Author: Leonard Bernstein Publisher: Harvard University Press ISBN: 9780674920019 Category : Music Languages : en Pages : 444
Book Description
Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.
Author: Lauren D. Fulter Publisher: ISBN: 9781736114674 Category : Languages : en Pages : 0
Book Description
It's 340 years in the future. Humanity's darkest secret is reawakening, and the only thing that can stop it is to find the Members of the legendary Council. The problem? They're all teenagers.With no memories of how she got there, Nikki stumbles into the small rural region of North Cordell, with nothing by her name and only a glowing green Stone. She intends to listen to the Stone's instructions to stay safe and out of sight, but a light blinking in the mountain calls to her. Winding up trapped in the woods during a storm with five other teens, they're attacked by people in capes and supernatural abilities. Saved by the mysterious Defending Sergeant, and accused of a ridiculous crime, they have on chance to prove their innocence. With everyone against them, the six reluctant friends must put their differences aside and embrace the truth of their destiny against the very nature of which they know.
Author: Leonard Bernstein Publisher: Hal Leonard Corporation ISBN: 9781574671643 Category : Performing Arts Languages : en Pages : 292
Book Description
(Amadeus). With style, wit, and expertise, Leonard Bernstein shares his love and appreciation for music in all its varied forms in The Infinite Variety of Music , illuminating the deep pleasure and sometimes subtle beauty it offers. He begins with an "imaginary conversation" with George Washington entitled "The Muzak Muse," in which he argues the values of actively listening to music by learning how to read notes, as opposed to simply hearing music in a concert hall. The book also features the reproduction of five television scripts from Bernstein on the influence of jazz, the timeless appeal of Mozart, musical romanticism, and the complexities of rhythmic innovation. Also included are Bernstein's analyses of symphonies by Dvorak, Tchaikovsky, Beethoven, and Brahms, a rare reproduction of a 1957 lecture on the nature of composing, and a report on the musical scene written for the New York Times after his sabbatical leave from directorship of the New York Philharmonic during the 1964-65 season.
Author: Lee Braver Publisher: MIT Press ISBN: 0262029685 Category : Philosophy Languages : en Pages : 381
Book Description
"Heidegger's Being and Time" is one of the most influential and important books in the history of philosophy, but it was left unfinished. The parts we have of it, Divisions I and II of Part One, were meant to be merely preparatory for the unwritten Division III, which was to have formed the point of the entire book when it turned to the topic of being itself. In this book, leading Heidegger scholars and philosophers influenced by Heidegger take up the unanswered questions in Heidegger's masterpiece, speculating on what Division III would have said, and why Heidegger never published it. The contributors' task--to produce a secondary literature on a nonexistent primary work--seems one out of fiction by Borges or Umberto Eco. Why did Heidegger never complete Being and Time? Did he become dissatisfied with it? Did he judge it too subjectivistic, not historical enough, too individualistic, too existential? Was abandoning it part of Heidegger's "Kehre", his supposed turning from his early work to his later work? Might Division III have offered a bridge between the two phases, if a division exists between them? And what does being mean, after all? The contributors, in search of lost Being and Time, consider these and other topics, shedding new light on Heidegger's thought.
Author: Joseph Horowitz Publisher: W. W. Norton & Company ISBN: 0393881253 Category : Music Languages : en Pages : 256
Book Description
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
Author: National Research Council Publisher: National Academies Press ISBN: 0309173736 Category : Computers Languages : en Pages : 226
Book Description
The tremendous growth in use of information technology (IT) has led to an increased interest in understanding its social and economic impacts. This book presents examples of crosscutting research that has been conducted to understand the impact of information technology on personal, community, and business activities. It explores ways in which the use of methodology from economics and social sciences contributes to important advances in understanding these impacts. The book discusses significant research issues and concerns and suggests approaches for fostering increased interdisciplinary research on the impacts of information technology and making the results of this research more accessible to the public and policymakers. This volume is expected to influence funding priorities and levels of support for interdisciplinary research of this kind.
Author: John Brockman Publisher: HarperCollins ISBN: 0062897950 Category : Science Languages : en Pages : 352
Book Description
Discover the universe's last unknowns—here are the unanswered questions that obsess "the world's finest minds" (The Guardian) Featuring a foreword by DANIEL KAHNEMAN, Nobel Prize-winning author of Thinking, Fast and Slow This is a little book of profound questions (only questions!)—unknowns that address the secrets of our world, our civilization, the meaning of life. Here are the deepest riddles that have fascinated, obsessed, and haunted the greatest thinkers of our time, including Nobel laureates, cosmologists, philosophers, economists, prize-winning novelists, religious scholars, and more than 250 leading scientists, artists, and theorists. In The Last Unknowns, John Brockman, publisher of Edge.org, asks "a mind-blowing gathering of innovative thinkers" (Booklist): "What is ‘The Last Question,’ your last question, the question for which you will be remembered?" Featuring the Pulitzer Prize–winning author of Guns, Germs, and Steel JARED DIAMOND • Nobel Prize-winning University of Chicago economist RICHARD THALER • Harvard psychologist STEVEN PINKER • religion scholar ELAINE PAGELS • author of Seven Brief Lessons on Physics CARLO ROVELLI • Booker Prize–winning novelist IAN McEWAN • neuroscientist SAM HARRIS • philosopher DANIEL C. DENNETT • MIT theorist SHERRY TURKLE • decoder of the human genome J. CRAIG VENTER • The Coddling of the American Mind author JONATHAN HAIDT • Nobel Prize-winning physicist FRANK WILCZEK • UC Berkeley psychologist ALISON GOPNICK • philosopher REBECCA NEWBERGER GOLDSTEIN • New York Times columnist CARL ZIMMER • MIT cosmologist MAX TEGMARK • Whole Earth founder STEWART BRAND • "Marginal Revolution" economist TYLER COWEN • Anatomy of Love author HELEN FISHER • Noble Prize-winning NASA physicist JOHN C. MATHER • psychologist JUDITH RICH HARRIS • Princeton physicist FREEMAN DYSON • musician BRIAN ENO • environmental scientist JENNIFER JACQUET • Duke economist DAN ARIELY • Oxford philosopher A. C. GRAYLING • Harvard cosmologist LISA RANDALL • anthropologist MARY CATHERINE BATESON • Emotional Intelligence author DANIEL GOLEMAN • Harvard genticist GEORGE CHURCH • Blueprint author NICHOLAS A. CHRISTAKIS • Stanford political scientist MARGARET LEVI • economist ALAN S. BLINDER • publisher TIM O'REILLY • theoretical cosmologist JANNA LEVIN • Serpentine Gallery owner HANS ULRICH OBRIST • Wired founding editor KEVIN KELLY • Cambridge astrophysicist MARTIN REES, and more than 200 others.
Author: Solomon Volkov Publisher: Knopf ISBN: 0307427722 Category : Biography & Autobiography Languages : en Pages : 307
Book Description
“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.
Author: Haruki Murakami Publisher: Bond Street Books ISBN: 0385669445 Category : Fiction Languages : en Pages : 1342
Book Description
The long-awaited magnum opus from Haruki Murakami, in which this revered and bestselling author gives us his hypnotically addictive, mind-bending ode to George Orwell's 1984. The year is 1984. Aomame is riding in a taxi on the expressway, in a hurry to carry out an assignment. Her work is not the kind that can be discussed in public. When they get tied up in traffic, the taxi driver suggests a bizarre 'proposal' to her. Having no other choice she agrees, but as a result of her actions she starts to feel as though she is gradually becoming detached from the real world. She has been on a top secret mission, and her next job leads her to encounter the superhuman founder of a religious cult. Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange disturbance that develops over a literary prize. While Aomame and Tengo impact on each other in various ways, at times by accident and at times intentionally, they come closer and closer to meeting. Eventually the two of them notice that they are indispensable to each other. Is it possible for them to ever meet in the real world?
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Author: Leonard Bernstein
Author: Lauren D. Fulter
Author: John Bowden
Author: Leonard Bernstein
Author: Lee Braver
Author: Joseph Horowitz
Author: National Research Council
Author: John Brockman
Author: Solomon Volkov
Author: Haruki Murakami