Author: Guy DebordPublisher:
ISBN:
Category :
Languages : en
Pages : 258
Book Description
Complete Cinematic Works
Author: Guy DebordPublisher:
ISBN:
Category : Art
Languages : en
Pages : 280
Book Description
Guy Debord (1931-1994) was the most influential member of the Situationist International, the avant-garde group that helped trigger the May 1968 revolt in France. His book The Society of the Spectacle is considered by some to be the most important theoretical book of the 20th century. But while Debord's written work is some of the most notorious in the world of political and cultural radicalism, his films have remained tantalisingly inaccessible. Knabb's translation accompanies that long awaited English versions of these films. Illustrated with 62 stills.
Frank Films
Author: Brigitta Burger-UtzerPublisher:
ISBN: 9783865218155
Category : Experimental films
Languages : en
Pages : 0
Book Description
Robert Frank turned to filmmaking at the end of the 1950s. Although he has made 27 films, the work is largely a wellkept secret. Frank approaches each film project as a new experience, challenging the medium and its possibilities atevery turn. He has amalgamated documentary, fiction, and autobiography, cutting across genres. This book offers a visually unique approach to Frank¿s films: only new stills taken from videotapes have been used and they add up to a visual essay on Frank¿s cinema that establishes an engaging dialogue with his photographic work. Each film is introduced with detailed analysis, discussing the history and the aesthetics of Frank¿s film work. An interview with Allen Ginsberg provides an insider view. Together the texts and images offer an innovative and in-depth approach to the oeuvre of one of the greatest and most restless artists of the 20th century. Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his seminal book The Americans (1958), which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy (1959) both reproduced by Steidl within The Robert Frank Project.
Author: Ronald BerganSampling Media
Author: David LadermanPublisher: Oxford University Press
ISBN: 0199949328
Category : Performing Arts
Languages : en
Pages : 289
Book Description
This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet "memes" that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled "roots," "scenes," "cinema" and "web" this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.
Public Secrets
Author: Ken KnabbPublisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
The greatest hits, and a fine read for anyone interested in situationist ideas, anarchism, the 60s counterculture and beyond. Includes both two substantial new texts - 'The Joy Of Revolution' and 'Autobiography,' and reprints of all his old pamphlets, co-authored work, and translations of various situationist texts. A veritable treasure trove of pamphlets, texts, posters, comics, articles, leaflets and essays. Over 400 pages, and every one is a winner!
Cinema and Agamben
Author: Henrik GustafssonPublisher: Bloomsbury Publishing USA
ISBN: 1501308599
Category : Performing Arts
Languages : en
Pages : 261
Book Description
Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema. In their resourceful analyses of the work of artists such as David Claerbout, Jean-Luc Godard, Philippe Grandrieux, Michael Haneke, Jean Rouch, and others, the authors put to use a range of key concepts from Agamben's rich body of work, like biopolitics, de-creation, gesture, potentiality and profanation. Sustaining the eminently interdisciplinary scope of Agamben's writing, the essays all bespeak the importance of Agamben's thought for forging new beginnings in film theory and for remedying the elegiac proclamations of the death of cinema so characteristic of the current moment.
The Complete History of American Film Criticism
Author: Jerry RobertsPublisher: Santa Monica Press
ISBN: 1595809430
Category : Performing Arts
Languages : en
Pages : 481
Book Description
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
The Complete Film Production Handbook
Author: Eve Light HonthanerPublisher: Taylor & Francis
ISBN: 1136053050
Category : Performing Arts
Languages : en
Pages : 532
Book Description
This book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up and run a production--from finding a production office to turning over delivery elements. Even if you know what you're doing, you will be thrilled to find everything you need in one place. If you're not already working in film production, but think you'd like to be, read the book -- and then decide. If you choose to pursue this career path, you'll know what to expect, you'll be prepared, and you'll be ten steps ahead of everyone else just starting out. New topics and information in the fourth edition include: * Low-budget independent films, including documentaries and shorts * Information specific to television production and commercials * The industry's commitment to go green and how to do it * Coverage of new travel and shipping regulations * Updated information on scheduling, budgeting, deal memos, music clearances, communications, digital production, and new forms throughout
Law and Film
Author: Vittoria BecciPublisher: Taylor & Francis
ISBN: 1040297978
Category : Law
Languages : en
Pages : 203
Book Description
This book explores how law can be understood through film by engaging creatively with the intellectual and aesthetic dimensions of both fields. Challenged to go beyond an instrumental analysis of a law "and" film, the contributors to this book instead consider instead the need to turn to film and what this means for how we come to understand law and its absences. The chapters explore a variety of narratives, aesthetics, cinematic epistemologies and legal phenomena; from assessing law in social debates to film as legal critique, from notions of justice to contemplations on evil, and from masculine vigilantism to radical feminism. Taken together, they constitute an inspiring body of work that embodies an urgency for diverse and subversive ways to challenge law’s formalism and authority; and to think about and respond variously to law’s impotence, its disappointment, or its boredom. This book will appeal to legal scholars and students in law and the humanities, especially those with interests in aesthetics, law and literature, law and culture, law and society, and critical legal theory.
