Author: Jack Hamm Publisher: Penguin ISBN: 9780399507915 Category : Art Languages : en Pages : 136
Book Description
A how-to handbook that makes drawing easy. Offers simplified techniques and scores of brand-new hints and helps. Step by step procedures. Hundreds of illustrations.
Author: Don Andrews Publisher: Watson-Guptill Publications ISBN: Category : Human figure in art Languages : en Pages : 152
Book Description
In explaining how to capture the essence of the human figure with watercolors, the author provides basic information about materials and discusses such techniques as gestures, lighting, backgrounds, edge quality, and more. 200 full-color illustrations.
Author: John Hollander Publisher: Univ of California Press ISBN: 9780520053236 Category : Literary Criticism Languages : en Pages : 172
Book Description
"In this essay on 'what the imagination has made of the phenomenon of echo, ' the author examines certain aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Mr. Hollander concludes with a study of the rhetorical status of the figure of echo, and the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways by which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo deals well with Spencer and other Renaissance writers, with romantic poets such as Keats, Shelley, and Wordsworth, and with echoes of their nineteenth-century forebears in such modern poets as Hardy, Eliot, Stevens, Frost, Williams and Hart Crane."--Front dust jacket inside flap.
Author: Nicole Brenez Publisher: Anthem Press ISBN: 1839987812 Category : Performing Arts Languages : en Pages : 179
Book Description
Films fill our imagination with figures, figurines, and talismans. They ceaselessly rework the same archetypes and invent troubling prototypes – especially when they establish a deeper relationship to reality. How do we understand these presences that are both so characteristic and so diverse in cinema? How does film deal with bodies, movements, and gestures? Why are we so drawn to these shadows, silhouettes, and hypothetical beings? What organizes the figurative values at work in a film? How do cinematic creatures circulate from film to film and image to image? How does film articulate the links between the abstract and figurative? Is it possible to write a history of figurative forms? Starting from films themselves and works that are both classical (Sergei Eisenstein, Roberto Rossellini, Orson Welles) and contemporary (Abel Ferrara, Brian DePalma, Patricia Mazuy), celebrated (Robert Bresson, John Cassavetes, Ken Jacobs, Paul Sharits) and overlooked (Al Razutis, Jean Genet, Monte Hellman, and John Travolta), from auteurs as well as aesthetic questions (representations of dance, the naked body, character development...), the essays in this volume, most available for the first in English, aim to open a field that has been neglected by analysis, while also suggesting the tools necessary to understanding figurative phenomena specific to cinema.
Author: Felipe De Jesus Legarreta-Castillo Publisher: Augsburg Fortress Publishers ISBN: 1451470010 Category : Bibles Languages : en Pages : 229
Book Description
It is widely recognized that in some of his letters, Paul develops a Christology based on a comparison between Adam and Christ, and that this Christology has antecedents in Jewish interpretation of Genesis 1-4. Felipe Legarreta gives careful attention to patterns of exegesis in Second-Temple Judaism and identifies, for the first time, a number of motifs by which Jews drew ethical implications from the story of Adam and his expulsion from Eden. He then demonstrates that throughout the "Christological" passages in Romans and 1 Corinthians, Paul is taking part in a wider Jewish exegetical and ethical discussion regarding life in the new creation.
Author: Michael Malay Publisher: Springer ISBN: 3319706667 Category : Literary Criticism Languages : en Pages : 265
Book Description
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Author: Jack Hamm
Author: Don Andrews
Author: John Hollander
Author: Nicole Brenez
Author: Isaac Todhunter
Author: I. Todhunter
Author: Felipe De Jesus Legarreta-Castillo
Author: Michael Malay
Author: Sir John Melton
Author: Jill M. Kress