Author: Yukio Ōyama Publisher: Kodansha USA Incorporated ISBN: 9784770031433 Category : Travel Languages : en Pages : 95
Book Description
Mt Fuji is the highest mountain in Japan. Because of its solemn and majestic view, this mountain has been adored as a religious object and loved by people in Japan. This book introduces 40 images of the mountain. It also includes images of art and craft with a motif of Mount Fuji, which gives more taste of culture. Mt. Fuji is the highest mountain in Japan. Because of its solemn and majestic view, this mountain has been adored as a religious object and loved by people in Japan from ancient days. Even though it is hard to climb to the top, you can go up to the middle by car, so there are
Author: National Geographic Society (U.S.) Publisher: National Geographic Books ISBN: 1426211678 Category : Travel Languages : en Pages : 324
Book Description
Building on the success of National Geographic's Journeys of a Lifetime series, a sumptuously photographed, detailed tour of hundreds of the world's most alluring locations and activities is seasonally organized to profile everything from the cherry-blossom temples of Kyoto to Rockefeller Center's ice-skating rink.
Author: Haruo Shirane Publisher: Columbia University Press ISBN: 0231152817 Category : Literary Criticism Languages : en Pages : 346
Book Description
"Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Shirane discusses textual, cultivated, material, performative, and gastronomic representations of nature. He reveals how this kind of 'secondary nature, ' which flourished in Japan's urban environment, fostered and idealized a sense of harmony with the natural world just at the moment when it began to recede from view. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane also clarifies the use of natural and seasonal topics as well as the changes in their cultural associations and functions across history, genre, and community over more than a millennium. In this book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world."--Back cover.
Author: Sjraar van Heugten Publisher: Princeton University Press ISBN: 0691179719 Category : Art Languages : en Pages : 280
Book Description
A new look at the ways van Gogh represented the seasons and the natural world throughout his career The changing seasons captivated Vincent van Gogh (1853–90), who saw in their unending cycle the majesty of nature and the existence of a higher force. Van Gogh and the Seasons is the first book to explore this central aspect of van Gogh's life and work. Van Gogh often linked the seasons to rural life and labor as men and women worked the land throughout the year. From his depictions of peasants and sowers to winter gardens, riverbanks, orchards, and harvests, he painted scenes that richly evoke the sensory pleasures and deprivations particular to each season. This stunning book brings to life the locales that defined his tumultuous career, from Arles, where he experienced his most crucial period of creativity, to Auvers-sur-Oise, where he committed suicide. It looks at van Gogh's interpretation of nature, the religious implications of the seasons in his time, and how his art was perceived against the backdrop of various symbolist factions, antimaterialist debates, and esoteric beliefs in fin de siècle Paris. The book also features revealing extracts from the artist's correspondence and artworks from his own collection that provide essential context to the themes in his work. Breathtakingly illustrated and featuring informative essays by Sjraar van Heugten, Joan Greer, and Ted Gott, Van Gogh and the Seasons shines new light on the extraordinary creative vision of one of the world's most beloved artists.
Author: Katsushika Hokusai Publisher: Courier Corporation ISBN: 0486497585 Category : Art Languages : en Pages : 289
Book Description
Kasushika Hokusai was among the foremost ukiyo-e artists of his generation, and his Thirty-six Views of Mt. Fuji ranks among the best-known series of Japanese woodblock prints. This edition presents a full-color reprint of that enduring masterpiece, plus the artist's later black-and-white series, One Hundred Views of Mt. Fuji. A must for all lovers of Japanese art.
Author: DeepJapan Publisher: PIANOWAGON ISBN: Category : Travel Languages : en Pages : 142
Book Description
Iconic Mount Fuji is the highest mountain in Japan and was designated by UNESCO as a World Cultural Heritage Site in June 2013. Mount Fuji and the Fuji Five Lakes (Fujigoko) are among the most popular destinations for international travelers in Japan. This guidebook is illustrated with beautiful photos and covers a wide range of topics: local foods, festivals, hotels, onsen (hot spring), popular sights, superb view points, shrines, hotels and transportation. This guide will help you plan a day trip from Tokyo or Kyoto or a longer visit exploring the area. The first edition of the comprehensive "Mt. Fuji Travel Guide" was compiled by the editorial team of the DeepJapan travel website in cooperation with the tourism divisions of local governments and organizations. Contents: Mt. Fuji, Introduction Finally, a World Cultural Heritage Site The Fuji Five Lakes Region (Fujigoko) Approaches To Mt. Fuji Area Scenes of Mount Fuji Sightseeing Mt. Fuji Climbing Eating Events Accommodation
Author: H. Byron Earhart Publisher: Univ of South Carolina Press ISBN: 1611171113 Category : Religion Languages : en Pages : 286
Book Description
Illustrated with color and black-and-white images of the mountain and its associated religious practices, H. Byron Earhart's study utilizes his decades of fieldwork—including climbing Fuji with three pilgrimage groups—and his research into Japanese and Western sources to offer a comprehensive overview of the evolving imagery of Mount Fuji from ancient times to the present day. Included in the book is a link to his twenty-eight minute streaming video documentary of Fuji pilgrimage and practice, Fuji: Sacred Mountain of Japan. Beginning with early reflections on the beauty and power associated with the mountain in medieval Japanese literature, Earhart examines how these qualities fostered spiritual practices such as Shugendo, which established rituals and a temple complex at the mountain as a portal to an ascetic otherworld. As a focus of worship, the mountain became a source of spiritual insight, rebirth, and prophecy through the practitioners Kakugyo and Jikigyo, whose teachings led to social movements such as Fujido (the way of Fuji) and to a variety of pilgrimage confraternities making images and replicas of the mountain for use in local rituals. Earhart shows how the seventeenth-century commodification of Mount Fuji inspired powerful interpretive renderings of the "peerless" mountain of Japan, such as those of the nineteenth-century print masters Hiroshige and Hokusai, which were largely responsible for creating the international reputation of Mount Fuji. In the eighteenth and nineteenth centuries, images of Fuji served as an expression of a unique and superior Japanese culture. With its distinctive shape firmly embedded in Japanese culture but its ethical, ritual, and spiritual associations made malleable over time, Mount Fuji came to symbolize ultranationalistic ambitions in the 1930s and early 1940s, peacetime democracy as early as 1946, and a host of artistic, naturalistic, and commercial causes, even the exotic and erotic, in the decades since.
Author: Indra Levy Publisher: Routledge ISBN: 1351538608 Category : Social Science Languages : en Pages : 291
Book Description
The role of translation in the formation of modern Japanese identities has become one of the most exciting new fields of inquiry in Japanese studies. This book marks the first attempt to establish the contours of this new field, bringing together seminal works of Japanese scholarship and criticism with cutting-edge English-language scholarship. Collectively, the contributors to this book address two critical questions: 1) how does the conception of modern Japan as a culture of translation affect our understanding of Japanese modernity and its relation to the East/West divide? and 2) how does the example of a distinctly East Asian tradition of translation affect our understanding of translation itself? The chapter engage a wide array of disciplines, perspectives, and topics from politics to culture, the written language to visual culture, scientific discourse to children's literature and the Japanese conception of a national literature.Translation in Modern Japan will be of huge interest to a diverse readership in both Japanese studies and translation studies as well as students and scholars of the theory and practice of Japanese literary translation, traditional and modern Japanese history and culture, and Japanese women‘s studies.
Author: Asato Ikeda Publisher: University of Hawaii Press ISBN: 0824872126 Category : Art Languages : en Pages : 165
Book Description
This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.
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Author: Yukio Ōyama
Author: National Geographic Society (U.S.)
Author: Haruo Shirane
Author: Sjraar van Heugten
Author: Frederick Starr
Author: Katsushika Hokusai
Author: DeepJapan
Author: H. Byron Earhart
Author: Indra Levy
Author: Asato Ikeda