Author: José María ParramónPublisher:
ISBN:
Category : Art
Languages : en
Pages : 116
Book Description
Gives instruction on color in nature and how it can be used to make expressive paintings.
Color Library
Author: Emily KingPublisher: Jrp Ringier
ISBN: 9783037645277
Category : Color in art
Languages : en
Pages : 280
Book Description
"A collectible volume for graphic designers and creative entrepreneurs, this book is dedicated to "Color Library," one of the most discussed projects in the field of graphic design of the last few years. An investigation into color reproduction and printing, "Color Library" is a tool for artists, designers, photographers, and printers. It aims to widen the possibilities of color printing, and reflects on our contemporary perception of color as it is shaped by the recent developments in print production. Primarily conceived as a digital platform, "Color Library" offers a variety of colorimetric profiles automatically applicable to images, based on color combinations generated according to their perceptual, technical, and conceptual relevance. It not only offers an alternative to standard color printing, but also affirms a distinctive vision of how to print colors and process them" (Verlagshomepage).
Color Theory
Author: Patti MollicaPublisher: Walter Foster
ISBN: 1600583024
Category : Art
Languages : en
Pages : 66
Book Description
In this essential guide, accomplished artist Patti Mollica walks you through the most important aspects of color theory as they relate to oil and acrylic painting. From pigment characteristics and color mixing to color psychology, you'll find all the information you need to make dynamic, harmonious, and meaningful color choices in your own works of art. Regardless of your medium, a solid understanding of color and its applications is essential. With a fresh, contemporary take on the subject of color, this essential guide features step-by-step projects and practical tips and techniques to put color knowledge to effective use. You'll find within: Discussions and illustrations of the complexities of color and how to use it as a tool for communication Tips for creating vibrant mixes, lively blacks, realistic greens, and flesh tones An inspiring collection of fresh and contemporary artwork Color Theory begins with an overview of color in the history of art and the science behind color, followed by a presentation of color basics: the color wheel; hue, saturation, and value; color and value; color temperature; color relativity; and color schemes. Everything you need to know about pigments and paints is detailed next. With these essentials covered, move on to integrate color with your compositions and painting style as a means of expression. Harness the power of color in your painting with Color Theory!
Color and How to Use It
Author: William F PowellPublisher: Walter Foster Publishing
ISBN: 9780929261058
Category : Art
Languages : en
Pages : 68
Book Description
From the most delicate pastel tint to the boldest bright hue, color is a vitally important tool to you as an artist. Whether your preferred medium is acrylic, oil, or watercolor, a strong understanding of color and its applications is essential. includes in-depth information on color theory, important properties of color and light, and the fundamentals of color mixing. This comprehensive guide will teach you what color is, how it works, and how to make it work for you in your paintings.
Author: Mark GonyeaSpecial Subjects: Basic Color Theory
Author: Walter Foster Creative TeamPublisher: Quarto Publishing Group USA
ISBN: 1633225917
Category : Art
Languages : en
Pages : 43
Book Description
Learn how to use color effectively and become a well-rounded artist with this easy-to-follow guide. A perfect resource for new artists and art hobbyists, Basic Color Theory demonstrates the color wheel at work and covers all the essentials, including complementary, primary, secondary, and tertiary colors; hue, saturation, and value; color mood, temperature, and schemes; and how to create a color chart. Each concept is clearly explained in easy-to-comprehend language so beginning artists can put their newfound knowledge to immediate use. Also included are step-by-step tutorials, as well as techniques for basic color mixing in different mediums. Designed for beginners, the How to Draw and Paint series offers an easy-to-follow guide that introduces artists to basic tools and materials and includes simple step-by-step lessons for a variety of projects suitable for the aspiring artist. Basic Color Theory allows artists to widen the scope of their abilities, demonstrating how to create color and value charts, basic color mixing techniques, and a comprehensive approach to understanding color relationships.
The Book of Color
Author: José María ParramónPublisher: Watson-Guptill Publications
ISBN:
Category : Art
Languages : en
Pages : 172
Book Description
Everything artists need to know about an important and popular subject. Designed as a complete resource, this book considers every aspect of color: historical, physical, perceptual, aesthetic, and practical. With its numerous step-by-step sequences and illustrations of theory in practice, this guide has everything artists need to gain a mastery of the subject. 400 full-color illustrations.
Author: Johannes IttenColor Theory for the Makeup Artist
Author: Katie MiddletonPublisher: Routledge
ISBN: 1351380540
Category : Art
Languages : en
Pages : 197
Book Description
Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects analyzes and explains traditional color theory for fine artists and shows how to apply it directly toward make-up applications Make-up artists control color the same way a painter does. They choose color palettes, match colors, blend new colors, and create designs on a canvas that is always changing. Some colors cancel others, some balance each other, and some oppose other colors. However, painters seldom have to consider inconsistencies in how their art will be lit and where it will be displayed the way that a make-up artists does. This book teaches how to mix any color using just red, yellow, blue, and white. It discusses the reason for variations in skin colors and undertones, and how to identify and match these using make-up, while choosing flattering colors for the eyes, lips, and cheeks. Colors found inside the body are explained for special effects make-up, like why we bruise, bleed, or appear sick, and ideas and techniques are also described for painting prosthetics. The book also explains how lighting affects color on film, television, theater, and photography sets, and how to properly light a workspace for successful applications. Whether you are a professional or a beginner, you will never stop learning. There will always be new products, techniques, and fashions – this book provides guidance and inspiration to keep practicing, creating, and honing your skills.
The Brilliant History of Color in Art
Author: Victoria FinlayPublisher: Getty Publications
ISBN: 1606064290
Category : Art
Languages : en
Pages : 122
Book Description
The history of art is inseparable from the history of color. And what a fascinating story they tell together: one that brims with an all-star cast of characters, eye-opening details, and unexpected detours through the annals of human civilization and scientific discovery. Enter critically acclaimed writer and popular journalist Victoria Finlay, who here takes readers across the globe and over the centuries on an unforgettable tour through the brilliant history of color in art. Written for newcomers to the subject and aspiring young artists alike, Finlay’s quest to uncover the origins and science of color will beguile readers of all ages with its warm and conversational style. Her rich narrative is illustrated in full color throughout with 166 major works of art—most from the collections of the J. Paul Getty Museum. Readers of this book will revel in a treasure trove of fun-filled facts and anecdotes. Were it not for Cleopatra, for instance, purple might not have become the royal color of the Western world. Without Napoleon, the black graphite pencil might never have found its way into the hands of Cézanne. Without mango-eating cows, the sunsets of Turner might have lost their shimmering glow. And were it not for the pigment cobalt blue, the halls of museums worldwide might still be filled with forged Vermeers. Red ocher, green earth, Indian yellow, lead white—no pigment from the artist’s broad and diverse palette escapes Finlay’s shrewd eye in this breathtaking exploration.
