Author: Virgil Moorefield
Publisher: MIT Press
ISBN: 0262261014
Category : Music
Languages : en
Pages : 164
Book Description
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?
The Producer as Composer
Author: Virgil Moorefield
Publisher: MIT Press
ISBN: 0262514052
Category : Music
Languages : en
Pages : 165
Book Description
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?
Publisher: MIT Press
ISBN: 0262514052
Category : Music
Languages : en
Pages : 165
Book Description
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Frank Zappa called a "movie for your ears." In rock and pop, in the absence of a notated score, the recorded version of a song—created by the producer in collaboration with the musicians—became the definitive version. Moorefield, a musician and producer himself, traces this evolution with detailed discussions of works by producers and producer-musicians including Spector and Martin, Brian Eno, Bill Laswell, Trent Reznor, Quincy Jones, and the Chemical Brothers. Underlying the transformation, Moorefield writes, is technological development: new techniques—tape editing, overdubbing, compression—and, in the last ten years, inexpensive digital recording equipment that allows artists to become their own producers. What began when rock and pop producers reinvented themselves in the 1960s has continued; Moorefield describes the importance of disco, hip-hop, remixing, and other forms of electronic music production in shaping the sound of contemporary pop. He discusses the making of Pet Sounds and the production of tracks by Public Enemy with equal discernment, drawing on his own years of studio experience. Much has been written about rock and pop in the last 35 years, but hardly any of it deals with what is actually heard in a given pop song. The Producer as Composer tries to unravel the mystery of good pop: why does it sound the way it does?
Music Production
Author: Michael Zager
Publisher: Scarecrow Press
ISBN: 0810882019
Category : Music
Languages : en
Pages : 449
Book Description
The guidance of a skilled music producer will always be a key factor in producing a great recording. In that sense, as Michael Zager points out in his second edition of Music Production: For Producers, Composer, Arrangers, and Students, the job of amusic producer is analogous to that of a film director, polishing work product to its finest sheen. And this is no small matter in an age when the recording industry is undergoing its most radical change in over half a century. Although innate talent and experience are key elements in the success of any music producer, Music Production serves as a roadmap for navigating the continuous changes in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists to arranging and orchestration, from musicianship to marketing, advertising to promotion, Music Production takes readers on a whirlwind tour of the world of music production, letting readers keep pace with this rapidly changing profession. The focus of the second edition is on such topics as the expanded role of music supervisors, the introduction of new production techniques, and the inclusion of new terms in music industry contracts. Including new interviews with eminent industry professionals, Music Production is the ideal handbook for the aspiring music production student and music professional.
Publisher: Scarecrow Press
ISBN: 0810882019
Category : Music
Languages : en
Pages : 449
Book Description
The guidance of a skilled music producer will always be a key factor in producing a great recording. In that sense, as Michael Zager points out in his second edition of Music Production: For Producers, Composer, Arrangers, and Students, the job of amusic producer is analogous to that of a film director, polishing work product to its finest sheen. And this is no small matter in an age when the recording industry is undergoing its most radical change in over half a century. Although innate talent and experience are key elements in the success of any music producer, Music Production serves as a roadmap for navigating the continuous changes in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists to arranging and orchestration, from musicianship to marketing, advertising to promotion, Music Production takes readers on a whirlwind tour of the world of music production, letting readers keep pace with this rapidly changing profession. The focus of the second edition is on such topics as the expanded role of music supervisors, the introduction of new production techniques, and the inclusion of new terms in music industry contracts. Including new interviews with eminent industry professionals, Music Production is the ideal handbook for the aspiring music production student and music professional.
Truth, Lies & Hearsay: A Memoir of a Musical Life in and Out of Rock and Roll
Author: John Simon
Publisher: Independently Published
ISBN: 9781720047162
Category : Autobiography
Languages : en
Pages : 344
Book Description
Chosen #5 by Billboard Magazine of the Ten Best Music Books of 2018!!!FOR THE ROCK MUSIC FAN WHO HAS EVERYTHING ...from KIRKUS REVIEWS: "Simon's star-studded debut memoir populated with humorous details and matter-of-fact commentary is incredibly readable, with plenty of quote-worthy anecdotes.Over the span of his lengthy career as a music producer, the author worked with some legendary artists, including Janis Joplin, Simon and Garfunkel, Leonard Cohen, and The Band. In this remembrance, he details his lifelong engagement with music, which follows the trajectory of American popular music as a whole, from jazz to Broadway musicals to rock 'n' roll. An intriguing memoir about an unusual career involving some celebrated musical figures."Producer John Simon takes you on an incredible journey through his career in music with inside tales and quirky good humor.Celebrated music producer John Simon has produced some of the greatest rock 'n' roll ever recorded including THE BAND's "Music from Big Pink," "The Band," and "The Last Waltz," JANIS JOPLIN's Cheap Thrills, SIMON AND GARFUNKEL's Bookends, and the first albums by LEONARD COHEN and BLOOD, SWEAT and TEARS. His contributions to popular music have helped tell the story of a generation in the 1960s and 70s, and now he is sharing his own."WHEN JOHN SIMON JOINED THE BAND'S BROTHERHOOD HE FIT LIKE A GLOVE. I CAN'T IMAGINE ANOTHER RECORD PRODUCER IN THE WHOLE WORLD WHO COULD'VE MATCHED JOHN'S WORK ON: MUSIC FROM BIG PINK AND THE BAND, ALBUMS." - - Robbie Robertson"Reflecting on the amazing life he's led, I found myself thinking he ought to write a book. Then I realized that he did. Now he tells never-before-told tales of those rich, often rollicking years in his colorful new book."--- Steve Israel* * * * * * *Given his truly unique perspective on music and the music business, Simon has been been courted by interviewers for years. With so many anecdotes to choose from, Simon found himself only skimming the surface of his experiences. Now, in writing TRUTH, LIES & HEARSAY, he has drawn on a lifetime of numerous first-hand accounts revealed in this memoir for first time, including: -Getting down the sounds for MUSIC FROM BIG PINK and THE BAND's 2nd album-How everything was changed by a hit record of a PAUL SIMON song that Paul didn't even like-Experiencing the volatile personal dynamics during the recording of CHEAP THRILLS by BIG BROTHER AND THE HOLDING COMPANY featuring their new vocalist, JANIS JOPLIN-Living and playing in Woodstock when it was just a small-town safe haven for musicians.-Behind-the-scenes at THE BAND's "farewell concert appearance" -Writing two ballet scores for legendary choreographer TWYLA THARP-Touring with American blues master, TAJ MAHAL-Recording secrets revealed and much, much more!With an unerring ear for music and eye for a good story, John Simon has amassed a collection of remarkable stories to delight any music fan.Read about Leonard Cohen, Levon Helm, Janis Joplin, Robbie Robertson, The Band, Mama Cass, Blood, Sweat & Tears, Gordon Lightfoot, Leon Russell, Eric Clapton, Wilson Pickett, Peter Yarrow, Gil Evans, Elizabeth Taylor, Joni Mitchell, Les Paul, Bob Dylan, Muddy Waters, Steve Forbert, Marshall McLuhan and The Beatles - -- All of these people and more turn up in the pages of TRUTH, LIES and HEARSAY: A Memoir of a Musical Life In and Out of Rock and Roll.You will really like this book.
Publisher: Independently Published
ISBN: 9781720047162
Category : Autobiography
Languages : en
Pages : 344
Book Description
Chosen #5 by Billboard Magazine of the Ten Best Music Books of 2018!!!FOR THE ROCK MUSIC FAN WHO HAS EVERYTHING ...from KIRKUS REVIEWS: "Simon's star-studded debut memoir populated with humorous details and matter-of-fact commentary is incredibly readable, with plenty of quote-worthy anecdotes.Over the span of his lengthy career as a music producer, the author worked with some legendary artists, including Janis Joplin, Simon and Garfunkel, Leonard Cohen, and The Band. In this remembrance, he details his lifelong engagement with music, which follows the trajectory of American popular music as a whole, from jazz to Broadway musicals to rock 'n' roll. An intriguing memoir about an unusual career involving some celebrated musical figures."Producer John Simon takes you on an incredible journey through his career in music with inside tales and quirky good humor.Celebrated music producer John Simon has produced some of the greatest rock 'n' roll ever recorded including THE BAND's "Music from Big Pink," "The Band," and "The Last Waltz," JANIS JOPLIN's Cheap Thrills, SIMON AND GARFUNKEL's Bookends, and the first albums by LEONARD COHEN and BLOOD, SWEAT and TEARS. His contributions to popular music have helped tell the story of a generation in the 1960s and 70s, and now he is sharing his own."WHEN JOHN SIMON JOINED THE BAND'S BROTHERHOOD HE FIT LIKE A GLOVE. I CAN'T IMAGINE ANOTHER RECORD PRODUCER IN THE WHOLE WORLD WHO COULD'VE MATCHED JOHN'S WORK ON: MUSIC FROM BIG PINK AND THE BAND, ALBUMS." - - Robbie Robertson"Reflecting on the amazing life he's led, I found myself thinking he ought to write a book. Then I realized that he did. Now he tells never-before-told tales of those rich, often rollicking years in his colorful new book."--- Steve Israel* * * * * * *Given his truly unique perspective on music and the music business, Simon has been been courted by interviewers for years. With so many anecdotes to choose from, Simon found himself only skimming the surface of his experiences. Now, in writing TRUTH, LIES & HEARSAY, he has drawn on a lifetime of numerous first-hand accounts revealed in this memoir for first time, including: -Getting down the sounds for MUSIC FROM BIG PINK and THE BAND's 2nd album-How everything was changed by a hit record of a PAUL SIMON song that Paul didn't even like-Experiencing the volatile personal dynamics during the recording of CHEAP THRILLS by BIG BROTHER AND THE HOLDING COMPANY featuring their new vocalist, JANIS JOPLIN-Living and playing in Woodstock when it was just a small-town safe haven for musicians.-Behind-the-scenes at THE BAND's "farewell concert appearance" -Writing two ballet scores for legendary choreographer TWYLA THARP-Touring with American blues master, TAJ MAHAL-Recording secrets revealed and much, much more!With an unerring ear for music and eye for a good story, John Simon has amassed a collection of remarkable stories to delight any music fan.Read about Leonard Cohen, Levon Helm, Janis Joplin, Robbie Robertson, The Band, Mama Cass, Blood, Sweat & Tears, Gordon Lightfoot, Leon Russell, Eric Clapton, Wilson Pickett, Peter Yarrow, Gil Evans, Elizabeth Taylor, Joni Mitchell, Les Paul, Bob Dylan, Muddy Waters, Steve Forbert, Marshall McLuhan and The Beatles - -- All of these people and more turn up in the pages of TRUTH, LIES and HEARSAY: A Memoir of a Musical Life In and Out of Rock and Roll.You will really like this book.
The Producers
Author: Mel Brooks
Publisher: Miramax Books
ISBN: 9780786868803
Category : Performing Arts
Languages : en
Pages : 192
Book Description
This is the laugh-out-loud story of two scheming men, Bialystock, a shady producer, and Bloom, his nervous accomplice. Together they come up with the ultimate con: raise more money than needed, produce a show that is bound to flop, and pocket the change. Of course, all best laid plans are subject to be mucked up.
Publisher: Miramax Books
ISBN: 9780786868803
Category : Performing Arts
Languages : en
Pages : 192
Book Description
This is the laugh-out-loud story of two scheming men, Bialystock, a shady producer, and Bloom, his nervous accomplice. Together they come up with the ultimate con: raise more money than needed, produce a show that is bound to flop, and pocket the change. Of course, all best laid plans are subject to be mucked up.
Music Production For Beginners 2020 Edition: How to Produce Music, The Easy to Read Guide for Music Producers
Author: Tommy Swindali
Publisher: Tommy Swindali
ISBN:
Category : Music
Languages : en
Pages : 114
Book Description
Everything You Need To Know About Making Music In One Place! Not so long ago, studio quality recording, mixing and music production was only available to the rich and famous artists. However these days it's now possible to produce professional sounding music from your own home. In fact, you don't even need to know how to play an instrument or know anything about the technology or need expensive equipment. All you need is a decent computer + inspiration and this book will show you the rest. If you are a first timer, this book will lead you in the right direction in the least amount of time. Or if you have some experience you will definitely incorporate some new insights into how to produce your best music. Here is just a tiny fraction of what you will discover: Best Music Production Software to Start Learning in 2020 Achieve Release Quality Mixes On a Budget How to Write Chords, Drum Beats, Basslines, Melodies and More Common Beginner Music Production Mistakes + How to Avoid or Fix Them Essential Home Recording Studio Equipment For Under $500 Music Theory Explained - Without Needing To Study a Course Creative Hacks To Get You Inspired Right Away Step by Step Guide To Mix + Master Your Music - Even If Your Not a Technical Person DON'T Do Remixes or Edits Before Reading This! How Collaboration in Music Opens Doors Proven Guidelines on How to Get your Music Signed And much, much more.. Stop wasting your time on forums, YouTube and asking the same old questions because everything you need to know is in this book. Be the music producer you've always wanted to be and make your best music with This Book
Publisher: Tommy Swindali
ISBN:
Category : Music
Languages : en
Pages : 114
Book Description
Everything You Need To Know About Making Music In One Place! Not so long ago, studio quality recording, mixing and music production was only available to the rich and famous artists. However these days it's now possible to produce professional sounding music from your own home. In fact, you don't even need to know how to play an instrument or know anything about the technology or need expensive equipment. All you need is a decent computer + inspiration and this book will show you the rest. If you are a first timer, this book will lead you in the right direction in the least amount of time. Or if you have some experience you will definitely incorporate some new insights into how to produce your best music. Here is just a tiny fraction of what you will discover: Best Music Production Software to Start Learning in 2020 Achieve Release Quality Mixes On a Budget How to Write Chords, Drum Beats, Basslines, Melodies and More Common Beginner Music Production Mistakes + How to Avoid or Fix Them Essential Home Recording Studio Equipment For Under $500 Music Theory Explained - Without Needing To Study a Course Creative Hacks To Get You Inspired Right Away Step by Step Guide To Mix + Master Your Music - Even If Your Not a Technical Person DON'T Do Remixes or Edits Before Reading This! How Collaboration in Music Opens Doors Proven Guidelines on How to Get your Music Signed And much, much more.. Stop wasting your time on forums, YouTube and asking the same old questions because everything you need to know is in this book. Be the music producer you've always wanted to be and make your best music with This Book
Creating Sounds from Scratch
Author: Andrea Pejrolo
Publisher: Oxford University Press
ISBN: 019992189X
Category : Music
Languages : en
Pages : 353
Book Description
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers effectively manipulate presets and create new sounds. The book covers the all of the main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular. While the book is grounded in theory, it relies on practical examples and contemporary production techniques show the reader how to utilize electronic sound design to maximize and improve his or her work. Creating Sounds from Scratch is ideal for all who work in sound creation, composition, editing, and contemporary commercial production.
Publisher: Oxford University Press
ISBN: 019992189X
Category : Music
Languages : en
Pages : 353
Book Description
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers effectively manipulate presets and create new sounds. The book covers the all of the main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular. While the book is grounded in theory, it relies on practical examples and contemporary production techniques show the reader how to utilize electronic sound design to maximize and improve his or her work. Creating Sounds from Scratch is ideal for all who work in sound creation, composition, editing, and contemporary commercial production.
Music Production
Author: Michael Zager
Publisher: Rowman & Littlefield
ISBN: 1538128519
Category : Music
Languages : en
Pages : 451
Book Description
In an age when the recording industry is undergoing its most radical change in over half a century, the guidance of a skilled music producer is quickly becoming indispensable for producing a great recording. Music Production: A Manual for Producers, Composers, Arrangers, and Students, Third Edition serves as a comprehensive road map for navigating the continuous transformations in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists and instrumentalists to arranging and orchestration, from musicianship to marketing, advertising, and promotion, Michael Zager takes us on a tour of the world of music production and the recording industry, helping students and professionals keep pace with this rapidly changing profession. This third edition features: New interviews with eminent industry professionals Updated information on current trends in producing popular music and the impacts of the Music Modernization Act Additional material on video game music End-of-chapter assignments for course usage An instructor’s manual is available. Please email [email protected].
Publisher: Rowman & Littlefield
ISBN: 1538128519
Category : Music
Languages : en
Pages : 451
Book Description
In an age when the recording industry is undergoing its most radical change in over half a century, the guidance of a skilled music producer is quickly becoming indispensable for producing a great recording. Music Production: A Manual for Producers, Composers, Arrangers, and Students, Third Edition serves as a comprehensive road map for navigating the continuous transformations in the music industry and music production technologies. From dissecting compositions to understanding studio technologies, from coaching vocalists and instrumentalists to arranging and orchestration, from musicianship to marketing, advertising, and promotion, Michael Zager takes us on a tour of the world of music production and the recording industry, helping students and professionals keep pace with this rapidly changing profession. This third edition features: New interviews with eminent industry professionals Updated information on current trends in producing popular music and the impacts of the Music Modernization Act Additional material on video game music End-of-chapter assignments for course usage An instructor’s manual is available. Please email [email protected].
The Bedroom Super Producer
Author: J. T. Cloutier
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537658063
Category :
Languages : en
Pages : 124
Book Description
What if I told you there exists a secret community of music producers who make a living selling their music online at hourly rates that rival even those of star music producers? Would you be willing to take their secret oath, never go back to your old nine-to-five, and create your dream lifestyle? Would you have the patience and drive to change your mindstate, music production techniques and health habits to sustain this highly demanding way of life? If you answered yes to all of the above, you might just be ready to follow the ways of the Bedroom Super Producers. This step-by-step guide to music composer lifestyle design teaches: - How J.T. went from a six figure job in a Fortune 500 company to composing music full-time, almost doubling his revenues within the first two years - How to compose, sound and live like the pros - How to monetize every second spent in front of your equipment, making sounds and songs - How to create healthy habits that will sustain a life of creativity and productivity - How to create a truly fulfilling life as an artist Let this little book open a new world of possibilities for you. Let it show you just how deep the rabbit hole goes...
Publisher: Createspace Independent Publishing Platform
ISBN: 9781537658063
Category :
Languages : en
Pages : 124
Book Description
What if I told you there exists a secret community of music producers who make a living selling their music online at hourly rates that rival even those of star music producers? Would you be willing to take their secret oath, never go back to your old nine-to-five, and create your dream lifestyle? Would you have the patience and drive to change your mindstate, music production techniques and health habits to sustain this highly demanding way of life? If you answered yes to all of the above, you might just be ready to follow the ways of the Bedroom Super Producers. This step-by-step guide to music composer lifestyle design teaches: - How J.T. went from a six figure job in a Fortune 500 company to composing music full-time, almost doubling his revenues within the first two years - How to compose, sound and live like the pros - How to monetize every second spent in front of your equipment, making sounds and songs - How to create healthy habits that will sustain a life of creativity and productivity - How to create a truly fulfilling life as an artist Let this little book open a new world of possibilities for you. Let it show you just how deep the rabbit hole goes...
The Art of Music Production
Author: Richard James Burgess
Publisher: Oxford University Press, USA
ISBN: 0199921741
Category : Business & Economics
Languages : en
Pages : 344
Book Description
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.
Publisher: Oxford University Press, USA
ISBN: 0199921741
Category : Business & Economics
Languages : en
Pages : 344
Book Description
In this book, veteran music producer Richard James Burgess gives readers the tools they need to understand the complex field of music production. He defines the many roles that fall to the music producer by focusing first on the underlying theory of music production, before offering a second section of practical aspects of the job.