Author: Kim Toft Hansen
Publisher: Springer
ISBN: 3319968874
Category : Social Science
Languages : en
Pages : 299
Book Description
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the ‘European-ness’ of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond.
Contemporary British Television Crime Drama
Author: Ruth McElroy
Publisher: Taylor & Francis
ISBN: 1317160967
Category : Social Science
Languages : en
Pages : 221
Book Description
Contemporary British Television Crime Drama examines one of the medium’s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it responds not only to changing social debates on crime and policing, but also to processes of hybridization within the television industry itself. Contributors, many of whom are leading figures in UK television studies, analyse popular series such as Broadchurch, Between the Lines, Foyle’s War, Poirot, Prime Suspect, Sherlock and Wallander. Essays examine the main characteristics of television crime drama production, including the nature of trans-Atlantic franchises and literary and transnational adaptations. Adopting a range of feminist, historical, aesthetic and industrial approaches, they offer incisive interrogations that provide readers with a rich understanding of the allure of crime drama to both viewers and commissioners.
Publisher: Taylor & Francis
ISBN: 1317160967
Category : Social Science
Languages : en
Pages : 221
Book Description
Contemporary British Television Crime Drama examines one of the medium’s most popular genres and places it within its historical and industrial context. The television crime drama has proved itself capable of numerous generic reinventions and continues to enjoy some of the highest viewing figures. Crime drama offers audiences stories of right and wrong, moral authority asserted and resisted, and professionals and criminals, doing so in ways that are often highly entertaining, innovative, and thought provoking. In examining the appeal of this highly dynamic genre, this volume explores how it responds not only to changing social debates on crime and policing, but also to processes of hybridization within the television industry itself. Contributors, many of whom are leading figures in UK television studies, analyse popular series such as Broadchurch, Between the Lines, Foyle’s War, Poirot, Prime Suspect, Sherlock and Wallander. Essays examine the main characteristics of television crime drama production, including the nature of trans-Atlantic franchises and literary and transnational adaptations. Adopting a range of feminist, historical, aesthetic and industrial approaches, they offer incisive interrogations that provide readers with a rich understanding of the allure of crime drama to both viewers and commissioners.
TV Crime Drama
Author: Sue Turnbull
Publisher: Edinburgh University Press
ISBN: 0748678182
Category : Performing Arts
Languages : en
Pages : 216
Book Description
This book provides an historical analysis of the TV crime series as a genre, paying close attention not only to the nature of TV dramas themselves, but also to the context of production and reception.
Publisher: Edinburgh University Press
ISBN: 0748678182
Category : Performing Arts
Languages : en
Pages : 216
Book Description
This book provides an historical analysis of the TV crime series as a genre, paying close attention not only to the nature of TV dramas themselves, but also to the context of production and reception.
Crime
Author: Irvine Welsh
Publisher: W. W. Norton & Company
ISBN: 9780393068191
Category : Fiction
Languages : en
Pages : 358
Book Description
Welsh's sizzling new novel is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness, in this shocking story about the corruption and abuse of the human soul and the possibilities of redemption.
Publisher: W. W. Norton & Company
ISBN: 9780393068191
Category : Fiction
Languages : en
Pages : 358
Book Description
Welsh's sizzling new novel is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness, in this shocking story about the corruption and abuse of the human soul and the possibilities of redemption.
All-American TV Crime Drama
Author: Sujata Moorti
Publisher: Bloomsbury Publishing
ISBN: 1786731614
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
Publisher: Bloomsbury Publishing
ISBN: 1786731614
Category : Performing Arts
Languages : en
Pages : 268
Book Description
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative? All-American TV Crime Drama is the first dedicated study of SVU and its treatment of sexual violence, gender and criminality. The book uses detailed textual and visual analyses of episodes to illuminate the assumptions underpinning the programme. Although SVU engages with issues pertaining to feminism and gender it still relies upon traditional and misogynistic tropes such as false rape charges and the monstrous mother to undermine positive views of the feminine. The show, and its backdrop, New York City thus become a stage on which national concerns about women, gender roles, the family and race are carried out. Moorti and Cuklanz unpack how the show has become a crucible for examining current attitudes towards these issues and include an analysis of its reception by its many fans in over 30 countries.
The Last Good Girl
Author: Allison Leotta
Publisher: Simon and Schuster
ISBN: 1476761132
Category : Fiction
Languages : en
Pages : 304
Book Description
From Allison Leotta, the “highly entertaining storyteller” (George Pelecanos) who writes “in a style that’s as real as it gets” (USA TODAY), a ripped-from-the-headlines novel featuring prosecutor Anna Curtis at the center of a national story involving campus rape and the disappearance of a young woman. Emma, a freshman at a Michigan university, has gone missing. She was last seen leaving a bar near the prestigious and secretive fraternity known on campus as “the rape factory.” The main suspect is Dylan Brooks, the son of one of the most powerful politicians in the state. But so far the only clues are pieced-together surveillance footage of Emma leaving the bar that night…and Dylan running down the street after her. When Anna discovers the video diary Emma kept over her first few months at college, it exposes the history she had with Dylan: she had accused him of rape before disappearing. Emma’s disappearance gets media attention and support from Title IX activists across the country, but Anna’s investigation hits a wall. Now Anna is looking for something, anything she can use to find Emma alive. But without a body or any physical evidence, she’s under threat from people who tell her to think hard before she ruins the name of an “innocent young man.” Inspired by real-life stories, The Last Good Girl shines a light on campus rape and the powerful emotional dynamics that affect the families of the men and women on both sides.
Publisher: Simon and Schuster
ISBN: 1476761132
Category : Fiction
Languages : en
Pages : 304
Book Description
From Allison Leotta, the “highly entertaining storyteller” (George Pelecanos) who writes “in a style that’s as real as it gets” (USA TODAY), a ripped-from-the-headlines novel featuring prosecutor Anna Curtis at the center of a national story involving campus rape and the disappearance of a young woman. Emma, a freshman at a Michigan university, has gone missing. She was last seen leaving a bar near the prestigious and secretive fraternity known on campus as “the rape factory.” The main suspect is Dylan Brooks, the son of one of the most powerful politicians in the state. But so far the only clues are pieced-together surveillance footage of Emma leaving the bar that night…and Dylan running down the street after her. When Anna discovers the video diary Emma kept over her first few months at college, it exposes the history she had with Dylan: she had accused him of rape before disappearing. Emma’s disappearance gets media attention and support from Title IX activists across the country, but Anna’s investigation hits a wall. Now Anna is looking for something, anything she can use to find Emma alive. But without a body or any physical evidence, she’s under threat from people who tell her to think hard before she ruins the name of an “innocent young man.” Inspired by real-life stories, The Last Good Girl shines a light on campus rape and the powerful emotional dynamics that affect the families of the men and women on both sides.
Making Crime Television
Author: Anita Lam
Publisher: Routledge
ISBN: 1134114451
Category : Law
Languages : en
Pages : 259
Book Description
This book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.
Publisher: Routledge
ISBN: 1134114451
Category : Law
Languages : en
Pages : 259
Book Description
This book employs actor-network theory in order to examine how representations of crime are produced for contemporary prime-time television dramas. As a unique examination of the production of contemporary crime television dramas, particularly their writing process, Making Crime Television: Producing Entertaining Representations of Crime for Television Broadcast examines not only the semiotic relations between ideas about crime, but the material conditions under which those meanings are formulated. Using ethnographic and interview data, Anita Lam considers how textual representations of crime are assembled by various people (including writers, directors, technical consultants, and network executives), technologies (screenwriting software and whiteboards), and texts (newspaper articles and rival crime dramas). The emerging analysis does not project but instead concretely examines what and how television writers and producers know about crime, law and policing. An adequate understanding of the representation of crime, it is maintained, cannot be limited to a content analysis that treats the representation as a final product. Rather, a television representation of crime must be seen as the result of a particular assemblage of logics, people, creative ideas, commercial interests, legal requirements, and broadcasting networks. A fascinating investigation into the relationship between television production, crime, and the law, this book is an accessible and well-researched resource for students and scholars of Law, Media, and Criminology.
A Good Killing
Author: Allison Leotta
Publisher: Simon and Schuster
ISBN: 1476761027
Category : Fiction
Languages : en
Pages : 352
Book Description
Newly single after calling off her wedding, sex-crimes prosecutor Anna Curtis is summoned home to Michigan when her old high school coach--a hometown hero--is killed in a fiery car crash. But Anna isn't there to prosecute a crime, she's home to support her innocent sister, Jody, who has been wrongfully accused of the coach's murder. But maybe Jody isn't so innocent after all? The police are convinced that Jody was having an affair with the married coach and killed him out of jealousy. As Anna investigates with the help of her childhood friend Cooper Bolden--an Afghan War veteran with a secret of his own--she slowly peels back the faȧde of her all-American hometown and discovers that no one is telling the truth about the coach, not even the people she thought she knew best. When the town rallies against them, threatening not just Jody's liberty but both sisters' lives, Anna resolves to do everything she can to save her sister and defend the only family she has left.
Publisher: Simon and Schuster
ISBN: 1476761027
Category : Fiction
Languages : en
Pages : 352
Book Description
Newly single after calling off her wedding, sex-crimes prosecutor Anna Curtis is summoned home to Michigan when her old high school coach--a hometown hero--is killed in a fiery car crash. But Anna isn't there to prosecute a crime, she's home to support her innocent sister, Jody, who has been wrongfully accused of the coach's murder. But maybe Jody isn't so innocent after all? The police are convinced that Jody was having an affair with the married coach and killed him out of jealousy. As Anna investigates with the help of her childhood friend Cooper Bolden--an Afghan War veteran with a secret of his own--she slowly peels back the faȧde of her all-American hometown and discovers that no one is telling the truth about the coach, not even the people she thought she knew best. When the town rallies against them, threatening not just Jody's liberty but both sisters' lives, Anna resolves to do everything she can to save her sister and defend the only family she has left.
The Innocent Man
Author: John Grisham
Publisher: Anchor
ISBN: 0307576019
Category : True Crime
Languages : en
Pages : 409
Book Description
#1 NEW YORK TIMES BESTSELLER • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES • “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly John Grisham’s first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry. In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa. In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you. Don’t miss Framed, John Grisham’s first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.
Publisher: Anchor
ISBN: 0307576019
Category : True Crime
Languages : en
Pages : 409
Book Description
#1 NEW YORK TIMES BESTSELLER • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES • “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly John Grisham’s first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry. In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa. In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you. Don’t miss Framed, John Grisham’s first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.