Dialectical Passions

Author: Gail Day
Publisher: Columbia University Press
ISBN: 023152062X
Category : Philosophy
Languages : en
Pages : 321

Book Description
Representing a new generation of theorists reaffirming the radical dimensions of art, Gail Day launches a bold critique of late twentieth-century art theory and its often reductive analysis of cultural objects. Exploring core debates in discourses on art, from the New Left to theories of "critical postmodernism" and beyond, Day counters the belief that recent tendencies in art fail to be adequately critical. She also challenges the political inertia that results from these conclusions. Day organizes her defense around critics who have engaged substantively with emancipatory thought and social process: T. J. Clark, Manfredo Tafuri, Fredric Jameson, Benjamin H. D. Buchloh, and Hal Foster, among others. She maps the tension between radical dialectics and left nihilism and assesses the interpretation and internalization of negation in art theory. Chapters confront the claim that exchange and equivalence have subsumed the use value of cultural objects and with it critical distance and interrogate the proposition of completed nihilism and the metropolis put forward in the politics of Italian operaismo. Day covers the debates on symbol and allegory waged within the context of 1980s art and their relation to the writings of Walter Benjamin and Paul de Man. She also examines common conceptions of mediation, totality, negation, and the politics of anticipation. A necessary unsettling of received wisdoms, Dialectical Passions recasts emancipatory reflection in aesthetics, art, and architecture.

Jazz

Author: Jeanpaul Ferro
Publisher: Honest Publishing
ISBN: 0956665861
Category : Literary Criticism
Languages : en
Pages : 96

Book Description
Romantic and full of wistful humor, Ferro's poetry seduces through its humanity and humility. Here are poems dealing with break-ups, city life, and disappointments. Relevant and vibrant, they speak to the heart and mind.

Rants

Author: Dennis Miller
Publisher: Main Street Books
ISBN: 0307766497
Category : Performing Arts
Languages : en
Pages : 222

Book Description
Now, I don't want to get off on a rant here The New York Times called Dennis Miller's The Rants "a pleasing mix of profanity and wit...that will make fans of his irreverent liberal angst laugh out loud." Readers across the nation clearly agreed, because the book stayed on the Times hardcover bestseller list for months, with more than 130,000 copies in print. Now, an even broader audience can discover Miller's stinging wit in paperback. Dennis Miller respects no boundaries. Whether the subject is dope-addled baseball players who can no longer swing their bats, do-nothing politicians who devote their careers to creating meaningful sound bites, or the nation's resigned acceptance of violence as a way of American life, these thematically arranged monologues are funny and angry. More significantly, they shatter the conventions of comedy by simultaneously making us laugh, think, and seethe. When Miller takes the stage, the audience demands, "the rants, the rants, the rants." Here is the collection of his invigorating and thought-provoking monologues that showcase his singular point of view.

The Philosophical Review

Author: Jacob Gould Schurman
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 696

Book Description
An international journal of general philosophy.

The Black Seasons

Author: Michal Glowinski
Publisher: Northwestern University Press
ISBN: 0810119595
Category : Biography & Autobiography
Languages : en
Pages : 217

Book Description
Publisher Description

Epic Negation

Author: C. D. Blanton
Publisher: Modernist Literature and Cultu
ISBN: 0199844712
Category : Literary Collections
Languages : en
Pages : 381

Book Description
"Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--

James Joyce's Negations

Author: Brian Cosgrove
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 280

Book Description
The main purpose of this book is to validate a reading of Joyce in negative terms. Central to the enquiry is an examination of the roles of irony and of indeterminacy. Irony, interpreted in metaphysical rather than merely rhetorical terms, is envisaged as deriving from two separate if related orientations, one associated with Friedrich Schlegel, the other with Gustave Flaubert. Insofar as Joyce's work (including "Ulysses") owes more to the latter than the former, it forgoes the genial humour central to Schlegel's theories, and embraces instead the ironic detachment and formal control of a Flaubertian perspective. Such irony (which entails a suspicion of sentiment and a related dehumanisation of character, as in some of the stories in Dubliners) becomes normative in Joyce, and along with a similarly deflationary parody pervades "Ulysses". In addition, a persistent indeterminacy is established as early as 'The Dead', so that it becomes impossible in that story to adjudicate between not just contradictory but mutually exclusive interpretations. Such indeterminacy is pushed to further extremes in "Ulysses", with its notorious proliferation of narrative perspectives.As a corollary to the work's encyclopaedic inclusiveness and quotidian particularism, every detail tends to assume the same significance as every other; the consequence being that (in Gyorgy Lukacs' famous formulation) we lose all sense of any 'hierarchy of meaning'. From that it is but a step to Franco Moretti's assessment that in "Ulysses" everyday existence remains 'inert, opaque - meaningless', and that in fact the whole point is to represent the meaningless precisely 'as meaningless'. Indeterminacy, in effect, ushers in the possibility of nihilism. The analysis of "Ulysses" culminates with the attempt (unavailing in both cases) to discover in either Bloom or Molly a genuine source of countervailing affirmation. The study concludes with a brief consideration of the polysemic vocabulary of "Finnegans Wake" as a logical extrapolation of the poetics of indeterminacy.

Stoic Logic

Author: Benson Mates
Publisher: Univ of California Press
ISBN: 0520349075
Category : Philosophy
Languages : en
Pages : 156

Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1973.

Jazz in the Hill

Author: Colter Harper
Publisher: Univ. Press of Mississippi
ISBN: 1496849876
Category : Music
Languages : en
Pages : 216

Book Description
From the 1920s through the 1960s, Pittsburgh’s Hill District was the heart of the city’s Black cultural life and home to a vibrant jazz scene. In Jazz in the Hill: Nightlife and Narratives of a Pittsburgh Neighborhood, Colter Harper looks at how jazz shaped the neighborhood and created a way of life. Beyond backdrops for remarkable careers, jazz clubs sparked the development of a self-determined African American community. In delving into the history of entrepreneurialism, placemaking, labor organizing, and critical listening in the Hill District, Harper forges connections to larger political contexts, processes of urban development, and civil rights struggles. Harper adopts a broad approach in thinking about jazz clubs, foregrounding the network of patrons, business owners, and musicians who were actively invested in community building. Jazz in the Hill provides a valuable case study detailing the intersections of music, political and cultural history, public policy, labor, and law. The book addresses distinctive eras and issues of twentieth century American urban history, including notions of “vice” during the Prohibition Era (1920–1934); “blight” during the mid-twentieth century boom in urban redevelopment (1946–1973); and workplace integration during the civil rights era (1954–1968). Throughout, Harper demonstrates how the clubs, as a nexus of music, politics, economy, labor, and social relations, supported the livelihood of residents and artists while developing cultures of listening and learning. Though the neighborhood has undergone an extensive socioeconomic transformation that has muted its nightlife, this musical legacy continues to guide current development visions for the Hill on the cusp of its remaking.

Negation and Knowledge of God: Neoplatonism and Christianity

Author: Daniel Jugrin
Publisher: Scholars' Press
ISBN: 6202302046
Category : Religion
Languages : en
Pages : 322

Book Description
It is not soul, not intellect, not imagination, opinion, reason and not understanding, not logos, not intellection, not spoken, not thought, not number, not order, not greatness, not smallness, not equality, not inequality, not likeness, not unlikeness, not having stood, not moved, not at rest, not powerful, not intepowerful, not light, not living, not life, not eternity, not time, not intellectual contact with it, not knowledge, not truth, not kingship, not wisdom, not one, not unity, not divinity, not goodness, not spirit , not sonhood, not fatherhood, ..., not something among what is not, not something among what is, not known as it is by beings, not a knower of beings as they are. There is neither logos, name, or knowledge of it. It is neither dark nor light, not error, and not truth. There is universally neither postulation nor abstraction of it. While there are produced postulations and abstractions of those after it, we neither postulate nor abstract it. Since beyond all postulation is the all-complete and single Cause of all; beyond all abstraction: the preeminence of that absolutely free of all and beyond the whole. (Dionysius the Areopagite, De mystica theologia V).