Author: Lucy Scher
Publisher: Oldcastle Books
ISBN: 1842435124
Category : Performing Arts
Languages : en
Pages : 200
Book Description
Script Readers play a crucial role in the film industry, often responsible for determining whether a script is even looked at by a producer or development executive; yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly 'how-to' guide written by one of the UK's leading script analysis specialists, lays bare the process of analysing film scripts. This is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. An essential reference tool, the book includes information on: - How to write a brilliant script report - Storytelling and screen genres - Treatments and other short documents - Writing clear and detailed analysis of the craft of storytelling for film - Best practice in reading and reporting on scriptsIt also includes a full Resource Section listing useful print and online publications, organisations and associations. 'It is such a worthwhile read' - Lucy V Hay - bang2write 'Lucy Scher seeks to explain the skills needed to take on the vital role of script reader in the film industry' - Kamera Film Salon 'An ideal reference tool for anyone considering a career as a script reader or in film development' - Moviescope
Reading Screenplays
Author: Lucy Scher
Publisher: Oldacastle Books
ISBN: 1842435124
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Essential for script readers, development executives, and producers, this is also an incisive and effective how-to book for screenwriters, clearly illuminating the script assessment process for both story and craft Script readers are often responsible for determining whether a script is even looked at by a producer or development executive, yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly guide lays bare the process of analyzing film scripts, and is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. With contributions from industry insiders, it includes information on how to write a brilliant script report, storytelling and screen genres, treatments and other short documents, writing clear and detailed analysis of the craft of storytelling for film, and best practice in reading and reporting on scripts. It also includes a full resource section listing useful print and online publications, organizations, and associations.
Publisher: Oldacastle Books
ISBN: 1842435124
Category : Performing Arts
Languages : en
Pages : 198
Book Description
Essential for script readers, development executives, and producers, this is also an incisive and effective how-to book for screenwriters, clearly illuminating the script assessment process for both story and craft Script readers are often responsible for determining whether a script is even looked at by a producer or development executive, yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly guide lays bare the process of analyzing film scripts, and is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. With contributions from industry insiders, it includes information on how to write a brilliant script report, storytelling and screen genres, treatments and other short documents, writing clear and detailed analysis of the craft of storytelling for film, and best practice in reading and reporting on scripts. It also includes a full resource section listing useful print and online publications, organizations, and associations.
Writing Movies for Fun and Profit
Author: Thomas Lennon
Publisher: Simon and Schuster
ISBN: 1439186766
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Publisher: Simon and Schuster
ISBN: 1439186766
Category : Biography & Autobiography
Languages : en
Pages : 328
Book Description
"A hilarious and helpful insider's guide to launching a successful writing career in Hollywood. . . . The only compass readers will ever need to navigate the treacherous waters of filmmaking"--("Kirkus Reviews," starred review).
Good Will Hunting
Author: Ben Affleck
Publisher: Miramax Books
ISBN: 9780786883448
Category : Performing Arts
Languages : en
Pages : 196
Book Description
As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.
Publisher: Miramax Books
ISBN: 9780786883448
Category : Performing Arts
Languages : en
Pages : 196
Book Description
As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.
Screenplay
Author: Syd Field
Publisher: M J F Books
ISBN: 9781567312393
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.
Publisher: M J F Books
ISBN: 9781567312393
Category : Motion picture authorship
Languages : en
Pages : 0
Book Description
Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.
The Complete Idiot's Guide to Screenwriting
Author: Skip Press
Publisher: Penguin
ISBN: 9780028639444
Category : Performing Arts
Languages : en
Pages : 365
Book Description
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
Publisher: Penguin
ISBN: 9780028639444
Category : Performing Arts
Languages : en
Pages : 365
Book Description
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.