Publishing
ISBN: 1350026565
Category : Design
Languages : en
Pages : 201
Book Description
The imagined worlds of the cinematic mise-en-scène are rich with textiles: fabrics drape over sets, serve as props, and develop mood and character as dress and décor. A much-needed examination of the cultural and emotional impact of textiles as mediated through cinematic technology, Textiles on Film broadens our understanding of the dynamic relationship between fabric and film. Drawing on scholarship across multiple disciplines and exploring a wide range of films-from lesser-known avant-garde films to big-budget Hollywood productions-this book will inspire scholars and students of film, fashion, and textiles. Close readings of on-screen textiles redirect meaning to that which is often overlooked, including depictions of gender expression, behind-the-scenes labor, and architectural and bodily ornamentation. Attentive to the social nuances of fabrics from polyester to velvet, and to the physical qualities of the textiles themselves, Becky Peterson unearths new possibilities for reading media and textile cultures.
Publisher: Bloomsbury Publishing
ISBN: 1350026565
Category : Design
Languages : en
Pages : 201
Book Description
The imagined worlds of the cinematic mise-en-scène are rich with textiles: fabrics drape over sets, serve as props, and develop mood and character as dress and décor. A much-needed examination of the cultural and emotional impact of textiles as mediated through cinematic technology, Textiles on Film broadens our understanding of the dynamic relationship between fabric and film. Drawing on scholarship across multiple disciplines and exploring a wide range of films-from lesser-known avant-garde films to big-budget Hollywood productions-this book will inspire scholars and students of film, fashion, and textiles. Close readings of on-screen textiles redirect meaning to that which is often overlooked, including depictions of gender expression, behind-the-scenes labor, and architectural and bodily ornamentation. Attentive to the social nuances of fabrics from polyester to velvet, and to the physical qualities of the textiles themselves, Becky Peterson unearths new possibilities for reading media and textile cultures.
Handbook of Museum Textiles, Volume 2
Author: Seiko Jose
Publisher: John Wiley & Sons
ISBN: 1119983401
Category : Technology & Engineering
Languages : en
Pages : 420
Book Description
Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume II of the Handbook of Museum Textiles provides precise instruction for conservation techniques to preserve the textile heritage more scientifically and technologically. Additionally, the book covers the most modern techniques used to characterize archaeological textiles and dyes. Progress and innovation in nanotechnology-based interventions in museum textiles are emphasized. Chapters cover the general introduction to biological damage caused by physical and chemical agents and their prevention methods. Information on microscopy and characterization of historical textiles, ancient dyes, and prints is highlighted. Several aspects of assessment of degradation, repair, and stabilization of antique textiles are presented in depth. Experimental research methods for diagnosis and scientific study of fibers and natural dyes using LC-MS and UV-VIS are described. Practical knowledge based on analysis and visualization of historical textiles for the needs of museum conservation, exhibition, digital technology, and virtual museums is addressed as well. Audience It will serve as an educational asset and tool for researchers, art scholars, archaeologists, museum curators, and those who are interested in the field of traditional or historic textile collections.
Publisher: John Wiley & Sons
ISBN: 1119983401
Category : Technology & Engineering
Languages : en
Pages : 420
Book Description
Handbook of Museum Textiles Textiles have been known to us throughout human history and played a vital role in the lives and traditions of people. Clothing was made by using different materials and methods from natural fibers. There are different varieties of textiles, out of which certain traditional textiles, archaeological findings, or fragments are of cultural, historical, and sentimental value such as tapestries, embroideries, flags, shawls, etc. These kinds of textiles, due to their historical use and environmental factors, require special attention to guarantee their long-term stability. Textile conservation is a complex, challenging, and multi-faceted discipline and it is one of the most versatile branches of conservation. Volume II of the Handbook of Museum Textiles provides precise instruction for conservation techniques to preserve the textile heritage more scientifically and technologically. Additionally, the book covers the most modern techniques used to characterize archaeological textiles and dyes. Progress and innovation in nanotechnology-based interventions in museum textiles are emphasized. Chapters cover the general introduction to biological damage caused by physical and chemical agents and their prevention methods. Information on microscopy and characterization of historical textiles, ancient dyes, and prints is highlighted. Several aspects of assessment of degradation, repair, and stabilization of antique textiles are presented in depth. Experimental research methods for diagnosis and scientific study of fibers and natural dyes using LC-MS and UV-VIS are described. Practical knowledge based on analysis and visualization of historical textiles for the needs of museum conservation, exhibition, digital technology, and virtual museums is addressed as well. Audience It will serve as an educational asset and tool for researchers, art scholars, archaeologists, museum curators, and those who are interested in the field of traditional or historic textile collections.
New Approaches to Decolonizing Fashion History and Period Styles
Author: Ashley Bellet
Publisher: CRC Press
ISBN: 1003831370
Category : Performing Arts
Languages : en
Pages : 190
Book Description
New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies offers a wide array of inclusive, global, practical approaches for teaching costume and fashion history. Costume designers, technicians, and historians have spent the last several years re-evaluating how they teach costume and fashion history, acknowledging the need to refocus the discourse to include a more global perspective. This book is a collection of pedagogical methods aimed to do just that, with an emphasis on easy reference, accessible activities, and rubrics, and containing a variety of ways to restructure the course. Each chapter offers a course description, syllabus calendar, course objectives, and learning outcomes, as well as sample activities from instructors across the country who have made major changes to their coursework. Using a combination of personal narratives, examples from their work, bibliographies of helpful texts, and student responses, contributors suggest a variety of ways to decolonize the traditionally Western-focused fashion history syllabus. This collection of pedagogical approaches is intended to support and inspire instructors teaching costume design, costume history, fashion history, period styles, and other aesthetic histories in the arts.
Publisher: CRC Press
ISBN: 1003831370
Category : Performing Arts
Languages : en
Pages : 190
Book Description
New Approaches to Decolonizing Fashion History and Period Styles: Re-Fashioning Pedagogies offers a wide array of inclusive, global, practical approaches for teaching costume and fashion history. Costume designers, technicians, and historians have spent the last several years re-evaluating how they teach costume and fashion history, acknowledging the need to refocus the discourse to include a more global perspective. This book is a collection of pedagogical methods aimed to do just that, with an emphasis on easy reference, accessible activities, and rubrics, and containing a variety of ways to restructure the course. Each chapter offers a course description, syllabus calendar, course objectives, and learning outcomes, as well as sample activities from instructors across the country who have made major changes to their coursework. Using a combination of personal narratives, examples from their work, bibliographies of helpful texts, and student responses, contributors suggest a variety of ways to decolonize the traditionally Western-focused fashion history syllabus. This collection of pedagogical approaches is intended to support and inspire instructors teaching costume design, costume history, fashion history, period styles, and other aesthetic histories in the arts.
Printed Textiles
Author: Linda Eaton
Publisher: The Monacelli Press, LLC
ISBN: 1580933939
Category : Design
Languages : en
Pages : 385
Book Description
The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.
Publisher: The Monacelli Press, LLC
ISBN: 1580933939
Category : Design
Languages : en
Pages : 385
Book Description
The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.
Tudor Textiles
Author: Eleri Lynn
Publisher: Yale University Press
ISBN: 0300244126
Category : Design
Languages : en
Pages : 210
Book Description
A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.
Publisher: Yale University Press
ISBN: 0300244126
Category : Design
Languages : en
Pages : 210
Book Description
A detailed study of Tudor textiles, highlighting their extravagant beauty and their impact on the royal court, fashion, and taste At the Tudor Court, textiles were ubiquitous in decor and ceremony. Tapestries, embroideries, carpets, and hangings were more highly esteemed than paintings and other forms of decorative art. Indeed, in 16th-century Europe, fine textiles were so costly that they were out of reach for average citizens, and even for many nobles. This spectacularly illustrated book tells the story of textiles during the long Tudor century, from the ascendance of Henry VII in 1485 to the death of his granddaughter Elizabeth I in 1603. It places elaborate tapestries, imported carpets, lavish embroidery, and more within the context of religious and political upheavals of the Tudor court, as well as the expanding world of global trade, including previously unstudied encounters between the New World and the Elizabethan court. Special attention is paid to the Field of the Cloth of Gold, a magnificent two-week festival—and unsurpassed display of golden textiles—held in 1520. Even half a millennium later, such extraordinary works remain Tudor society’s strongest projection of wealth, taste, and ultimately power.
The Batik Art of Mary Edna Fraser
Author: Cecelia Dailey
Publisher: Univ of South Carolina Press
ISBN: 1611179432
Category : Art
Languages : en
Pages : 297
Book Description
A lavishly illustrated guide to the work and technique of the internationally renowned artist Mary Edna Fraser has taken the art of batik to otherworldly heights. An internationally renowned artist, Fraser has had works grace galleries, museums, and public buildings throughout the United States—creating wonder, awe, and an awareness of the environment around us as few artists have had the talent and vision to manage. Using fabric, wax, and dye, Fraser has transformed the techniques of batik from its ancient origins and forged new panoramas and vistas of our unique planet from the sky above us to the ground beneath our feet, and even down to the evocative landscapes that sprawl across the ocean floor. These images not only astonish us with their allure; they also remind of us of our place in the world and our responsibility to respect and care for it. Part history and guide to the challenging techniques of this form, The Batik Art of Edna Fraser affords not only a full-color introduction to Fraser's stunning perceptions of the glaciers, icebergs, coastlines, atmospheres, mountains, and rivers that grace our globe, but gives us an intimate look at the artist at work and the philosophies that guide her singular imagination as well. Bold, beautiful, thoughtful, and always visceral, Fraser's art invites us outside to see with new eyes the horizons that surround us—and inside to see ourselves in our inextricable connection with the land, the seas, the skies, the earth, as we are woven together as one in the fabric of our existence on this, our home, the vibrant blue planet hurtling through space and time.
Publisher: Univ of South Carolina Press
ISBN: 1611179432
Category : Art
Languages : en
Pages : 297
Book Description
A lavishly illustrated guide to the work and technique of the internationally renowned artist Mary Edna Fraser has taken the art of batik to otherworldly heights. An internationally renowned artist, Fraser has had works grace galleries, museums, and public buildings throughout the United States—creating wonder, awe, and an awareness of the environment around us as few artists have had the talent and vision to manage. Using fabric, wax, and dye, Fraser has transformed the techniques of batik from its ancient origins and forged new panoramas and vistas of our unique planet from the sky above us to the ground beneath our feet, and even down to the evocative landscapes that sprawl across the ocean floor. These images not only astonish us with their allure; they also remind of us of our place in the world and our responsibility to respect and care for it. Part history and guide to the challenging techniques of this form, The Batik Art of Edna Fraser affords not only a full-color introduction to Fraser's stunning perceptions of the glaciers, icebergs, coastlines, atmospheres, mountains, and rivers that grace our globe, but gives us an intimate look at the artist at work and the philosophies that guide her singular imagination as well. Bold, beautiful, thoughtful, and always visceral, Fraser's art invites us outside to see with new eyes the horizons that surround us—and inside to see ourselves in our inextricable connection with the land, the seas, the skies, the earth, as we are woven together as one in the fabric of our existence on this, our home, the vibrant blue planet hurtling through space and time.
The Life Cycle of Russian Things
Author: Matthew P. Romaniello
Publisher: Bloomsbury Publishing
ISBN: 135018604X
Category : History
Languages : en
Pages : 411
Book Description
The Life Cycle of Russian Things re-orients commodity studies using interdisciplinary and comparative methods to foreground unique Russian and Soviet materials as varied as apothecary wares, isinglass, limestone and tanks. It also transforms modernist and Western interpretations of the material by emphasizing the commonalities of the Russian experience. Expert contributors from across the United States, Canada, Britain, and Germany come together to situate Russian material culture studies at an interdisciplinary crossroads. Drawing upon theory from anthropology, history, and literary and museum studies, the volume presents a complex narrative, not only in terms of material consumption but also in terms of production and the secondary life of inheritance, preservation, or even destruction. In doing so, the book reconceptualises material culture as a lived experience of sensory interaction. The Life Cycle of Russian Things sheds new light on economic history and consumption studies by reflecting the diversity of Russia's experiences over the last 400 years.
Publisher: Bloomsbury Publishing
ISBN: 135018604X
Category : History
Languages : en
Pages : 411
Book Description
The Life Cycle of Russian Things re-orients commodity studies using interdisciplinary and comparative methods to foreground unique Russian and Soviet materials as varied as apothecary wares, isinglass, limestone and tanks. It also transforms modernist and Western interpretations of the material by emphasizing the commonalities of the Russian experience. Expert contributors from across the United States, Canada, Britain, and Germany come together to situate Russian material culture studies at an interdisciplinary crossroads. Drawing upon theory from anthropology, history, and literary and museum studies, the volume presents a complex narrative, not only in terms of material consumption but also in terms of production and the secondary life of inheritance, preservation, or even destruction. In doing so, the book reconceptualises material culture as a lived experience of sensory interaction. The Life Cycle of Russian Things sheds new light on economic history and consumption studies by reflecting the diversity of Russia's experiences over the last 400 years.